Fashion

Here’s how the OMEGA Constellation models have grown over the years

OMEGA Constellation is one of the watch manufacturer’s most popular and distinct timepieces – a stunning combination of power and beauty. Here’s a look at how this line has evolved since it first saw the light of day in the early 1950’s.

1952

The first bearer of OMEGA’s torch of industrializing precision – the very first Constellation model of 1952 – was powered by OMEGA´s chronometer-rated automatic calibre 351 and introduced the first of many features that would become legendary: the twelve-sided raised dial that was subsequently referred to as “pie pan”, the facetted massive triangular hour markers, a solid star riveted at 6 o´clock, the dauphine-shaped hands, the cross-hair decoration on the dial, the polygonal crown and the now legendary observatory-medallion on the caseback.

1953

Driving the already-famous design to new heights, 1953 saw the introduction of the Constellation Grand Luxe: the 12-sided “Pie Pan” dial was made of 18K solid gold and was finely striated to accentuate the finesse of its manufacture. The 18K gold case included beautifully-shaped hooded lugs that integrated with the unique Reinhor brick bracelet with a semi-flexible folding clasp. Powered by the chronometer-rated automatic calibre 354, this model gave new a new meaning to the words luxury, beauty and precision.

1957

Following the same path, 1957 saw the introduction of the Constellation DeLuxe. Assuring its certified precision was the rotor-wound automatic calibre 501, this model boasted yet another incarnation of the famous solid 18K gold “Pie Pan” dial, this time with highly polished bevels. Introducing a remarkably modern bracelet in solid 18K gold with flat links and a folding clasp reminiscent of later designs, this model was not only ahead of its time; it was also a remarkable success that confirmed the role of the Constellation within OMEGA´s collection for the decades to come.

1961

Encasing a member of OMEGA´s next generation of chronometer-rated automatic calibres, the 561, the 1961 rebirth of the Constellation Grand Luxe, continued with the introduction of the date-calendar within the line. A new rounded solid 18K gold dial accentuated the change and the addition of the framed date-window at 3 o´clock. The model´s luxurious design was further enriched by the newly conceived solid hour markers with unique Onyx inlays.

1964

The next step in the line´s evolution premiered in 1964 with the introduction of the Constellation “C”. The newly designed oval-shaped case provided beautiful protection to OMEGA´s chronometer-rated automatic calibre 564, a guilloche silvered dial with fine baton-shaped solid gold hour markers with Onyx inlays and black baton hands. Deriving from designs made for OMEGA by Gerald Genta, the Constellation “C” model defined precision and beauty for more than a decade.

1972

Following its pioneering spirit and keen to develop a watch that was even more precise, it was only logical the OMEGA chose the Constellation line to premiere its next technological milestone: the Megaquartz 2400. Debuting in 1972, exactly 20 years after the first Constellation model saw the light of day, it had a rectangular dial made of aventurine glass. This adventurous model was powered by the newly developed extremely high-frequency quartz calibre 1510 that featured a quartz crystal that oscillated at incredible 2.4 million times per second. Its proven accuracy of less than +/-1 second per month helped OMEGA to gain yet another important milestone: a derivative of this model became the world’s first wristwatch to be ever certified as a “marine chronometer” – and incredible achievement that has not been surpassed even today.

1982

Representing one of the most important facelifts (or “redesigns”) in OMEGA’s storied path, the Constellation “Manhattan” was launched in 1982, exactly 30 years after the original Constellation model’s premiere in 1952. By now legendary, it was with the “Manhattan” that the world first saw the Constellation’s new signature-feature: a set of aesthetically and technologically advanced system of four claws that graced the new model and have been a Constellation-reference ever since. Originally they were part of the novel case design and were used to hold the watch crystal in place, helping to ensure this model’s water-resistance. This model introduced another design element that has been connected with the line ever since: two half-moon facets on either side of the case ensured the smooth integration of the bracelet, ensuring a uniform “one-piece” look. An immense success, these features have continued to define the Constellation to this date.

Combining OMEGA’s watchmaking prowess with the brand’s social engagement, the Constellation ORBIS offers customers two opportunities to help ORBIS International give the gift of sight. The exquisite timepiece, with its sun-brushed blue dial and applied 18K white gold elements, is equipped with the OMEGA Co-Axial calibre 8520 and highlights the partnership between OMEGA and the international humanitarian organization. A portion from the profits of each Constellation ORBIS benefits ORBIS International and its efforts to fight preventable blindness around the world.

2013

Underscoring OMEGA’s dedication to product innovation and honouring its heritage, the brand introduced the Constellation Sedna in 2013, a sophisticated timepiece crafted from exclusive OMEGA Sedna™ gold and with a design inspired by the first Constellation launched in 1952. The Constellation Sedna features a “pie pan” dial and the OMEGA Co-Axial calibre 8501. This limited edition timepiece seamlessly blends the appeal of the legendary Constellation family with an innovative material.

2014

In 2014 OMEGA unveiled the newest addition to the Constellation collection – the Constellation Pluma, a striking wristwatch which takes its name from the Latin word for feather. The mother-of-pearl dials are engraved with a soft-wavy pattern cast from the iconic claws on the bezel and are graced with diamond indexes in 18K gold holders. Diamonds decorate the bezel of the stainless steel and bicolour models, adding to the watches’ extraordinary aesthetics. At the heart of the Constellation Pluma is the exclusive OMEGA Co-Axial calibre 8520.

Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

Fashion

Salt, Silk, and Stardom: Ten Reasons Celebrities Wear Amato by Furne One

by Oj Hofer

At Take Me to the Sea, Amato by Furne One unveiled more than a resort/bridal collection — he revealed a world suspended between tides and starlight, where salt, silk, and stardom stitched themselves into every look.

Held at The Hall of the Crimson Resort and Spa Mactan, the show was a transportive experience. As waves whispered beyond the glass, Amato’s gowns swept down the runway like sirens called to shore. Here are ten reasons why global icons return — time and again — to his sea of style.

1. Salt in the Craft
His garments carry the wild grace of the sea — textured, elemental, unforgettable. Every bead, cut, and crystal tells a story shaped by emotion and intuition.

2. Silk in the Movement
Though opulent, his creations float. There’s ease in the drama — cascading motion without weight. Ideal for performers who speak through movement.

3. Stardom in the Vision
Furne doesn’t chase trends — he conjures icons. His gowns command attention while allowing the wearer’s light to radiate.

4. Salt as Spirit
There is soul in the stitching — a deep undercurrent of cultural pride and personal mythology. His work carries weight because it carries truth.

5. Silk as Spellwork
His fabrics don’t just dress — they enchant. Each piece invites touch, reverence, and awe.

6. Stardom in the Silhouette
Furne understands form. He doesn’t simply clothe a figure — he sculpts for presence. For red carpets, concert stages, and film legends.

7. Salt of the Earth
Despite global acclaim, Furne remains grounded. His humility fosters collaboration, creating space for intimacy in the creative process.

8. Silk-Wrapped Strength
There is softness, but never fragility. These gowns are fierce — veiled in elegance yet unapologetically bold.

9. Stardom as Alchemy
Wearing Amato is not mere adornment — it is transformation. A star steps into a Furne One creation and becomes mythic.

10. Salt, Silk, and the Furne Himself
Furne One is the thread. With quiet charisma and a generous spirit, he doesn’t just dress celebrities — he disarms them. And from that space of trust emerges what every artist longs for: wonder.

And in Amato’s world, wonder always wins.