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Lessons Learned: The Legacy of Haiyan

On the morning of November 8, 2013 in Tacloban, Kent Nemenzo managed one last Facebook status update about how the winds of Typhoon Haiyan (local name: Yolanda) broke the chain holding the gates of his home together. A bit later, he noticed brackish water seeping into the sealed windows and glanced outside: The flood was chest-high, and his car was slowly floating away. “I ran over to where my family was and told them how high the water is, and how it’s still rising,” he recalls. “My mom had barely gotten out of bed when my younger sister started screaming. The door near our kitchen could no longer hold the water and the debris; it cracked open, and our house started becoming a death trap.”

An aerial shot of Tacloban after Typhoon Haiyan. Photo taken by _, originally published in Zee Lifestyle's December-January 2014 issue

An aerial shot of Tacloban after Typhoon Haiyan. Photo taken by Chris Darza, originally published in Zee Lifestyle‘s December-January 2014 issue

Everyone made it through the front door and out of the house, standing on the windowsill and holding on for dear life as the water levels continued to rise. His girlfriend lost hold of their three-year-old daughter, and he lunged after them despite not knowing how to swim, pushing them near a concrete railing where they could get a foothold. Meanwhile, his mom was swept away; she held on to one of the drainage pipes a bit further behind. Eventually, the water started going down and brought them down to ground level. “Reality started to creep in, and it wasn’t looking good,” Kent narrates. “We had nothing but the clothes on our back. Everything in the house was gone. One of our dogs went missing. But we were alive.”

As the entire world knows by now, other people weren’t as lucky. “Typhoons are a normal occurrence, and they almost always first make landfall in the Samar and Leyte area,” Kent explains. “I treated Haiyan like everyone else treated it: like a normal typhoon passing by. We never accounted for wind speed. No one knew exactly what a storm surge meant.”

Malapascua Island after Typhoon Haiyan. Photo by Chris Darza, originally published in Zee Lifestyle December-January 2014 issue

Malapascua Island after Typhoon Haiyan. Photo by Chris Darza, originally published in Zee Lifestyle‘s December-January 2014 issue

One year later, yet another storm made its way to the Philippine Area of Responsibility (PAR). Typhoon Hagupit (local name: Ruby) was touted to be as devastating as Haiyan, and more worryingly so, it was also on the same path as the aforementioned super storm. Although it intensified into a Category 5 super typhoon in early December, it weakened into a Category 3 typhoon before making landfall in Eastern Samar. It progressed slowly throughout the country, with landfalls in Masbate, Marinduque and Batangas before finally exiting the PAR on December 10.

The impact wasn’t as bad as Haiyan last year. While property damages stood no chance against Mother Nature, with the National Disaster Risk Reduction and Management Council (NDRRMC) reporting a total of three billion pesos’ worth of damages in infrastructure and agriculture as of December 12, the casualties have been kept to an extreme minimum. According to NDRRMC, 19 people died—a far cry from the more than 6,000 people post-Haiyan. While the lower figures could be attributed to Hagupit weakening, a significant factor lies in the fact that people were more prepared: Classes were suspended, people fled to evacuation centers, and the Philippine government prepared rescue boats for food packs, medicines, and doctors. This time around, everyone learned their lessons.

Hagupit wrecks havoc at the Legazpi City Port

Typhoon Hagupit wrecks havoc at the Legazpi City Fishport. Photo taken from AFP/The Japan Times

“Yolanda has left her profound footprint on the Philippines. In all likelihood she will not be the last super-storm to bludgeon its way through our country. I shudder to think of what will happen if another angry typhoon follows on heels of Yolanda. In today’s world of mutated weather, as certain as an angry woman’s slap, another Yolanda, Ruping, Dading, Ondoy or Pepang will come. We can no longer be ill-prepared and we only have to look at how many other countries prepare for and respond to disasters: the USA, Fukushima in Japan, and even in India in 2012, where 800,000 people were forcibly evacuated following a major typhoon warning. The storm hit and only a handful of lives were lost. Seventeen years earlier, a similar typhoon hit the same area of India and 10,000 people died. They learned. They prepared. They lived. Time is short, and the waters may rise again.”

Joseph, Dondi. “Moving Forward.” Zee Lifestyle. Dec.-Jan. 2014: 80-88

According to Margareta Wahlström, Chief of the United Nations Office for Disaster Risk Reduction (UNIDSR), the Philippine government has done an excellent job of putting into action the lessons learned from Haiyan. “All arms of government, including PAGASA and the NDRRMC, and municipalities like Tacloban have pulled together to save lives and minimize the damage being inflicted by this disaster event.”

“Filipinos have learned to take this climate change seriously, and that it is best to take caution to leave their homes and evacuate to safer structures,” says LA-born designer Renée Patron. Although she survived the destructive effects of Haiyan when she was in her hometown of Guiuan, Eastern Samar, it took a while for her business to get back on the ground. A profile on Renée in Zee Lifestyle’s Dec.-Jan. 2015 issue details how Haiyan destroyed the entire production of her business, Banago, a collection of bags and home accessories hand-woven from the banig by women from Samar. “In the blink of an eye, our homes, our towns, our natural materials, our production facility—close to half a million dollars in production—were all taken by the storm surge and typhoon,” she reminisces.

Mats used to make Banago products damaged after Typhoon Haiyan

Mats used to make Banago products damaged after Typhoon Haiyan. Photo taken from Renee Patron of Banago

In September this year, a Kickstarter campaign by Banago and Livelihood United raised $20,000 to help restore the livelihoods of over 400 women in Samar. In the light of Hagupit, Renée shared that the typhoon did not cause that much damage this time around. “We made sure all the finished products and machines were kept in a safe place this time,” she shares. “We made sure all the supplies—gadgets, first aid kits and food—were at hand and in a place where it would be kept dry.” Her experience with Haiyan taught her which kinds of structures were safe, in case of strong winds or flooding. “We went the extra mile to make sure we could survive another super typhoon.”

Guiuan, Eastern Samar, where Banago produces its bags and home accessories, left in a wreck after Typhoon Haiyan. Photo taken by Chris Darza

Guiuan, Eastern Samar, where Banago produces its bags and home accessories, left in a wreck after Typhoon Haiyan. Photo taken by Chris Darza

Following Haiyan, Kent moved to Manila, yet the ghosts of the storm continued to haunt him. “I didn’t get enough sleep when Hagupit was making its way to the Visayas,” he admits. “Thankfully, no storm surge—just a bit of damage on the outside of the house, but we still had a roof.”

“Everyone was better prepared, but mostly because everyone experienced the worst and didn’t want to go through the whole thing again,” Kent says. He believes that Filipinos now have a better idea about storm categories, speed, storm surges, and the importance of climate change. While typhoons before averaged 160-180 KPH; now it looks like typhoons above 200 KPH are the norm.

Most destructive storms in the Philippines in the past ten years. Illustrated by Ehds Javier

Most destructive storms in the Philippines in the past ten years. Infographic by Ehds Javier

“We’ve learned to heed calls for evacuation—to take the information they see on weather bulletins seriously,” he adds.

Haiyan was a shadow that loomed over Hagupit, especially with such a short span of time between these two storms. “Make no mistake. It may take only weeks or months to rebuild homes, but it will take years to replace lost livelihoods and to heal hearts torn apart by loss,” Dondi Joseph writes in ‘Moving Forward’, the cover story for Zee Lifestyle’s Dec.-Jan. 2014 issue post-Haiyan. “We must never forget Yolanda—not only for the sake of those who suffered, but for the sake of those who survived and still live in the peril of more catastrophes—as we all do,” his article continues.

Haiyan and Hagupit weren’t the first, nor will they certainly be the last. As Dondi states in his article, “Through the devastation, the human spirit is battered but not broken.” All the more, while the world praised the resiliency of the Filipinos, the lessons brought forth by Haiyan are ultimately its legacy to our countrymen.

Zee Lifestyle December 2013-January 2014by Patty Taboada 

This story is an update on Typhoon Hagupit, as well as a follow-up to Dondi Joseph’s ‘Moving Forward’, the cover story for Zee Lifestyle’s December 2013-January 2014 issue.

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7 Things You Need To Know Before Watching Balangiga: Howling Wilderness

Following its premiere in October 2017, controversies still creep on “Balangiga: Howling Wilderness”.

This one-of-a-kind film with surreal takes on one of the Philippines’ dark times surely deserves our time. The story is seen through the eyes of a boy that uniquely shows humanity’s cry for help.

Before its screening at your nearest cinema weeks from now, here are seven things you need to know about this morbid film about a portion of our history.

It revolves around the Balangiga Massacre in 1901.

During the American occupation in the Philippines, Company C of the 9th Infantry Regiment arrived on the south coast of Samar Island, Balangiga in 1901. Their arrival was to cut the contacts of Filipino guerrillas to the people.

According to sources, the Americans confiscated all the weapons of the residents in Balangiga, men were detained and were treated badly. They burned down a church and its bells were taken which are still not returned to date.

Under General Jacob H. Smith’s orders, his officers burned towns and killed all who aged ten and above. For historians and people who lived there, the massacre came after the events of Smith’s orders. Americans practiced scorched earth policy and took food and killed people.

The film revolves around the journey of 8-year-old boy Kulas and his grandfather as they fled the town after Smith’s order to kill everyone over ten years old as revenge for the “rebellion” of the people in Balangiga.

Some scenes were limited especially violence on animals.

The Philippine Animal Welfare Society (PAWS) mentioned that actual scenes of the film were limited.

The sickening scenes of animal slaughter, corpses and deaths will shock or excite us more.

Its tone will keep you interested

Even with gruesome scenes, the dreamy-feels tone with a mood that will continuously haunt you will surely keep you seating on your chair.

The film has minimal dialogues it will also show beautiful shots in the countryside.

It won awards in QCinema International Film Festival 2017

The film won Best Picture during the 2017 QCinema International Film Festival.

Following its back-to-back awards, it also bagged trophies in the 66th Filipino Academy of Movie Arts and Sciences (FAMAS) and Urian.

It will be a part of Pista ng Pelikulang Pilipino 2018

Because of its numerous awards in different film festivals, “Balangiga” will be part of the Pista ng Pelikulang Pilipino 2018 as a guest entry under Special Features Section.

Under this section are best picture awardees in different independent festivals from 2017 to be shown as exhibition films.

The director of the film is also a musician

“Balangiga” was one of the masterpieces of director Khavn dela Cruz. Surprisingly, dela Cruz’s composition “Katurog Na” sang by folk-rock artist Lolita Carbon won Best Original Song in 66th FAMAS.

It was intended to be a historical film for children

According to dela Cruz, the film is an unfinished project.

In his interview with ABS-CBN, he mentioned that he focused on adding and re-shooting the film to make it more accessible to a wider audience, especially for children.

History films show us more. “Balangiga” explained and portrayed more on the horrors of the armed conflict between the American forces and Filipino people.

More importantly, it showed that there is no good outcome from colonialism.

The film will be shown starting on August 15, 2018 in selected cinemas nationwide including Robinsons Galleria.

See you there!

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Scenes From the Manila Art Fair 2026

photography by Doro Barandino

“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Q&A with interior decorator and jewellery designer Doro Barandino

Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.

Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.

Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.

The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

 

 

 

 

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Butch Carungay’s 50th in Neverland

By Emmanuel Hamoy

Cebu’s glitterati came out in full force for Butch Carungay’s 50th birthday bash at EdenClub. It was a fun-filled night overflowing with Pol Roger, trivia games whilst traipsing the light fantastic.

Butch Carungay and Janice Lin.

Gerry Laperal and Lotte Delima-Edwards

Romero Vergara and Oj Hofer

Mary Anne Aboitiz, Christine Pelaez, Tamsin Booth, Frances Siao and June Alegrado

Maris Holopainen and Carlo Cordaro

Janine Taylor and Mary Anne Aboitiz

 

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