Arts & Culture
7 Modern Filipino Movies to Add to Your Bucket List


From the film, “Kita Kita”
The Filipino movie is worth dying to watch for and the future is bright for Philippine cinema! The Philippine movie industry has proved itself to be a promising feat, especially with the rise of new and talented filmmakers.
With the likes of Antoinette Jadaone (That Thing Called Tadhana and Love You To the Stars and Back) and Sigrid Bernardo (Kita Kita), these filmmakers have created themselves players of a “new game” in the Philippine movie industry, experimenting with uncommon storylines and techniques, and screening them to public theaters in areas where masses usually gather.
Although the much-loved rom-com is still a popular genre, several Filipino movies involving action and thrill proved it could create stimuli among the perceptive Filipino audience.

From the movie, “That Thing Callled Tadhana”
Since June is the month to wave the Philippine flag with honor, what better way to complete this month-long celebration than to add these to-die-for flicks that will make your #ProudlyPinoy heart skip a beat? So treat yourself to a break, invite some company and pop in these movies that will no doubt give you a great time.
Going on a movie marathon by yourself or with friends and family is not only a fun way to bond, but also a way to support locally produced films and to truly appreciate the Filipino mind.
We listed down some movies recommended by family and friends. Some films on this list may be something you may have watched already (Tick them off to your list, then!) So pop that corn, get a large drink and sit down because these movies are going to blow your mind, while simultaneously poking that proud Filipino heart of yours.
100 Tula Para kay Stella
Directed by Paul Laxamana
100 poems = 100 reasons why the stuttering boy loves the girl in the black lipstick.
Psychology freshman and poet, Fidel, meets and falls in love with fellow freshman Stella, a rocker who prefers her band than her studies. Having difficulty to express his affection due to his stuttering, Fidel secretly writes her 100 poems in a fleeting course of four years.
Meanwhile, Stella goes through a rough patch in her life. The only thing she wants to achieve in her life is to score a record label and be the most famous rock star in the country. Along the way, she struggles to find love and her true self, oblivious to the fact that one person has set his heart for her.
This heart-wrenching film is one unforgettable story. And since everyone loves a heart-breaking story, it’s no wonder that this was the most suggested one of the bunch. The film depicts love in its most sincerest and silent forms, and how it could turn things around in the most unexpected ways.
Heneral Luna
Directed by Jerold Tarog
The ultimate decision between self and country.
The year is 1898, and the Philippines has just been declared independent from the Spanish colony. Yet, a new problem arises our revolutionary leaders– the Americans. General Antonio Luna, with his great love of country than of himself, fights tremendously to save the Philippines from yet another foreign colonizer, and sees beyond the Americans’ sweet advances that entices his fellow leaders.
Heneral Luna takes us way beyond what we’ve learned from our History classes. It’s one of the most brilliant historical films produced in the Philippines. If you have seen this film, then you must agree on me on that note. If you haven’t, then I’ve got three words for you: Watch. It. Now.
That Thing Called Tadhana
Directed by Antoinette Jadaone
Where do broken hearts go? It takes you where you were meant to be.
Anthony and Mace meet at a rather unpleasant situation; Mace cries over which of her belongings to let go while relating everything to her recent breakup, while Anthony finds himself lending a hand to the poor lady at the airport in Rome. Upon arriving in the Philippines, they go on an unexpected journey to find a way to mend their broken hearts
On their journey, they help each other forget their own disappointment and heartbreaks in recent and previous events, while developing a closeness that deepens as they get to know each other more.
With its quirky statements and cheesy “hugot” lines, That Thing Called Tadhana will make you believe in love again. The film stirs from the usual Filipino love story format seen in commercial films with its simplicity and realistic vibes, the reason why audiences were captivated by this unlikely story. It catapulted to the success and recognition of Jadaone as a fierce and upcoming director of Philippine cinema.
Love You to the Stars and Back
Directed by Antoinette Jadaone
Their love goes where the road takes them; part of it involves getting captured by aliens.
Mika, an eccentric and awkward girl, set out for a road trip after feeling out of place at home. She decides to go to Mt. Milagros, a place her mother used to talk to her about, to get captured by aliens. Along the way, she accidentally meets Caloy, a good-humored boy and decides to give him a free ride until he reaches his destination.
Mika is surprised when she learns that Caloy has cancer. Despite his condition, he accepts this and remains positive and joyful. They both embark on a series of adventures and misadventures that unexpectedly leads them to a memorable romance even at such a young age. They eventually arrive at their destination, learning an important lesson on love and life.
This movie is another setback for Barreto and Garcia, this being their second movie as a tandem. They have really spiced up audiences with their charm and chemistry, even with the simplicity of the storyline. Jadaone has yet again turned herself away from the usual rom-com and delivered.
Patay Na Si Hesus
Directed by Victor Villanueva
This is not a road trip movie; this is a funeral.
Iyay informs her three adult kids that their estranged father, Hesus, has passed away. Despite the reluctance of her children, she pushes them and her sister Lucy to join her on a road trip from Cebu to Dumaguete to attend the funeral
This Cebuano dark comedy was one of the crowd favorites during last year’s Pista ng Pelikulang Pilipino film festival. Jaclyn Jose, having won the Best Actress award at the 2016 Cannes Film festival, takes a different take from her usual dramatic roles. In this film she proves that she can also do the comedic role. So put on your seatbelts, and take the dreary but funny road to Hesus’ funeral.
Kita Kita
Director- Sigrid Bernardo
A heartwarming story of an unlikely couple who meets and proves to themselves that love is not blind.
Lea, a Filipina tourist guide who lives in Sapporo, Japan loses her eyesight after seeing her fiancé cheating on her. As she lives her life in temporary blindness, she encounters Tonyo, her neighbor who is also Filipino. Tonyo tries to cheer Lea up by doing her a few favors. Once he gained her trust, the both of them visit Sapporo’s tourist destinations.
On the night that Lea finally regains her eyesight, she sees Tonyo happily waving at her from the other end of the street, but he gets hit by a vehicle afterwards. Days after, Lea visits Tonyo’s house and discovers a lot more about Tonyo. Later on, she revisits all the places she and Tonyo used to go, carrying with her always a blindfold.
With this unlikely duo, this movie shows you that love is truly unconditional. It knows know condition or circumstances; it is as it is. Be prepared, though, because tears may also be involved when watching this film.
Ang Larawan
Directed by Loy Arcenas
A high-price bidding war of an unlikely masterpiece. In song form!
A throwback to the American colonization of the Philippines, this movie was based on a play titled Larawan by national artist Nick Joaquin. The film circles around two sisters, Candidad and Paula Marasigan, who find themselves in a financial crisis after their father, Don Lorenzo was caught in a recluse and has stopped painting for a long time now. To get some money, they take in a boarder named Tony Javier.
Meanwhile, a self-portrait made by Don Lorenzo sparks the interest of many high-profile personalities. Although the bid price could help them ease their way out of their financial problems, Candidad and Paula fear that they will lose such a precious treasure from their family. From there on, the two sisters shall choose between family and stability.
This is a perfect film to watch with your family, especially that the story surrounds one as well. Aside from that, it also gives a clear picture of the lifestyle of that time, when materialism and consumerism were on the rise. With an original score composed by the iconic Ryan Cayabyab, this Filipino musical will surely captivate you.
Arts & Culture
Chaos and Clarity: Zen Aesthetic in Oj Hofer’s Art

by Jing Ramos |
Oj Hofer, our fashion contributing editor, is a Fine Arts graduate from the University of the Philippines. Though he began painting at the age of eight, his artistic journey took a transformative turn in 2013. While volunteering as a costume designer for Siddhartha: The Musical, he encountered Venerable Master Hsing Yun’s One-Stroke Calligraphy, sparking a deep devotion to Japanese sumi-e painting and kanji calligraphy. Over the years, he refined his craft, using his art to share the Dharma through exhibitions while supporting the Hsing Yun Educational Foundation. In 2022, his spiritual path deepened at Nan Tien University, where he embraced Zen and Humanistic Buddhism, shaping his artistic philosophy.

“Plum Blossoms in Moonlight.” Serigraphy on abaca.
In his recent works, Hofer merges traditional calligraphy with serigraphy, drawing inspiration from his friend Charles Lahti—an internationally recognized New York-based painter and printmaker. Lahti, known for his collaborations with post-war American artists like Robert Rauschenberg, Donald Judd, Andy Warhol, and LeRoy Neiman, introduced Hofer to silkscreen techniques. Through a workshop Lahti conducted in Cebu—arranged by their mutual friend Greg Urra—Hofer integrated silkscreen into his Zen artworks, particularly those on abaca.

“The Circle of Harmony” Serigraphy and Calligraphy on abaca.
Hofer’s cross-disciplinary approach challenges conventional Zen aesthetics. His layered paintings on abaca may seem far from tranquil at first glance, but closer contemplation reveals a meditative core. His serigraph of an Enso circle, for example, initially appears chaotic, filled with Tang Dynasty poetry and overlapping, repetitive forms. Yet, by focusing on a single calligraphic element, the viewer experiences a moment of clarity—a glimpse of awakening within the visual complexity.

“Monkey Mind” Serigraphy and Calligraphy on abaca.
Even more engaging is his diptych Monkey Mind. At odds with the traditional Zen emphasis on negative space, this piece is deliberately busy, reflecting the restless nature of the mind. A distracted viewer may struggle to find a focal point, but one attuned to emptiness and presence will perceive clarity amidst the seeming disarray.

Ink and intention—creating calligraphy in support of one of my advocacies.
By fusing Zen philosophy with the discipline of serigraphy, Hofer invites his audience to look beyond surface impressions and discover stillness within movement, balance within complexity. His art does not merely depict Zen—it embodies the paradoxes at its core, offering a path to mindfulness through the act of seeing and the experience of doing.
Arts & Culture
What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez
The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol
Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.
When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.
Arts & Culture
Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo
There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

Kimsoy with his student and muse, Zhara Rivera Mercado, at the entrance of Galerie Raphael
The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting.

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches
The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches
The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.
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