Arts & Culture
This Unique Crochet Art Installation is the First of Its Kind in Cebu
Art manifests itself in many forms, and yarn-bombing is just one of them. This art installation is bound to turn heads.

When you think of the word “art”, your thoughts immediately picture out a canvas, different types of brushes and different colored paints. However, it presents many forms, especially in the local scene.
Take for example the art installation by Cebu Crochet Group at the Outlets at Pueblo Verde in Basak, Lapu-Lapu City. It’s part of the Art in the Fork weekend fair, a tryst of all artists and their different forms of art, such as local short films and bands, to dainty necklaces and bracelets on display.
Decorated from the bottom up, the trees located at a mini park adjacent to the food shops are hugged by different pieces of colorful, interlocking loops of yarn and thread. The installation is dubbed as “yarn bombing”, the crochet version of the usual street art and graffiti. It attracts visitors of different ages to a varied display of interesting, quirky and vibrant patterns.
The yarn bomb installation titled Ganchillo Artistico at the Outlets at Pueblo Verde is the first of its kind in Cebu. Adorning three acacia trees, a couple of benches, and lamp posts with crocheted friendly-looking monster plushies, the idea was to incorporate three most common crochet shapes and stitches: doilies or rounds, granny squares and waves or chevron.
“Crochet has always been around us as long as we can remember, (as) we often see beautiful crochet pieces in our homes created by our grandmas, our aunties and moms,” says Sarah Palmares, a crochet artist and one of the people behind the Cebu Crochet Group. She adds that the unique handmade nature of the crochet art is what sets it apart from machine-made knitted materials we see in common stores and boutiques.
Crochet enthusiasts come in all ages, as crochet skills and pattern sharing have been made easier through social media, evidenced by their online presence made possible by the digital age. The importance of the existence of artisan arts like that of crochet—aside from it being used as art pieces—is that it is also used to transform neglected items in the household, such as pieces of tin cans and to turn them into holders for pens or utensils. Moreover, crochet art can also help in patching up and beautifying worn-out pieces of jewelry, such as hanging earrings and necklaces.
As Sarah would narrate, crocheting has been a therapeutic activity for her, a rest from all the hustle at work for the entire day. Bernadette Dy, another crochet enthusiast from the group, recalls her on-and-off relationship with crochet since she was 18 years old. She rekindled this relationship when she had a delicate pregnancy that restricted her to bed rest, when crochet came into the picture and helped give her a sense of purpose despite the stress. When it comes to personalized and heartwarming gift ideas for family and friends, Yasmin Jumao-as sees crochet-making and crafting as a best friend during gift-giving seasons.
In line with the launching of the yarn bombing art installation, the crochet enthusiasts from the Cebu Crochet Group also imparted their knowledge and skills of the versatile craft during the basic crochet-making workshops. As the installation was done through teamwork, skill, and motivation to make the most out of the craft, the group proved that there is more we can make out of crochet than the usual blankets, table cloth and coasters.
When asked for her inspiration behind the art of crochet, Sarah reponds, “To finish something created by your own hand is gratifying. It’s giving a part of yourself to each piece you make, as you touch each strand of yarn as you work.”
Crochet, like all types of art, speaks the artists’ language and is a mirror of their thoughts. It’s an expression of the group’s passion for the craft, continuing to prove the creativity of the Cebuano.
Arts & Culture
What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez
The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol
Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.
When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.
Arts & Culture
Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo
There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.
The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting.

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches
The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches
The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.
Arts & Culture
Art Fair Philippines 2025: A Celebration of Creativity

by Emcee Go
Art Fair Philippines 2025 transformed the Ayala Triangle Gardens in Makati City into a dynamic showcase of contemporary and modern art. From February 21 to 23, art enthusiasts and collectors were treated to an eclectic mix of visual masterpieces, interactive installations, and thought-provoking exhibits.
This year’s fair features an impressive lineup of local and international galleries, including renowned names like Leon Gallery, Metro Gallery, Orange Project, J Studio and from Cebu, Qube Gallery.

Francis Dravigny’s woven artworks was one of the two featured artists at Qube Gallery’s well curated exhibition.

Qube Gallery’s Mariz Holopainen in front of Sio Montera’s abstracts.
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