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Take A Step Inside Maria Gigante’s Closet

The model, beauty queen and philosophy student makes bold style statements, juxtaposing her unique fashion finds with the classics.

If we were Maria Gigante, we probably wouldn’t have much trouble figuring out what to wear. With her beautiful tan skin, svelte figure and an endearing devil-may-care personality, she seems like the kind of person who would look good in just about anything.

“I like to think that less is more,” she says, although she admits the curated selection in her closet now is the product of months of editing down. “I’m also very experimental, but pretty low maintenance.”

She was definitely relaxed when we arrive at her house for the Sunday afternoon shoot, dressed in shorts and a black silk kimono. It was a few weeks after a long run for as Miss Bantayan for Binibining Cebu, where she was crowned Binibining Cebu Charity alongside Binibining Cebu Tourism Samatha Lo of Asturias and Binibining Cebu Apriel Smith of Badian.

“It was an amazing experience. I made a lot of friends and learned a lot, and I got to share my hometown with the rest of Cebu. But I have to admit—it’s nice having the time for myself again,” she laughs. These days, she’s busy with her modeling and hosting career, and finishing her Philosophy degree.

Although beauty queen is a title she already has in her stable, Maria takes on different personas when it comes to fashion. “I don’t stick to one fashion personality. What I wear depends on what I’m doing, where I’m going,” she shares. “I like to switch it up every now and then, and see what looks good.”

That’s something we see in her wardrobe—the pieces range from body-hugging leather miniskirts and sequined shirtdresses, to a dainty pale blue peacoat and a high-neck lace blouse. “The experimental side definitely comes form my love of history and culture,” she admits. As a daughter of an airline pilot, she’d grown up receiving souvenirs from all around the world, which cultivated a curiosity for what’s out there—though she also has a love for what’s here. “I like to support my friends who are young local artists. You’d be amazed at what they can do.”

As she continues to go through the rest of the pieces in her closet, it’s clear that Maria picks up her outfits from a number of different places. “I shop anywhere!” she admits. “It helps me keep an open imagination.”

It also doesn’t hurt that her best friend is Edward James Castro, a fashion designer and founding member of styling group Blaq Mafia (who this magazine frequently collaborates with). “Usually we’ll be in a store, and Edward will just pull things out for me,” she laughs. “I’m so lucky to have my personal stylist!”

Despite the number of eye-catching pieces she has, though, Maria actually has a pretty practical outlook on fashion. “I’m all for basic, timeless pieces and colors. I don’t have as many clothes as you’d expect—just a few statement pieces and a lot of basics,” she says. “I want the clothes that I wear now to still be a part of my wardrobe rotation forever.”

Her reasoning is something backed by a more sentimental reason. “I have two sisters, and I love the idea of being able to share a wardrobe that transcends our age difference. It sounds kind of deep, but it’s really just me,” she continues. “I like clothes that mean something to me. I never get a piece of clothing unless I can’t live without it, so everything in there is my favorite.”

Fashion

The Qipao As Interpreted by Innovative Filipino Designers: PHILIP RODRIGUEZ

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Cebu’s esteemed designer, Philip Rodriguez, pays homage to imperial attire with this stunning yellow silk brocade qipao. While adhering to the traditional cheongsam silhouette, Rodriguez infuses a touch of sensuality by incorporating see-through silk tulle panels along the waistline. Known for his timeless designs and culturally respectful creations, Rodriguez’s attention to detail is unparalleled. His embellishments are intricate and exquisite, showcasing impeccable taste and luxurious design without veering into ostentation. Take, for instance, his cheongsam for the Year of the Dragon. While it may seem daring compared to traditional sensibilities, Rodriguez maintains elegance by delicately veiling the wearer’s skin with sheer tulle on the cutout side panels. The front slit of the dress is cautiously calculated to strike the perfect balance between modesty and allure “I design for women who possess sophistication beyond their years, “ Philip emphasizes. “My clothes are crafted to evoke a sense of beauty and allure, leaving her feeling exquisite and confident.” As a seasoned designer, Rodriguez consistently achieves harmony in his designs. His qipao for 2024 seamlessly blends elements of royalty and sensuality, luxury and practicality, reflecting his mastery of the craft and his ability to create pieces that are truly elegant and well-balance.

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Fashion

The Qipao As Interpreted by Innovative Filipino Designers: JC BUENDIA

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

JC Buendia, celebrated for his ability to tell a million style stories through minimalist details, is a master of clean, chic lines in fashion. Eschewing frivolity and nonsensical embellishments, every element of his designs contributes to their overall elegance.

Inspired by cinematic portrayals of Chinoiserie, Buendia’s first fascination with the Qipao began with Gloria Romero’s iconic portrayal of a Chinese princess disguised as a ‘sampan’ girl in the 1957 film “Hong Kong Holiday.”

“This admiration for orientalalia only deepened as I watched films like “The Last Emperor” and “In The Mood For Love,” JC recalls.

Buendia’s latest creation is a testament to this cinematic influence. His interpretation of the Qipao for the Year of the Wood Dragon features a cropped top crafted from silk Dupioni, embellished with diamond brooches on the reverse closure for a touch of glamour. Paired with a tea-length bouffant skirt made from frothy layers of delicate tulle, the ensemble exudes sophistication and timeless elegance.

With meticulous attention to detail and a keen eye for design, JC Buendia’s Qipao captures the essence of cinematic glamour while offering a contemporary twist on a classic silhouette. It’s a tribute to the enduring allure of Chinoiserie and the timeless beauty of the Cheongsam.

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Fashion

The Qipao As Interpreted by Innovative Filipino Designers: PROTACIO EMPACES

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Protacio Empaces is renowned for his talent in reinventing historical silhouettes into stylish statements perfect for modern women’s lifestyles. His reinterpretations present wearable, contemporary, and highly coveted fashion pieces. The distinct embroidery he incorporates adds an extra touch of charm to his creations. Take, for instance, his cheongsam adorned with delicately hand-embroidered macro daisies and trapunto leaves. “I imagined a vibrant qipao inspired by tropical aesthetics, tailored for chic city living in ASEAN mega-cities. I’m using cotton pique for its structure and infusing it with lively colours to retain a stylish, sensual silhouette,” explains Protacio. His knee-length qipao captures the timeless sophistication seen in Maggie Cheong’s iconic look in the classic film “In the Mood for Love.” Crafted for the Year of the Dragon, this design seamlessly complements the film’s aesthetic, presenting a potential addition to the character’s wardrobe. Seasoned designer Protacio’s creations speak to women aged 30 to 80. His intial Qipao offering for 2024 combines modern elegance with classic charm that resonates with these women’s sophisticated tastes and vibrant lifestyles.

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