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Arts & Culture

From Shell Off-Cuts to Exquisite Shell Jewelry: Susanne Verallo

Taking creative inspiration from her rich Cebuano culture aside from her Italian influences, Susanne Verallo, with her namesake fashion label, aims to put Philippine artistry in the spotlight and produce “bold and daring” creations that tell remarkable stories.

She aims to stay true to her heritage in each of her striking pieces, which she deems fit for women who are not afraid to make a statement and most importantly, stand out.

Playing with confident colors and geometric shapes, designed and handcrafted to be “effortlessly versatile and impeccably fashioned”, as Susanne describes it, her modern and mindful twist on shell jewelry and accessories gives the brand a classic yet youthful aesthetic.

Established in the year 2015, SUSANNE VERALLO has been partnering with local independent artisans to support their livelihood and to showcase the unique beauty of Philippine artistry.

With Cebu’s abundant and diverse natural resources, it is very much why the Queen City of the South became home to the country’s shell-craft industry. As crafting things out of puka shells began in the year 1980’s, handcrafted sea shells species came into the picture to produce exquisite designs that flood the pages of magazines in today’s modern world.

Susanne is very much lucky to find this exquisite resource in her homeland for her equally exquisite designs, and all the while staying true to her advocacy of sustainability. Altogether with her brand, they maintain an effort to counter such problems of pollution and exploitation of resources by making use of shell offcuts and overruns salvaged from other shell-craft companies. With this, she hopes to raise environmental awareness and enhance the value of this precious yet limited natural resource.

Mainly, the designer finds a lot of inspiration from culture. “My first collection of clutches was inspired by the Pop Art movement of the 60’s, and my second upcoming jewelry collection takes inspiration from the tribal traditions of the ancient Visayans”, she shares.

Working closely with artisans and patronizing local craftsmanship has given her the opportunity to fully observe and explore the various possibilities of the craft. Without any formal training in fashion or jewelry design, and now treading into that path, Susanne heeds to her furniture and product design experiences and studies, applying the same meticulous attention to detail in research and execution with each piece.

For artists like Susanne, she believes in giving meaning to each of her pieces, which she hopes would in turn gives them intrinsic value that others can appreciate. Inspired by different jewelry brands that made use of indigenous materials and techniques, giving birth to mostly chunky, matronly, and typically tropical sorts, she stressed that these elements made her clients love her pieces more, as they are versatile and modern, yet still proudly Cebuano.

Despite finishing her masters degree in Milan and having explored European designs, Susanne chose Cebu as a home for her art. “I believe our own traditional crafts coupled with our unique indigenous materials are more than capable of competing on a global scale”, shares Susanne.

Since her first collection release in the year 2016, she has generated interest from the international market with her handmade jewelry. Despite the influx and popularity of this generation’s fast fashion, a growing era of slow fashion – handmade and sustainable designer pieces– has put her collections in the spotlight.

Showing her designs and the beauty of local craftsmanship to a large international audience has been, by far, the greatest achievement for her brand.

From her early childhood creativity and drive, she always ambitioned to become a fashion designer. But when this took the backseat as she pursued a more serious career of interior and furniture design, she confesses that the dream never really left her thoughts, as it is realized in today’s present time.

Her dream to be able to combine both her passion for the arts and earn from it as a living was finally an opportunity afforded to her, and with that, she made it all come true. “What draws me to fashion is that it’s a very personal way of expressing one’s self, even more so with accessories. You can say a lot with your outfit, but I believe it’s the jewelry that punctuates it”.

Arts & Culture

What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez

The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol

Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.

When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

Kimsoy with his student and muse, Zhara Rivera Mercado, at the entrance of Galerie Raphael

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

 

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Arts & Culture

Art Fair Philippines 2025: A Celebration of Creativity

by Emcee Go

Art Fair Philippines 2025 transformed the Ayala Triangle Gardens in Makati City into a dynamic showcase of contemporary and modern art. From February 21 to 23, art enthusiasts and collectors were treated to an eclectic mix of visual masterpieces, interactive installations, and thought-provoking exhibits.

This year’s fair features an impressive lineup of local and international galleries, including renowned names like Leon Gallery, Metro Gallery, Orange Project, J Studio and from Cebu, Qube Gallery.

Francis Dravigny’s woven artworks was one of the two featured artists at Qube Gallery’s well curated exhibition.

Qube Gallery’s Mariz Holopainen in front of Sio Montera’s abstracts.

 

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