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Shades of Grès: A Fashion Design Competition

ZEE Lifestyle Magazine pays tribute to legendary French neoclassical couturiere Alix Grès through this fashion design competition open to all designers and aspiring designers whose clothes have not yet been photographed and published in its fashion editorial pages.

DEADLINE FOR SUBMISSION OF ENTRIES IS ON JUNE 20, 2012

Description

ZEE Lifestyle Magazine pays tribute to legendary French neoclassical couturiere Alix Grès through this fashion design competition open to all designers and aspiring designers whose clothes have not yet been photographed and published in its fashion editorial pages.

Recreate the drape and dynamism of the clothes crafted by Madame Grès in your own designs to become one of the featured designers in the fashion pages. The cover girl for the October Fashion issue will be wearing your winning piece.

Theme:

Channeling the drape and dynamism of the iconic jersey dresses created by Alix Grès. Designers recreate the fluidity of her creations while making the clothes wearable today.

Prizes:

WINNER

  • Winning garment on the cover of Zee’s 2012 Oct. Issue, “Luxury”
  • Prominent feature in Zee’s 2012 October Issue fashion editorial
  • Php 10,000 in cash
  • PhP 20,000 worth of scholarship from Fashion Institute of Design & Arts (FIDA) in Cebu.
  • More prizes to be announced.

FINALISTS

  • One Page feature in Zee’s 2012 October Issue fashion editorial.

Criteria:

Sketches

  • Design Innovation 40%
  • Relevance to Theme 40%
  • Photos Previous Works 20%

Interview

  • Previous Garment 30%
  • Knowledge in Technical Construction 30 %
  • Personality 20%
  • Vision 20%

Garments (FINALS)

  • Construction/Finishing 30%
  • Wear-ability” 30%
  • Adherence to the Concept 20%
  • Photogenic Appeal 20%

MECHANICS

i.ELIGIBILITY
a. UNPUBLISHED Only designers whose garments have not been photographed and published in the fashion editorial pages of ZEE are allowed to join.

i. Designers whose garments have been published as collaterals for fashion shows under the events pages can join.
ii. Designers whose designs have been published as fashion illustrations and not as photographs can join.
iii.
Designers whose clothes have been featured in pages of ZEE Magazine other than the fashion editorial spreads can join.

b. AGE Aspiring and professional designers of any age can join the competition.

i. Designers below the age of eighteen must submit a letter of consent from their parent/legal guardian along with their application.

c. GENDER Aspiring and professional designers of any gender are allowed to enter the competition.

d. EXPERIENCE:

i. Aspiring designers or sewers or anyone interested in fashion who are not yet working professionally as fashion designers but who have produced at least 3 garments that they designed themselves.
ii. Fashion Design students who don’t have dress shops or factories but who have produced at least three garments that they designed themselves.
iii. Any creative person who wants to be featured in the fashion editorial who has produced three garments of his own design.

e. REGION Only designers from Visayas and Mindanao are allowed to enter the competition

i. This includes designers who are currently living in the regions, were born in the
regions, have a permanent address in the regions.

ii. SUBMISSION OF SKETCH ENTRIES
a. NO. OF ENTRIES Designers are only allowed two (2) sketches as entries into the competition.

i. In the event that a designer submits more than two (2) entries, the first two (2) entries reviewed by the judges will be qualified, while the rest will be disregarded.
ii. Both sketches must be submitted in the same packet via email or hard copy.

b. DIMENSIONS Designers must submit their sketches (online or a hardcopy) on a Sketch Sheet with dimensions: 8.5″x13″ (long size bondpaper)
c. COLOR Sketches submitted online and through a hard copy must be rendered in full color.
d. SWATCHES:

i. For hard copy submission- actual swatches of all fabrics used measuring 1-½ inches by 3 inches per fabric should be attached to the Concept Sheet not on the Sketch Sheet.
ii. For soft copy submission- fabric swatches of all fabrics used measuring 1-½ inches by 3 inches per fabric should be scanned and pasted on the Concept Sheet, not on the Sketch Sheet.

e. ILLUSTRATOR Designers may use an illustrator and are not required to sketch their garments themselves but must indicate that they have done so at the bottom right of the Sketch Sheet.
f. SIGNATURES AND DESCRIPTIONS Designers must not sign the sketches or add descriptive marks on the submitted Sketch Sheet.
g. PARAPHERNALIA Paraphernalia attached to the Sketch Sheet are prohibited and can be a basis for disqualification.

iii. CONCEPT SHEET:
a. Dimensions are
b. Should have an image of the inspirational garment from Madame Grès.
c. Should contain detailed description of the design.

i. Description of additional fabrics used other than jersey.
ii. Description of techniques and special skills that will be used to produce the
designs.
iii. Description of embellishment if any is used.
iv. Description of accessories if any are used

iv. BIODATA/APPLICATION FORM
a. SUBMISSION Application forms must be downloaded from HERE or acquired from the ZEE office and submitted with Sketch Sheet and Concept Sheet. Entry packets should be submitted via email at shadesofgres@res210.servconfig.com or physically at the ZEE Cebu office.

v. ENTRY PACKET CONTENT: Submitted packets should contain 3 sheets namely: the Sketch Sheet, Concept Sheet, and official Application Form.
vi. INTERVIEW OF SIX FINALISTS
a. TIME AND DATE Time and date of interview of top six finalists will be set by Zee LifestyleMagazine and must be strictly followed.

i. CEBU Finalist in Cebu will be interview first on DAY1
ii. OUT OF TOWN Out of town finalist will be interviewed on DAY2
iii.TRANSPORATION Zee will not shoulder transportation expense for this stage of the competition.
iv. ABSENTEES

1. Cebu-based finalists who cannot make it on their interview date will automatically be disqualified. A new finalist from the waitlist will be picked and interviewed the following day.
2. Out-of-town based finalists will be given a grace period of one day only provided that they advise the organizers of their inability to travel ahead of time.
3. Waitlisted contestants who make it to the top six finalists may receive the cash allotment for fabrics, materials and production a day later but the same deadline of delivery of finished garments apply.

b. SAMPLES OF DESIGNED GARMENTS Semifinalists must bring a garment that they had
previously designed and created.

i. Designers must bring garment that they designed themselves and that they either
produced themselves or supervised during production.

1. Deconstructed garments from ready-to-wear and other designers are
prohibited
2. Refurbished pieces from old garments are prohibited.

vii. FINAL JUDGING
a. SUBMISSIONS Designers are to produce two garments out of the 5 thousand pesos that they have been provided and submit them for final judging.
b. FABRICS Seventy percent of the fabric used in both garments must be jersey.

i. ADDITIONAL MATERIALS Designers are allowed to purchase additional materials
beyond the Php 5,000 given to them but the costs will not be refurbished by ZEE.

1. OTHER MATERIALS Beads, feathers, metal, etc. are permissible only as accesories.

ii. ACCESSORIES Designers may provide accessories for the garment, but will
not be considered as part of the garment.

1. HATS AND HEADGEAR Hats and headgear made out of the primary fabric will be considered as part of the garment and will be judged as such.

iii. COLOR Designers are allowed to use any color in their garments.

1. DYING Coloring or dying fabric is permissible.

c. OWNERSHIP The winning garments are the property of participating designers. However, they will be kept by ZEE for the fittings, pictorials and launch of the Fashion Issue and will be returned after the event.

i. REPRODUCTION Loalde reserves the right to reproduce the design under any of its design labels but will credit the designer accordingly in press releases and sale pitches. ( WE HAVEN’T CONFIRMED LOALDE YET)

d. CONSTRUCTION Garments may or may not be sewn by the designer him/herself but he has to prove at least 75 % participation in its actual construction.

i. The designer may utilize a seamstress/tailor for the garments however; he has to overlook the production himself.
ii. As proof of his participation in the actual production of his designs, the designer
should present any one of the following during the final judging.

1. Patterns he drafted.
2. Toile or mock-up muslins.
3. Documentation such as a photographs or videos.

Download the application form

Events

BVLGARI in Cebu

May 10 – Cebu City  |  Step inside a world of opulence where gold shimmers and diamonds sparkle. BVLGARI, the renowned Italian luxury brand, is celebrated for its exquisite gemstone jewelry, thin watches, perfumes, and leather goods. With a legacy dating back to 1884, BVLGARI has become synonymous with elegance and craftsmanship. The newest BVLGARI boutique opened last week at the sparkling The Mall at Nustar Resort and Casino, fast becoming the shopping destination for discerning consumers.

Eva Gullas, Jeffrey Hang, Jaja Chiongbian-Rama and Butch Carungay

Jeffrey Hang, BVLGARI’s Regional Marketing Director for South East Asia, flew in from Singapore to welcome guests. “We are happy to unveil BVLGARI to the Cebu market. This is the company’s 140th year, and BVLGARI celebrates this landmark with the Aeterna High Jewelry Collection in Rome this coming May 20, attended by all our global ambassadors like Zendaya and Black Pink” Jeffrey shares with us. The collection will be available in SE Asia later in the year and in the Philippines at the end of the year.

Leading the ribbon cutting was Joseph Muñoz (commercial director of Bulgari Philippines, Jeffry Hang (regional marketing director of Bulgari South East Asian operations, Pia Wurtzbach-Jauncey (Bulgari Ambasadress and Ms. Universe 2015), Allan Teo (chief operating officer of NUSTAR Resort and Casino and May Adolfo (mall director of NUSTAR Cebu).

Pia Wurtzbach-Jauncey, BVLGARI’s local Ambasadress and Ms. Universe 2015

Sheila Osmeña-Go and Jaja Chiongbian-Rama

Spotted at the event was Joseph Muñoz, Commercial Director of Bulgari Philippines escorting Pia Wurtzbach-Jauncey, BVLGARI’s local Ambasadress and Ms. Universe 2015, Allan Teo, Chief Operating Officer of NUSTAR Resort and Casino, Howard Go, Summit Media’s CEO and his wife, Cebuana Sheila Osmeña-Go as well as some of Cebu’s young fashionable set like Claudia Bezza Yeung, Marjay Ramirez, and Danessa Onglatco.

May Adolfo, Danessa Onglatco, Marjay Ramirez and Claudia Bezza-Yeung

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The Qipao As Interpreted by Innovative Filipino Designers: PHILIP RODRIGUEZ

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Cebu’s esteemed designer, Philip Rodriguez, pays homage to imperial attire with this stunning yellow silk brocade qipao. While adhering to the traditional cheongsam silhouette, Rodriguez infuses a touch of sensuality by incorporating see-through silk tulle panels along the waistline. Known for his timeless designs and culturally respectful creations, Rodriguez’s attention to detail is unparalleled. His embellishments are intricate and exquisite, showcasing impeccable taste and luxurious design without veering into ostentation. Take, for instance, his cheongsam for the Year of the Dragon. While it may seem daring compared to traditional sensibilities, Rodriguez maintains elegance by delicately veiling the wearer’s skin with sheer tulle on the cutout side panels. The front slit of the dress is cautiously calculated to strike the perfect balance between modesty and allure “I design for women who possess sophistication beyond their years, “ Philip emphasizes. “My clothes are crafted to evoke a sense of beauty and allure, leaving her feeling exquisite and confident.” As a seasoned designer, Rodriguez consistently achieves harmony in his designs. His qipao for 2024 seamlessly blends elements of royalty and sensuality, luxury and practicality, reflecting his mastery of the craft and his ability to create pieces that are truly elegant and well-balance.

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The Qipao As Interpreted by Innovative Filipino Designers: JC BUENDIA

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

JC Buendia, celebrated for his ability to tell a million style stories through minimalist details, is a master of clean, chic lines in fashion. Eschewing frivolity and nonsensical embellishments, every element of his designs contributes to their overall elegance.

Inspired by cinematic portrayals of Chinoiserie, Buendia’s first fascination with the Qipao began with Gloria Romero’s iconic portrayal of a Chinese princess disguised as a ‘sampan’ girl in the 1957 film “Hong Kong Holiday.”

“This admiration for orientalalia only deepened as I watched films like “The Last Emperor” and “In The Mood For Love,” JC recalls.

Buendia’s latest creation is a testament to this cinematic influence. His interpretation of the Qipao for the Year of the Wood Dragon features a cropped top crafted from silk Dupioni, embellished with diamond brooches on the reverse closure for a touch of glamour. Paired with a tea-length bouffant skirt made from frothy layers of delicate tulle, the ensemble exudes sophistication and timeless elegance.

With meticulous attention to detail and a keen eye for design, JC Buendia’s Qipao captures the essence of cinematic glamour while offering a contemporary twist on a classic silhouette. It’s a tribute to the enduring allure of Chinoiserie and the timeless beauty of the Cheongsam.

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