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Local Pop Art Culture in Retrospect

With different media to use and the avenues to portray, the local pop art in Cebu is surely something that grows gradually every day. Here, there are two local artists who use digital and street art that fully outgrew the traditional style of the movement.

Roy Lichtenstein was one of leading figures of pop art in America in the 1960’s. Pop art became the new art movement and Lichtenstein used his influence though parody pop art. Styled and inspired by comic strips, his works managed to expand its influence to advertising.

Pop art is commonly defined as a movement that copies methods, styles, and themes of popular culture and media like comics. The emergence of pop art that started during Lichtenstein’s time used bright colors which themes and subjects are about modern life and trends.

With different media to use and the avenues to portray, the local pop art in Cebu is surely something that grows gradually every day. Here, there are two local artists who use digital and street art that fully outgrew the traditional style of the movement.

Gilby Clarke Aventurado is an experienced graphic artist and illustrator. With a Bachelor of Science in Information Technology degree, he used his skill in design to bring enthusiasm and inspiration.

One of Gilby’s inspirations is Roy Lichtenstein. “My style started back in 2016 when I was also inspired by James Jean, Shepard Fairey, and Andy Warhol,” he shares. He is also a member of the local bands Trial by Ordeal and Underground.

Gilby is more focused on the digital pop art movement and uses subjects or portraits of famous people.

Unlike the traditional pop art that used bright colors, Gilby is more focused on black and gray portraits textured by modern style pop art illustration.

“I think what makes my style different is that I focus more on portraits,” Gilby adds.

On the other hand, Kano, a local graphic and street artist used pop art on the streets. “Back in 2016, I was doing pop art on the streets and my subject was always this female, painted a comic strip on the walls. Later on, I decided to change my style so I experimented on my characters and made them more colorful,” Kano adds.

After few tries in his experimentations, he used his own character. “What I can say is that my style is more cartoon-ish,” he says.

Kano is a street artist that uses bright colors in his pop art on the streets.

Just like Gilby, Kano admits being influenced by famous pop art artists as well. His medium, the streets, is what makes him different.

“Seeing my own work in public places, it makes me happy. It’s like an addiction,” Kano shares.

The local art scene explores more on characters and realism. According to Kano, there are also a lot of street artists that use characters. But he adds, “My style is more of a cartoon, cute characters on a trippy colors but everything is still on the process”.

Gilby adds that the future of local pop art has a long way to go. He envisions it to be minimal. As someone who focuses more on the digital movement, he sees the local pop art culture to be growing still.

The combination of street art and pop art movement carries more avenue of self expression. As a street artist, Kano believes that this movement will showcase that the local street of Cebu is varied and equally good as the other art style.

The local pop art culture is a movement that experiments and thrives. The art that relies on trends and what’s new is good enough, but the movement that continues to combine with an enough amount of curiosity and support will strive to be the best.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

 

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

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Arts & Culture

Art Fair Philippines 2025: A Celebration of Creativity

by Emcee Go

Art Fair Philippines 2025 transformed the Ayala Triangle Gardens in Makati City into a dynamic showcase of contemporary and modern art. From February 21 to 23, art enthusiasts and collectors were treated to an eclectic mix of visual masterpieces, interactive installations, and thought-provoking exhibits.

This year’s fair features an impressive lineup of local and international galleries, including renowned names like Leon Gallery, Metro Gallery, Orange Project, J Studio and from Cebu, Qube Gallery.

Francis Dravigny’s woven artworks was one of the two featured artists at Qube Gallery’s well curated exhibition.

Qube Gallery’s Mariz Holopainen in front of Sio Montera’s abstracts.

 

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Arts & Culture

Cebuano Pride: The National Museum of Cebu

Pride of Cebu

By Eva Gullas 
photos courtesy of DOT
“With the National Museum of Cebu, the cradle of Christianity in the country, we open the doors to a temple in history and culture, inviting tourists and locals to witness our archaeological and natural treasures. The NMP-Cebu is not just a museum but a bridge to our past and a window into our future,” declares Christina Frasco, our Secretary of Tourism, at the ceremonial opening last July 28.
Located at the heart of the city’s historic port area, the former colonial Customs House, built in 1910, was transformed into an elegant edifice worthy of the city’s place in history. It was in Cebu where the Spanish conquistadors first landed in 1521 and where Magellan met his end at the hands of the local chieftain Lapu-Lapu. Starting August 1, the National Museum of Cebu will open its doors daily from 9 am to 5 pm except Monday.

Cebu City Tourism’s Neil Odjigue, Cembeth Hortillano and CCTC Chairperson Joy Pesquera

Worth checking is the first floor, where a few art pieces from national artists like Cebu’s own Martino Abellana, Fernando Amorsolo, and Jose Joya take pride of place. On the right wing are finds from archeological digs found all over the islands. Called Ang Karaang Sugbo or Old Cebu, they include a gold death mask and ancient vases from China. There’s also Kinaiyahan: Cebu’s Natural Wonders, which features an impressive wall containing the different layers underneath our soil. There is also a display case that interactively showcases the various elements around the area, like gold, copper, and gypsum. Another wing is Paglawig: Cultural Movember Across the Seas, showcasing the islands’ maritime history and sea bounty, including rare shells.

Museum Director Jeremy Barns, Maryanne Arculli, Andronik Aboitiz and wife Doreen, Amanda Luym

Some of the abstract art from the New York collection

It is on the second floor, though, where the museum shines. Up the grand staircase, guests are greeted by Elmer Borlongan’s massive Battle of Mactan, facing a facsimile of the Sta Maria galleon, Magellan’s flagship. Then on to a limited-time exhibit on loan from the Philippine Center New York Core Collection of 1974, a treasure trove of almost 90 paintings collected by former First Lady Imelda Marcos, including Ang Kioks, Sanso, Manuel Rodrigues, and many more representing both avant-garde and classic Filipino masters. The New York collection is only available until March 2024 and is not to be missed.

Writer Eva Gullas beside Elmer Borlongan’s Battle of Mactan

The National Museum Cebu has been years in the making, and this cultural milestone has finally been made possible under the new administration of President Ferdinand Marcos Jr., who famously said during the inauguration, “I am a museum fan, and I can stay in art museums for hours and hours.” He added, ” museums are considered valuable natural assets to a nation as they build a sense of community, document history, inspire creativity, promote tourism, and unite people through a shared heritage.” Kudos to the National Museum Board of Trustees, chaired by Andoni Aboitiz and Museum Director Jeremy Barnes, for this cultural gift to Cebu!
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