People
The appeal of Rodrigo Duterte
The new President of the Republic of the Philippines is charming yet crude—or is his crudeness his charm? The polarizing appeal that propelled Rodrigo Duterte to his landslide victory is examined.
The nation has chosen. In the aftermath of the 2016 Philippine elections, Davao City’s Rodrigo Roa Duterte emerged as the clear winner of the presidential race. Amassing over 16 million votes, or 39% of the voting population, the former Davao City Mayor’s landslide victory over his formidable opponents DILG Secretary Manuel Roxas II, former Vice-President Jejomar Binay, and Senators Grace Poe Llamanzares and Miriam Defensor-Santiago quickly shifted the public’s attention to the tighter bid for the vice-presidential seat between Senator Ferdinand “Bongbong” Marcos Jr. and Congresswoman Leni Robredo, with Robredo narrowly defeating Marcos by some 200,000 votes.
That’s not to say that the focus on the vice-president race put Duterte in the backseat. If anything, the man dubbed by TIME Magazine as ‘The Punisher’ has continued to make headlines way after, and even long before the elections. During the campaign period, Duterte drew widespread criticism after making an inappropriate remark regarding the rape of an Australian missionary in 1989. He also irked more people after saying that corrupt journalists deserved to die. The list of Duterte’s social faux pas doesn’t just end there, with numerous incidents adding color to his two decades in public service.
Still, despite all these, his popularity among the people barely dwindled well into the elections and afterwards. So, why him? “Bad jokes versus track record, there’s no contest,” says political communications consultant Mike Acebedo Lopez. “Do I wish for him to have more tact? Most certainly. But as we always say, action speaks louder than words. And this guy has performed and delivered where his opponents were just about sweet talk.”
“His platform of federalism resonates with those in the countryside, the people in the peripheries.” – Mike Acebedo Lopez
As one of the country’s longest-serving mayors (he served seven terms, from 1988 to 1998, 2001 to 2010, and 2013 to 2016), Duterte has reinvented Davao City from what was said to be the country’s murder capital to one of the safest destinations in southeast Asia and the world. He signed numerous ordinances to prohibit selling, serving and consuming alcoholic beverages from 1:00 to 8:00 in the morning; to reduce speed limits for public safety; and to ban fireworks and smoking. He pushed for the city’s Women Development Code and the Magna Carta for Women to recognize, protect, fulfill and promote the rights of women in Davao. Under his term, he also developed the Public Safety and Security Command Center—likened to homeland security in the United States—which houses the central 911 free services provided by the city government—the only kind in the country.
“People are just so tired of same old, same old,” continues Mike. “They’re not only mad, they’re desperate. And so they we’re willing to risk it with someone who’s shown not only the best he has to offer—Davao as a centerpiece for good governance—but also the very worst he’s capable of, his crass humor, among others.”
For House of Lechon owner and mother of four, Cheryl Pages-Alba, who avidly supported Duterte based on the process of elimination (“The other candidates’ issues on competence and integrity made my process quicker and easier, as I found many traits in them that were major deal breakers.”) Duterte’s no-filter and uncouth behavior is the same quality that the masses found most endearing about him. “In hindsight, part of strategy was to create hype and theatrics,” she explains. “It almost didn’t matter if it was bad publicity, as he was everybody’s favorite topic—another brilliant move keeping him relevant throughout the campaign season.” She adds that, on her part as a responsible and curious voter, she did her own research when controversies came out. “I’d watch the whole source of a questionable short video clip or negative soundbite. I stuck to him when people were so quick to take his words out of context.”
Mike, who believes Duterte is the best choice for the Philippines at this particular time in the country’s history, deems Duterte has two things wanting in our populist politicians: political will and political capital. “The latter is exemplified by his diehard supporters who would fight tooth and nail to defend him, it’s showcased by how social media rallied support for him and seemingly overruled mainstream media that proffered largely anti-Duterte news during the campaign. Nothing short of revolutionary, really.” he says.
“It almost didn’t matter if it was bad publicity, as he was everybody’s favorite topic—another brilliant move keeping him relevant throughout the campaign season.” – Cheryl Pages-Alba
As for the former, no other politician in the Philippines has become synonymous to political will. “I guess many Filipinos believe that political will combined with enormous political capital can help Duterte push for meaningful and lasting change through charter change—that’s systemic change right there, as opposed to band aid solutions other candidates were offering,” Mike explains. “His platform of federalism resonates with those in the countryside, the people in the peripheries—Filipinos in the Visayas and Mindanao who’ve long been excluded by Manila-centric politics and policies. The administration’s proposal of more of the same (“ipatuloy ang Daang Matuwid”) simply pales in comparison to this promise of change.”
Even before Duterte assumed his post as the 16th President of the Republic of the Philippines, the change that his appointment has promised is already taking place. “We’re already seeing it, even in little things. For instance, his simple lifestyle, and how he demands the same from his appointees, is starting to change the psychology of power in this country,” Mike notes. “Branded stuff, SUVs, etc. are now seen as very uncool where powerful politicians are concerned. And that’s just a start.”
Cheryl recalls a conversation with her father over dinner, “He said, ‘You see, it just comes to show that the leader always directs the pace,’” she recalls. “He has set the tone for everybody with his nonstop crusade against corruption, criminality and drugs. One of the most interesting changes to happen under the Duterte administration will be the challenge for every Filipino citizen to choose discipline over convenience or entitlement in everything that he or she does.”
With Rodrigo Roa Duterte, ‘wait and see’ seems hardly necessary. It’s only the beginning, and yet the changes brought about by his appointment aren’t just mere promises, but already a reality. It’s highly representative of the man himself, who Mike, in his several meetings with the new President, describes as, “What you see is what you get.”
by Patty Taboada photography John Delfino of Draft Creative Group special thanks to April Rama
Events
The First NUSTAR BALL
The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.
Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.
It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.
Design
Filipino graphic designer makes history, joins Switzerland’s Museum of Avant-garde among genre’s greats
PJ Ong of Inodoro, an internationally renowned graphic designer, is the first Filipino whose work will be part of the permanent collection of Switzerland’s Museum of Avant-garde
CEBU CITY — In a groundbreaking achievement, Cebu-based graphic designer and art director PJ Ong of Inodoro Design Studio, is set to become the first Filipino artist permanently exhibited at Museum of Avant-garde (MA-g) in Mendrisio, Switzerland.
Ong’s recognition at MA-g places him among over 250 avant-garde artists, including iconic figures like Pablo Picasso and Marcel Duchamp, signifying a profound milestone in museum history.
“Avant-garde,” is a term that refers to pushing the boundaries of artistic expression.
“I am extremely honored and humbled. It is a remarkable milestone in my creative journey, and I am grateful for the opportunity to be part of such a prominent platform. The acknowledgment, especially considering Switzerland’s exacting standards in art and design, is truly fulfilling,” said Ong.
Part of a stellar contemporary collection
Under the museum’s Contemporary Collection, Ong will join global contemporary agencies such as M/M Paris (collaborator of Icelandic singer-songwriter and composer, Björk), WORK Pte Ltd (brainchild of the “Godfather of Singapore Graphic Design,” Theseus Chan), Bedow (Stockholm), BVD Stockholm AB (Stockholm), Socio Design (London) and Milkxhake (Hong Kong), among others.
Ong’s music packaging design for the Filipino harsh noise duo, White Widow, will be featured in the museum. The band’s album “The God Uterus Dissolves” — released under Melt Records — features an unconventional cassette tape packaging incorporating a hand-crafted wire mesh, elevating it into a unique and bespoke collector’s item.
The museum’s selection process for its Contemporary Collection involved three categories: Graphic Design, Photography, and Illustration. Swiss-Canadian Fritz Gottschalk, a prominent figure in contemporary graphic design, led the Graphic Design category.
“This is profoundly validating for me as a graphic designer. Being part of a museum’s permanent contemporary collection is a lasting testament to my capabilities as an artist,” said Ong.
‘Poetry you can touch’
The graphic designer from Cebu City further defined the album as a “deliberate departure from the ordinary,” stating that it was a testament to the artist’s and band’s dedication to pushing boundaries and offering the audience a unique and immersive experience.
“Careful consideration was given to every detail, including choosing a premium supplier for the cassette tape. Opting for a screen-printed cassette, where design elements were applied directly to the surface, gave it a contemporary and visually striking result, helping us reinforce the design narrative,” said Ong.
“From the cohesive placement of elements to using symbols instead of track titles on the spine and customizing fonts, every aspect was carefully thought out. Rather than opting for the conventional wire mesh treatment on print, I took a bold step by incorporating a hand-crafted wire mesh, adding a unique and sensory dimension to the album — almost like poetry you can touch.”
Profound honor
Established in 2003, Inodoro Design Studio under Ong’s leadership has garnered global acclaim for its bold design philosophy, spanning music, fashion, architecture, culture and technology. In becoming the first Filipino whose work will be on display at the MA-g, Ong stated that it is “particularly humbling.”
“Traditionally, these privileges are given to individuals who have amassed decades of experience, attained mastery in their craft, or even as a posthumous acknowledgment. To be among those selected is a profound and unexpected honor,” he said.
“Museums typically focus on visual artists, and for a graphic designer, especially within the realm of commercial work, recognition can be more elusive. I appreciate the challenges of this less conventional route and I am committed to proving the significance of graphic design in the broader artistic landscape.”
Art enthusiasts can anticipate viewing Ong’s work with “The God Uterus Dissolves” at MA-g, scheduled to open to the general public in 2025.
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About The Museum of Avant-garde (MA-g)
The Museum of Avant-garde compiles an original body of work from private collections, providing a unique perspective on the cultural and artistic significance of avant-garde movements. These movements, synonymous with transformative ideologies and daring experimentations, played a pivotal role in challenging political and societal conventions. For more information, visit www.ma-g.org.
About Inodoro
Inodoro is the creative moniker of graphic designer and art director PJ Ong, a prominent figure in the Philippine design scene. Established in 2003, Inodoro Design Studio, based in Cebu, Philippines, has garnered international recognition for its bold and distinctive design, with a focus on thought-driven imagery and iconic visual language. The studio specializes in identities, custom typography, graphic design and art direction. For more information, visit www.inodoro-design.com.
People
Ladies Who Support Ladies
Women’s Circle is an organization composed of Cebuano ladies who are successful entrepreneurs and top executives. They recently held a fellowship event at the Sheraton Mactan Resort, with special guests from the Women’s Business Council Philippines. Chairperson, Rosemarie Rafael and Council Secretary Cynthia Mamon both flew in from Manila to discuss alliances between the Cebu and Manila groups.
The half day event was organized by Perl Jacalan, Gina Atienza and Eva Gullas. Sheraton Resort through its GM Dottie Wugler Cronin supported the event as it is aligned with the hotel’s women initiatives. The successful event was made more fun with generous give-aways, notably Jo Malone perfumes, Sheraton bags, R&M Chocomanga and sarongs from Ferimar.
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