People
Meet the Cebuana behind your favorite comic books
Kathryn Layno makes a colorful splash into the world’s art scene by breathing life into comic books, including titles for DC Entertainment.
Kathryn Layno makes a colorful splash into the world’s art scene by breathing life into comic books, including titles for DC Entertainment
“They say if you’re working in a creative industry, your workspace is usually a mess,” Kathryn Layno warns as she ushers us into her office. Indeed, the little nook is complete artistic chaos—a bookshelf was bulging with novels and comic books, various knick-knacks were strewn all over the floor and the tables, and the walls were filled with artwork and katana swords. Kathryn’s station, which dominated the room, was a heavy drafting table that held her laptop, her Wacom Cintiq tablet, and a small HD TV screen for when she wants to take gaming breaks on a console. “My husband and I are glad we’re having a shoot here,” she confesses with a chuckle. “Now the place is slightly cleaner.”
The clutter is quite justifiable, given Kathryn’s achievements. Since kicking off her freelance career doing private commissions in 2007, the young artist steadily gained momentum and started receiving work for independent publishing. In 2012, she was one of two Cebuano artists who made it to a shortlist for a Marvel talent search. Later on, she landed coloring work for DC Entertainment, the first one being a collaboration with artist Drew Johnson for a He-Man comic book that focused on the retelling of She-Ra. “I grew up watching that show, and having Aurora’s tale spun the way they did in this new comic was really interesting to see,” Kathryn recalls. Of the experience, she says that working for DC Comics was amazing. “I got to collaborate with artists whose work I have admired, and I was part of stories I grew up with.”
The gig catapulted Kathryn’s career, leading to more collaborations with DC Comics, including interior coloring for He Man and the Masters of the Universe #1, and cover colors for The Adventures of Superman #12 and Batman Legends of the Dark Knight Vol. 4. She has also done comic art for David Lloyd’s Aces Weekly Vol. 2, Boom’s Irredeemable #24, Mike Garley’s Dead Roots, and Dragonsteel Entertainment’s Shadow’s Beneath; and took part in independent projects such as the all-female comic anthology Womanthology and Draw ‘Em with the Pointy End, a Game of Thrones non-profit art book. Her design aesthetic gravitates towards sunrise and sunset color schemes, as well as intricate layouts that involve a lot of elements blending into each other. “My work can range from ethereal glowing pieces to more black ink-heavy looks,” Kathryn explains. “It depends a lot on my mood, or what the project calls for.”
It’s definitely a long way for someone who left school (“I never finished [Fine Arts-Advertising] because I didn’t feel like I wanted to be in that field,”) and mostly taught herself through research and practice. Drawing with other artists online, Kathryn says, also helped her a lot, although she’s quick to admit that she didn’t quite know where to begin at first. “I used to believe that you had to be in the U.S. to be able to work in this field,” she remembers. As a teenager, the option for working online wasn’t there, so she was not able to consider it until much later. “Learning how to network online and find work was definitely challenging to start.”
Kathryn names Jo Chen, Rebecca Guay, Joe Madureira, Alfons Mucha, James Jean and Daisuke Ishiwatari as her inspirations, and cites her mother as her heaviest influence. “She also wanted to be an artist when she was younger, and always took me to exhibits and showed me articles about animation,” she says, adding that if she could collaborate with anyone, it would be her friends. “I am fortunate enough to be in the company of so many talented people, and I just want us to be able to do so many things together with art, music, gaming and animation if time would only allow.” Kathryn also aims to use her talents to create awareness in Cebu for LGBT and non-conventional relationship structures. “Growing up, I always felt like something was wrong with me, and it really was a struggle to accept who I was,” she shares. “I really want to shed light on those issues for people here to know they aren’t alone, and there is nothing wrong with the way they love.”
Despite the constant stream of commissions and her growing fanbase online attributed to Legend of Korra fanart she posts on Tumblr, Kathryn is not quick to rest on her laurels. She expresses that doing what she does is a constant challenge because she’s never content with where she is, artistically speaking. “It is always a matter of pushing myself to do things better, and explore areas outside my comfort zone,” Kathryn explains. “I don’t have a need to have a specific style and it’s always been about versatility over distinction to me. In times of emotional duress, that can be difficult but pushing outside your boundaries to explore what you thought you couldn’t do is the only way to find out if you actually can.”
For now, Kathryn is happy for the opportunity to portray things that are close to her. “Getting messages about how something I did for fun was able to reach people half a world away and make them love themselves more is a very humbling experience,” she concludes.
by Patty Taboada photography Mark Philip Dales makeup Arnauld assistant Gino Fonghe
Originally published in Zee Lifestyle, May 2016. For back issues, subscribe via Magzter.
Events
The First NUSTAR BALL
The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.
Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.
It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.
Design
Filipino graphic designer makes history, joins Switzerland’s Museum of Avant-garde among genre’s greats
PJ Ong of Inodoro, an internationally renowned graphic designer, is the first Filipino whose work will be part of the permanent collection of Switzerland’s Museum of Avant-garde
CEBU CITY — In a groundbreaking achievement, Cebu-based graphic designer and art director PJ Ong of Inodoro Design Studio, is set to become the first Filipino artist permanently exhibited at Museum of Avant-garde (MA-g) in Mendrisio, Switzerland.
Ong’s recognition at MA-g places him among over 250 avant-garde artists, including iconic figures like Pablo Picasso and Marcel Duchamp, signifying a profound milestone in museum history.
“Avant-garde,” is a term that refers to pushing the boundaries of artistic expression.
“I am extremely honored and humbled. It is a remarkable milestone in my creative journey, and I am grateful for the opportunity to be part of such a prominent platform. The acknowledgment, especially considering Switzerland’s exacting standards in art and design, is truly fulfilling,” said Ong.
Part of a stellar contemporary collection
Under the museum’s Contemporary Collection, Ong will join global contemporary agencies such as M/M Paris (collaborator of Icelandic singer-songwriter and composer, Björk), WORK Pte Ltd (brainchild of the “Godfather of Singapore Graphic Design,” Theseus Chan), Bedow (Stockholm), BVD Stockholm AB (Stockholm), Socio Design (London) and Milkxhake (Hong Kong), among others.
Ong’s music packaging design for the Filipino harsh noise duo, White Widow, will be featured in the museum. The band’s album “The God Uterus Dissolves” — released under Melt Records — features an unconventional cassette tape packaging incorporating a hand-crafted wire mesh, elevating it into a unique and bespoke collector’s item.
The museum’s selection process for its Contemporary Collection involved three categories: Graphic Design, Photography, and Illustration. Swiss-Canadian Fritz Gottschalk, a prominent figure in contemporary graphic design, led the Graphic Design category.
“This is profoundly validating for me as a graphic designer. Being part of a museum’s permanent contemporary collection is a lasting testament to my capabilities as an artist,” said Ong.
‘Poetry you can touch’
The graphic designer from Cebu City further defined the album as a “deliberate departure from the ordinary,” stating that it was a testament to the artist’s and band’s dedication to pushing boundaries and offering the audience a unique and immersive experience.
“Careful consideration was given to every detail, including choosing a premium supplier for the cassette tape. Opting for a screen-printed cassette, where design elements were applied directly to the surface, gave it a contemporary and visually striking result, helping us reinforce the design narrative,” said Ong.
“From the cohesive placement of elements to using symbols instead of track titles on the spine and customizing fonts, every aspect was carefully thought out. Rather than opting for the conventional wire mesh treatment on print, I took a bold step by incorporating a hand-crafted wire mesh, adding a unique and sensory dimension to the album — almost like poetry you can touch.”
Profound honor
Established in 2003, Inodoro Design Studio under Ong’s leadership has garnered global acclaim for its bold design philosophy, spanning music, fashion, architecture, culture and technology. In becoming the first Filipino whose work will be on display at the MA-g, Ong stated that it is “particularly humbling.”
“Traditionally, these privileges are given to individuals who have amassed decades of experience, attained mastery in their craft, or even as a posthumous acknowledgment. To be among those selected is a profound and unexpected honor,” he said.
“Museums typically focus on visual artists, and for a graphic designer, especially within the realm of commercial work, recognition can be more elusive. I appreciate the challenges of this less conventional route and I am committed to proving the significance of graphic design in the broader artistic landscape.”
Art enthusiasts can anticipate viewing Ong’s work with “The God Uterus Dissolves” at MA-g, scheduled to open to the general public in 2025.
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About The Museum of Avant-garde (MA-g)
The Museum of Avant-garde compiles an original body of work from private collections, providing a unique perspective on the cultural and artistic significance of avant-garde movements. These movements, synonymous with transformative ideologies and daring experimentations, played a pivotal role in challenging political and societal conventions. For more information, visit www.ma-g.org.
About Inodoro
Inodoro is the creative moniker of graphic designer and art director PJ Ong, a prominent figure in the Philippine design scene. Established in 2003, Inodoro Design Studio, based in Cebu, Philippines, has garnered international recognition for its bold and distinctive design, with a focus on thought-driven imagery and iconic visual language. The studio specializes in identities, custom typography, graphic design and art direction. For more information, visit www.inodoro-design.com.
People
Ladies Who Support Ladies
Women’s Circle is an organization composed of Cebuano ladies who are successful entrepreneurs and top executives. They recently held a fellowship event at the Sheraton Mactan Resort, with special guests from the Women’s Business Council Philippines. Chairperson, Rosemarie Rafael and Council Secretary Cynthia Mamon both flew in from Manila to discuss alliances between the Cebu and Manila groups.
The half day event was organized by Perl Jacalan, Gina Atienza and Eva Gullas. Sheraton Resort through its GM Dottie Wugler Cronin supported the event as it is aligned with the hotel’s women initiatives. The successful event was made more fun with generous give-aways, notably Jo Malone perfumes, Sheraton bags, R&M Chocomanga and sarongs from Ferimar.
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