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The New York Fashion Week Looks We’re Loving Right Now

As the fashion crowd moves to London, we take a look back at New York Fashion Week and the looks that are already all over our Pinterest boards.

The advent of February can mean a lot of things to different people. The romance of Valentine’s Day, of course. The dead of winter, for those in the northern hemispheres. And then there’s that month-long event that will dictate how we dress in the months to come–it’s time to kick off the series of Fashion Weeks. 

If you follow as many “fashion people” as I do (and I say that with utmost love for the editors and personalities on the coveted front row), then your Instagram feed has been blowing up. New York Fashion Week has kicked off the festivities, and it’s brought with it a plethora of content. There are the obsessively staged candid shots, close-up photos of accessories, and IG stories of models walking down the runway in slow-mo or Boomerang, whichever the preference.

Although the crowds at the shows are just as Pinterest-worthy, the best inspiration is still on the runway. The Fall-Winter 2018 looks might not fit too well with our tropical climate–although I’ve seen many shearling jackets I am dying to wear–but we’ve found more than a few details that could spruce up our closets.

Fall-Winter 2018 looks from A.L.C., Jeremy Scott, Oscar de la Renta, and Tory Burch 

The Pink Ranger

If last year’s color du jour was the sweet and subtle Millenial Pink, this year is all about fuchsia. The hue is unapologetically feminine, and gets a nice visual contrast in a tailored pantsuit like at A.L.C. Tory Burch and Oscar de la Renta embraced the girliness with A-line skirts and flowy fabric. A fun favorite, though, is the Jem and the Holograms-esque looks at Jeremy Scott–we’re totally getting purple tights now!

Fall-Winter 2018 looks from Badgley Mishka, Bottega Venetta, Michael Kors, and Victoria Beckham

Animal Instincts

New York felt more than just an urban jungle on Fashion Week, where a slew of animal prints hit the runway. The look is more Vogue than va-va-voom though, with head-to-toe looks done in more boxy silhouettes–the Victoria Beckham coat is on our must-have list! One look we’ll definitely be copying though is from Bottega Venetta’s menswear collection. A hint of a tiger print under a monochrome pantsuit serves the perfect peek of the animal inside.

Fall-Winter 2018 looks from Red Valentino, Oscar de la Renta, Kate Spade New York, and Grey Jason Wu

Sweater Weather

It seems our cold weather favorite is finally fashionable. We’re loving the oversized sweater and ultra-feminine skirt combo for its cute, cozy and completely wearable appeal. There’s nothing wrong with going for a dark-colored ensemble (the all-black Grey Jason Wu look is perfect for the gloomy days of typhoon season), but floral details as in Oscar de la Renta add a certain sweetness factor.

 

Fall-Winter 2018 looks from Mara Hoffman, Tom Ford, Norma Kamali, and See by Chloe

The Perfect Puff

True, there’s really no need for thick coats when you’re in the Philippines, but that’s what our year-end international exoduses are for. If you’re traveling to colder climes this year, make sure you’ve got some statement outerwear to keep warm but look cool. New York Fashion Week saw some exaggerated shapes, such as the super poofy long coat from Norma Kamali. Tom Ford’s patched jacket might be more up my alley though–it’s the perfect way to add some personality to our basic travel looks.

Fall-Winter 2018 looks from Diane von Furstenberg

Line We Love: Diane von Furstenberg

We don’t have to explain why DVF is a fashion icon–the wrap dress remains one of the most flattering and chic shapes today. This season, though, we’re raving about the pantsuits. The fashion house sent out a series of printed coordinates that somehow look put-together and effortless at the same time, and I’m thinking this could easily be my new work day uniform. Who else is with me?

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Fashion

Cloud Dancer: The Resonant Reset of 2026

by OJ HOFER

Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.

Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.

In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.

Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028

Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.

Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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