Fashion
Bee Urgello’s Closet is as Glamorous as We Thought
Bags, shoes and couture gowns make the closet of this Cebuana Queen Bee a glamorous sight.
The crown is the first thing that caught our eye once we entered Bee Urgello’s all-white closet. Sitting on a pillow in one of the most visible spots in the space, it’s the diadem that’s usually awarded to the lady who wins Queen Philippines, the pageant for alternatives. It’s surprising that it’s here then, considering Bee had won the title back in 2011. “Mommy Cary,” she says, referring to revered designer and Queen organizer Cary Santiago, “told me that I can keep it here, because I’m the Queen that’s most active in events.”

Bee’s all-white closet allows her pieces (and herself) to truly stand out. Her beloved collection of Chanel bags are a focal point, though.
Of course, it’s not like Bee needs a crown to stand out. Whenever she makes an appearance, she does so in carefully thought-out ensembles that make the most of her enviable height and svelte figure—and the various Best Dressed awards certainly reinforce her sense of style.
“Dressing up makes me happy, and it completes me,” Bee shares as she shows us the different outfits she had planned out for the shoot—namely a body-conscious red dress, and a black and white combination that she felt played up her proportions. As we go through the rest of the clothes, she told us to concentrate on the racks that stood by the closet door. “Those are the ones that I haven’t worn yet,” she explains.

“Its just my favorites,” Bee answers with a laugh when we ask her why some shoes get displayed outside her cabinets. For easier reference, she devotes each shelf to a certain brand–this one features her Yves Saint Laurent pairs.
The items that fell under that category actually took up two racks, filled from end to end with pieces from brands like H&M and Zara, as well as creations from local designers. “I always say that shopping is better than sex. A dress or shoes will never hurt or leave you like a man does,” she says with a laugh.
The collection shows off different sides to Bee’s style—from the trendy see-through sheaths with floral embroidery, to the more classic looks of jersey jumpsuits and black dresses. Then there’s her collection of evening gowns, with figure-hugging silhouettes and intricate detailing, that she wears for her official appearances. A yellow dress with cut-out details from Cary Santiago and a blue one with a bejeweled neckline from Harvey Cenit hang at the end of one rack. “Those are really new. The one from Harvey Cenit I’d just picked up,” Bee explains. “I can’t wait to wear them!”

Of course, its not just all about Chanel–Bee’s other designer bags het their own space inside one of the wardrobes, and are arranged neatly for when she’s in the mood to switch it up.
But it’s not just about clothes—with its white walls and cabinetry, Bee’s closet has various areas to display the other part of her collection: her shoes and bags. “They’re my babies,” Bee jokes as she shows us her Chanel bags, which occupy their own shelf on one end of the room. Next to it, a wooden shelf houses her designer shoes, organized by brand for easier dressing.
Drawers on one side are filled with various accessories, and Bee laughs as we move to open another cabinet. “Don’t! Those are my pang-balay,” she exclaims. “Not stylish at all.”
Fashion
Cloud Dancer: The Resonant Reset of 2026
by OJ HOFER
Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.
Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.
In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.
Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028
Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.
Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.
Fashion
To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture
by Kingsley Medalla | photography Emmanuele Sawit
Fashion
Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino
By Doro Barandino
What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno
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