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The Gentleman: Inside the Closet of Sugbo Mercado’s Michael Karlo Lim

We get a peek into the closet of food writer, entrepreneur and all-around well-dressed dude Michael Karlo Lim, and find more than just clothes.

About a year ago, a certain online persona sent out a tweet about how Sugbo Mercado’s main man Michael Karlo Lim was always dressed in a suit despite the country’s sometimes scorching temperatures, only the tweet was phrased in a less flattering light. It may be a testament to how nice a person Karlo actually is that so many people had risen to the defense, which prompted the deletion of said post—but, to be fair, he does have a lot of jackets.

Simple white clothing racks create a sense of coherence among Karlo’s personality-packed collection of clothes–one of which is a fringed suede jacket that he hopes to wear to a country album launch soon.

In fact, one rack is dedicated entirely to them, from a pale pink suit that was custom-made during a recent trip to India, to a mini collection of blazers from Uniqlo. The most distinct one, though, would have to be the suede Wild West-inspired version that was on display on the clothes stand in the corner. “This is where I usually put the outfits I already planned out for events, and since I’m going to a country album launch this weekend, this is perfect, right?”

This mother and daughter pair of giraffes is something Karlo had bought off a window display from Celine, and now shows off right outside his closet. “I was planning on turning them into lamps, but I never got around to it,” he admits.

As we go through the rest of the clothes he had organized in the bedroom-turned-closet (“Okay, to be honest, I still have unpacked luggage from my days in Beijing hidden in storage,” he admits sheepishly when I tell him he had less clothes than I expected), it’s clear that Karlo is one who is committed to dressing well, but doesn’t take fashion too seriously.

“I wouldn’t say I like dressing up, but rather love dressing well,” Karlo shares. “Clothes are an extension of character. Personal style says much about who you are without having to say anything. What you have on is both your introduction and part of your story. Still, this all really isn’t about impressing anyone but ultimately feeling good about myself.”

Although he hardly wears it, a pair of jootis he got from India is among his most interesting pair of shoes. “Do you know there is no right or left shoe when it comes to jootis? They’re all the same,” he shares.

Having this philosophy in mind, it’s then easy to understand the way Karlo picks out his clothes—each of his pieces tell a certain story, whether that’s a specific moment in time or a different aspect of his personality. He pulls out a pair of chambray harem pants that he’d so far only worn in India, which seems appropriate. He shows off the considerably extensive collection of floral shirts that have been on rotation all summer, acquired from different sources (which includes girlfriend Vanessa East’s own closet). Lined up against the walls and on low shelves are his collection of shoes that include white sneakers, classic leather oxfords, sequined jootis, and fur slippers.

Besides the clothes, the other thing that takes up the most space on Karlo’s shelves is his collection of pop-up books, which range from fairy tales like Beauty and the Beast, to literary classics like Frankenstein and The Odyssey. “I love them,” he says. “There’s so much thought that goes into making each one.”

Of course, the space isn’t one that’s dedicated to purely fashion. His good taste translates to design, which is seen in thoughtful details throughout the room—a fur throw from New Zealand that’s become a staple backdrop for flatlays is casually strewn over the

Of course, the space isn’t one that’s dedicated to purely fashion. His good taste translates to design, which is seen in thoughtful details throughout the room—a sheepskin throw from New Zealand stands out against the modern gray couch, while a Chiquita by Kenneth Cobonpue sits in another corner. A wooden bookshelf lines one wall, housing a collection of knick-knacks that include a Lego McDonalds burger set, a model of the Gungan sub from Phantom Menace, and Karlo’s extensive collection of pop-up books.

 

Fashion

The Qipao As Interpreted by Innovative Filipino Designers: PHILIP RODRIGUEZ

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Cebu’s esteemed designer, Philip Rodriguez, pays homage to imperial attire with this stunning yellow silk brocade qipao. While adhering to the traditional cheongsam silhouette, Rodriguez infuses a touch of sensuality by incorporating see-through silk tulle panels along the waistline. Known for his timeless designs and culturally respectful creations, Rodriguez’s attention to detail is unparalleled. His embellishments are intricate and exquisite, showcasing impeccable taste and luxurious design without veering into ostentation. Take, for instance, his cheongsam for the Year of the Dragon. While it may seem daring compared to traditional sensibilities, Rodriguez maintains elegance by delicately veiling the wearer’s skin with sheer tulle on the cutout side panels. The front slit of the dress is cautiously calculated to strike the perfect balance between modesty and allure “I design for women who possess sophistication beyond their years, “ Philip emphasizes. “My clothes are crafted to evoke a sense of beauty and allure, leaving her feeling exquisite and confident.” As a seasoned designer, Rodriguez consistently achieves harmony in his designs. His qipao for 2024 seamlessly blends elements of royalty and sensuality, luxury and practicality, reflecting his mastery of the craft and his ability to create pieces that are truly elegant and well-balance.

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Fashion

The Qipao As Interpreted by Innovative Filipino Designers: JC BUENDIA

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

JC Buendia, celebrated for his ability to tell a million style stories through minimalist details, is a master of clean, chic lines in fashion. Eschewing frivolity and nonsensical embellishments, every element of his designs contributes to their overall elegance.

Inspired by cinematic portrayals of Chinoiserie, Buendia’s first fascination with the Qipao began with Gloria Romero’s iconic portrayal of a Chinese princess disguised as a ‘sampan’ girl in the 1957 film “Hong Kong Holiday.”

“This admiration for orientalalia only deepened as I watched films like “The Last Emperor” and “In The Mood For Love,” JC recalls.

Buendia’s latest creation is a testament to this cinematic influence. His interpretation of the Qipao for the Year of the Wood Dragon features a cropped top crafted from silk Dupioni, embellished with diamond brooches on the reverse closure for a touch of glamour. Paired with a tea-length bouffant skirt made from frothy layers of delicate tulle, the ensemble exudes sophistication and timeless elegance.

With meticulous attention to detail and a keen eye for design, JC Buendia’s Qipao captures the essence of cinematic glamour while offering a contemporary twist on a classic silhouette. It’s a tribute to the enduring allure of Chinoiserie and the timeless beauty of the Cheongsam.

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Fashion

The Qipao As Interpreted by Innovative Filipino Designers: PROTACIO EMPACES

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Protacio Empaces is renowned for his talent in reinventing historical silhouettes into stylish statements perfect for modern women’s lifestyles. His reinterpretations present wearable, contemporary, and highly coveted fashion pieces. The distinct embroidery he incorporates adds an extra touch of charm to his creations. Take, for instance, his cheongsam adorned with delicately hand-embroidered macro daisies and trapunto leaves. “I imagined a vibrant qipao inspired by tropical aesthetics, tailored for chic city living in ASEAN mega-cities. I’m using cotton pique for its structure and infusing it with lively colours to retain a stylish, sensual silhouette,” explains Protacio. His knee-length qipao captures the timeless sophistication seen in Maggie Cheong’s iconic look in the classic film “In the Mood for Love.” Crafted for the Year of the Dragon, this design seamlessly complements the film’s aesthetic, presenting a potential addition to the character’s wardrobe. Seasoned designer Protacio’s creations speak to women aged 30 to 80. His intial Qipao offering for 2024 combines modern elegance with classic charm that resonates with these women’s sophisticated tastes and vibrant lifestyles.

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