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The makeup looks you should be wearing this season

The MAC SS17 Pro Tour gave us a peek into the four faces you’ll want to wear this season, and the products you need to do it.

The advent of a new year always brings with it a tide of change, in our vanities as much as in the rest of our lives. When the models are strutting down the runway, we’re looking at their faces just as much as their clothes. Is contouring on its way out? How dark will this season’s smoky eye be? Will red lipstick ever go out of style? (The answer to that last question remains a firm no.)

Thankfully, we don’t have to figure it all out ourselves. MAC Cosmetics’ director of makeup artistry Gregory Alt flew in to Shangri-la Mactan Resort & Spa to school us on beauty. The MAC SS17 Pro Tour introduced the four looks that will dominate beauty this season, as created by the brand for fashion week. Gregory takes us through the concept of each face, and the products that’ll help you recreate them.


The looks at Alberta Ferretti, Prabal Gurung and Veronique Leroy

THE REAL LIFE

Unpretentious and nonchalant are some of the key words that dictate the Real look, with emphasis on how women look in real life. “Everything feels very easy, unforced,” says artist Val Garland in the MAC trends book.

The look Val created for Alberta Ferretti featured slightly smudged eyeliner, a natural lip and only the slightest hint of contouring and blush. “Carine Roitfeld meets Kate Moss,” she calls it. The smudged liner is given as much attention at Chloe, where Aaron de Mey made it look like last night’s makeup. At Desigual and Lanvin, models looked practically bare-faced, with colors that blended into their natural skin tones.

To get the look, cover up imperfections with the MAC Studio Fix Perfecting Stick, then give your brows an imperfect but groomed look with the Brow Sculpt. Complete it with the Retro Matte Liquid Lipcolour in High Drama or Feels So Good.


The looks at Giamba, Haider Ackerman and Salvatore Ferragamo

FREE SPIRIT

Color and creativity are the highlights of the Free face, with makeup taking on a more fun and spontaneous look. “It’s the opposite of taking yourself seriously and filtering your selfies,” Val says. It’s artisanal, optimistic and eclectic—in other words, you’re encouraged to let your freak flag fly.

Bright eyes were seen throughout the runways. Geometric cateyes are done in yellow at Haider Ackerman and Ports 1961, while all sorts of colorful eye shadow were on display at Emilio Pucci, Kenzo and Ryan Lo, among others. If you’re more experimental, you can go the extra mile—there’s silver-painted eyebrows at Giamba and drawn-on circles trailing the cheekbones at Issey Miyake.

There’s a number of products on MAC’s arsenal that’d be great for the look, but what we’re really excited about are the colored mascaras. In shades of yellow, blue and purple, the In Dimension Lash is something we’re definitely adding to our vanities.


The looks at Altuzarra, Hood by Air and Simone Rocha

GET WET

Looking sweaty might have not seemed appealing during the days of the hyper matte finish, but times have changed. The Wet look is all about mimicking the way light reflects on the skin for a dewy finish. 

Slicked back hair and strategic highlights gave models a bright finish at Moncler and Altuzarra. At Gareth Pugh, super glossy lips are done in dark colors, while foreheads are literally glossed in Hood by Air. In fact, it’s clear we’ll soon be putting gloss on features besides our lips. At Baja East and Blugirl, eyes are slick for an ultra-shine finish.

MAC Prep + Prime is essential for getting the dewy base for this look, and the Strobe Creams are now available in different colors for different effects. 


The looks at Alexis Mabille, Paul Smith and Preen

WARM BODIES

It’s the new romantic, with soft washes and tints creating a very natural effect on the skin for the Warm look. “These colors are designed to enhance and mimic really great skin condition,” says artist Terry Barber.

He creates a very natural look at Marco De Vincenzo, where peach and pinks are given more depth with highlighter. “It’s that woman who looks chic just wearing lipstick,” he adds. The pastel palette continues at Roksanda, Paul Smith and Missoni carry on the floral theme, although at Preen by Thornton Bregazzi, where petals were actually pasted on the face.

Bronzers and peach lipsticks are all you need for your Warm beauty kit. But it’s the Extra Dimension Skinfinish highlighters that really make a difference—a quick swipe leaves the most gorgeous sheen.

 

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Fashion

Cloud Dancer: The Resonant Reset of 2026

by OJ HOFER

Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.

Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.

In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.

Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028

Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.

Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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