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You’ve Got to See the Reemergence of the Great Wave by Kenichi Wan

Odi is a personalized conceptual figure created and has evolved since its inception.  Odi has gone a long way from years back.  Odi is Kenichi Wani’s alter ego in the realm of art.  Then came the creation of Vivi, a friend to Odi.  Both Odi and Vivi are voyaging a route, ready to tackle a longer route and go the distance. The enchantment vis-à-vis the challenges are captured in their voyage in Reemergence of the Great Wave.  
Qube Gallery’s artist Kenichi Wani is currently experimenting on an older style of painting that commenced when he first painted Odi.  Kenichi is naturally curious to see through the years how he can improve the style he is much adept with and is using at the present.  With natural inclinations to trace and know more about his Japanese roots, wave is a prominent supplement to his most recent flamboyant works.  In retrospect, that significant wave in his older work prompted Kenichi to step back and with a tenacity to improve on his craftsmanship, has dubbed this exhibit as the Reemergence of the Great Wave.  Autobiographical and fantastical, the colorful works of Kenichi never fail to visually indulge onlookers’ eyes with stories and colors, or better yet, colorful stories rendered in both small and big surreal works.

In a gist, Odi and Vivi are stranded at sea and they face all sorts of trouble.  The clincher?   They got away with it.  Such resilience.  Who would not identify himself or herself with Odi and Vivi?  Who would not love to share the same plot or design?  This, perhaps, is the very reason why a closer scrutiny of the colors, composition and character of the canvases of Kenichi ultimately resolves any art spectator to be enthralled, subsequently captivating the heart to endow and keep Odi and Vivi in their homes or custody. 
Influenced and inspired by the colors of Van Gogh, the iconography of Hokusai, and the character and style of Takashi Murakami, Kenichi Wani successfully innovated the identities of Odi and Vivi.  Juan Luna and many Renaissance painters enthused Kenichi on composition, the bent of which are traced in his works.
Kenichi Wani was born in Cebu in 1985 and graduated in U.P. Cebu Fine Arts. His whimsical and very playful style inexorably invokes his interesting Filipino-Japanese contextual story.  He has one work entitled “The Story of Moises” which is very significant because it relays so much about his birth and the story of how he almost died after birth. The rest is history, Kenichi lives and thrives in both local and international art scene, having participated in various art fairs and exhibitions like Tubo Cebu Art Fair, NCCA’s Cebu Tagay Stories in Manila and Art Kaoshiung in Taiwan.

On a more personal note, Kenichi loves to paint (that’s undeniable) and he believes that art is for everyone. One of his biggest dreams and goals is to inspire others, changing their perception towards art as elitist and should belong to the both the affluent and the modest ones. He wants Cebu to stand up and become a major powerhouse in the Philippine Art arena and even to the whole wide world. He quips, “I am currently getting myself more involved in making this a reality”.
Once again, say hello and get to know more about Odi and his friends in Reemergence of the Great Wave at the Foyer Space of Qube Gallery, Crossroads Banilad, Cebu City.  Join the Artist Reception on September 22, 4:00 to 9:00 PM. Exhibit runs from September 6 – 30, 2018.


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Beauty & Wellness

Tea with Coralie

When a basket filled with tea goodies of macaroons, delicate cakes and sandwiches was delivered, it came in the signature purple color of this iconic brand. “Very Charriol”, as Coralie , the CEO of the Swiss brand, might have put it. She didn’t actually use that term to describe the savories. Rather, she was describing the cable bracelet that makes their products distinct. Avid Rustans Cebu shoppers will find the Charriol boutique just off the main entrance of the department store, near the familiar scented hall at the first level. On display are an array of earrings, bracelets and watches enticing to those looking for retail therapy with pieces that are timeless and yet not overtly breaking the credit card limit.

The tea Zoom party, as arranged by our host Ginggay Joven, and Luzanne Manlapit who is the brand manager of Charriol in the Philippines, was as good as any press-do from pre pandemic normal times. And an intimate peak at lifestyle editors’ lives as most of us were zooming from our living rooms, including Coralie who was answering our questions from her home in Geneva. Like most of us, she readily says, “I have a travel bug, and on weekends, I dream of where I can go!”.

Philip Charriol, Coralie’s father who started the brand in 1983, was a frequent visitor to the Philippines, making Manila (and Cebu) a side trip to his rounds of Singapore and Hong Kong. He made many friends in Asia and it was a sad day when everyone heard of his passing more than a year ago in a car accident at the Le Castellet racing track in southeast France.

These days, the company is in good hands with Coralie. She is set to debut a series of new collections building upon her father’s vision, including a reimagined Celtic collection, a line of watches first introduced in the 80s. The latest Celtic Legacy watch has a more striking face with two dials and bigger bezels available in gold or rose gold. The cable bracelet is made up of 6 strands of steel and titanium alloy that are flexible and durable. It comes in an elegant 30mm case, making it an equally perfect accessory for both a lunchtime affair as well as to a glitzy night on the town.

Also new are their ocean-themed pieces. The Forever Starfish watch comes in two iteration of stainless steel or rose gold case with a white mother-of-pearl dial. The second one is the Marina bracelet collection — the Charriol signature cable tied around a porthole and clasped together by a Charriol dial, it’s a fresh and young take for an everyday jewelry.

As a contemporary business leader, Coralie shared cautionary tales of polar bears and melting icebergs. Through their Charriol Living initiative, Philippe Charriol is a partner of the global organization Lonely Whale. It is a community of international businesses cognizant of the harming effects of disposable stuff in today’s world. Particularly single-use plastics, which are harmful to marine life when they end up in our seas. She co-produced a compelling documentary titled The Story of Plastic (www.storyofplastic.org) “a searing expose revealing the ugly truth behind plastic pollution and the false solution of plastic recycling”.

The company is committed to being socially conscious. Pretty soon, all Charriol packaging will be made of paper and sustainable materials. “We are interconnected tru our oceans”, she explains. In addition, part of the proceeds of selected ocean-themed Charriol pieces like the Forever Turtle watch, the Forever Waves and Ocean bracelets, will go to the Lonely Whale organization.

Philippe Charriol comes up with new design for watches once a year or once every two years to keep it fresh. Their jewelry line is much more frequent with bracelets and earrings. When asked if the company will be coming out with smart watches, Coralie was quick to reply that although other prestige watch companies have tried it, Charriol will not be producing one. “But I am coming out with something by October which is a kind of an accessory to a techie watch. To connect Charriol to technology.”


Coralie Charriol, the CEO of Charriol showing the Forever Starfish collection using mother of pearl face and their entry level cable bracelets in bright colors.


Screenshot of the Zoom tea party attended by top Manila lifestyle editors


The tea goodies for the tea party delivered by the Charriol team


The Charriol boutique inside Rustans at Ayala Center Cebu


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PANDEMIC DIARIES: Twelve Months Later

Photos taken by Pablo Quiza around Cebu City during the months of March, April and May 202

AS WE APPROACH ONE YEAR under pandemic times, we look back at March 2020 with fascination. And awe. We had 12 months of lockdown and survived the so called new normal. We lived with masks and alcohol even today. Carless roads and dark malls. Those were the early days of March, April and May.
It stretched to October and past Christmas. No Sinulog. Virtual parties on Zoom and virtual mass on You Tube and FB Live. We debated on the best meds to take if we get sick and whether to wear masks (please do!). We scampered for face shields and anti-viral sprays. Vitamins C and D and zinc. Later, we survived being swabbed and we learned the difference between a PCR and an anti-gene test. The latter cost less.

We dreaded the declarations of IATF mandated from Manila. And we got mad at the police chief who had a birthday party while his people were busy locking up everyone violating the lockdown. Most horrifying of all, we needed to produce IDs! Are you a resident of Barangay Lahug or Banilad? Are you employed and why are you still working? Everyone suffered thru endless checkpoints. Most sad of all are those using motorbikes, they seem to get the raw end of the deal since those with cars are not as scrutinized. We managed to trick the system by putting a big handwritten note in front of the car: COMPANY CAR, and zipped tru the police desks in the middle of the road. Don’t even think of travelling, by plane, boat or bus. The collection of the required documents is enough for one to get exposed to Covid.

We learned to shop online, order groceries and necessities thru delivery. We slowly moved towards cashless payments. Gcash and banks like Union Bank and China Bank with friendly apps are heroes for making life easy for most of us to spend what little cash we have to spend on Lazada or pay the VECO bill. Oh and we binged on K dramas on Netflix and You Tube, kamsaminada.
As 2021 enters, there are some good news. For those obsessed with news, you already know that 7,000 vaccines arrived last March 2 in Cebu, with more expected in the next few weeks. The death rate is not as high among those who caught this pesky virus, which tells us that doctors in the hospitals have some proven expertise in dealing with Covid. More cures should be in the horizon.

Meanwhile, lets continue dreaming of the day when we can cross borders again, even if its just Bohol or Boracay, Bangkok or Hong Kong. Ready those luggages and bags bought during the 3/3 sale in Shopee in preparation for the day when we can take the ferry or the plane for new adventures.


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Artisanal Cebu: Aspiring calligraphy artist Abigail Condrado

In the third installment of Artisanal Cebu, we feature the wonderful artwork and calligraphy style of Sarah Abigail Condrado – a freelance calligraphy artist.
Abigail is one of the rising singers and performers of Cebu today, with singles such as “Bisan Asa” and her famous cover of “Duyog” by Jewel Villaflores. Currently working as the Marketing and Relations Manager of St. Paul College Foundation Inc., she has one other skill that only a few knew: her talent in the art of calligraphy.
Watch on how she began her journey in becoming a freelance calligraphy artists.

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