Arts & Culture

Experiencing Avant Garde Sounds with Meltdown 3.0

Music as an art form is created or composed by various reasons; it may be for aesthetic pleasure or expression. Different kinds of genre have emerged through the years and surely enough, here in Cebu, music has evolved into something more. Noise/Experimental Music has made a kick around the music scene with Meltdown 3.0.

Sound has always been a part of human interaction. We produce sound whenever we want to express something but how does something as simple as sound become music? Music as an art form is created or composed by various reasons; it may be for aesthetic pleasure or expression. Different kinds of genre have emerged through the years and surely enough, here in Cebu, music has evolved into something more. Noise/Experimental Music has made a kick around the music scene with Meltdown 3.0.

“Meltdown is a collaborative platform and series of concerts conceptualized by Cebu-based MELT Records showcasing the most prolific sound practitioners who dabble in noise, experimental and sound art,” says Pj Ong, Co-Founder of MELT Records & Creative Director.

Together with these genres, they also add visual aesthetic videos projected behind the artists to complement the sound they produce. Melt Records, an independent record label based in Cebu, also aims to produce and release music from both up-and coming and more established independent artists from Cebu. They created this event to determine and explore unlimited possibilities of multi-genre music.

Paolo Gàiba Riva

“[It’s] A good balance between good indie music and more progressive forms to further art,” adds Dexter Sy, Co-Founder of MELT Records.

We can’t deny that mainstream music in Cebu has made progress this year, so Pj thought that there was a need to create an outlet for Art and Rebellion.

“Manila has been doing this since the 80’s, and we believe it’s time to bring it to Cebu on a bigger scale.” He says. He adds that although experimental music has been around in Cebu since the 90’s, it has never been formally recognized or documented. It was when he participated in a dialogue with Souther Asian Artist through the WSK Music Festival in Manila last year that he realized there was a need to establish an avenue for the avant-garde, exploratory sound scene here in Cebu.

“Because of its interdisciplinary nature, the discipline of sound art has definitely earned it’s reputation as an artform.” This specific genre has been applied in other fields too.

Existing in a hybrid form, it can be combined with other elements too, such as visual art and performance art. And as how MELT really wants to push the boundaries of the music scene, Meltdown 3.0 and the combination of artforms challenges Cebu’s music audience in terms of their audiovisual and live event experience. Dexter also notes that “As diverse as our local music is, there’s still a “comfort zone”, hoping that these kind of events opens up Cebu to other new forms of music and art.

Kazehito Seki

In terms of opening up Cebu for more exciting form of music, MELT also paved way for local artists that for most people, didn’t know that they created these kinds of sound. They were linkage that MELT already had. Some of the local artist that played where Future Teenager, Budoy, Chris Murillo, John Caing & Sam PipeBomb. They also had artist from Manila from their partnership with WSK and Noisebath PH—Joee & I, Lush Death, Sigalot.PJx and Small Town Press.

“Each artist brings something new to the table. Art is very personal and highly-subjective, and this unique sense of individuality is reflected in each of their sets,” says Pj.

Les Belles Noiseuses

Even if the scene has its ups and downs compare to bigger cities, Cebu’s music scene still progresses and continue to innovate; sub communities offer something for everyone, supporting music venues and artists too.

“There’s a lot to be improved on with regards to how we generate interest and income for our independent artist, but at the moment, things have been decently sustainable and people are enjoying themselves, which is an essential factor to keep the music scene alive.” Dexter states.

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Arts & Culture

Art Beat: Scenes From the Manila Art Fair 2026

photography by Doro Barandino

“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Vinta by Protegeri, collaboration art piece by Leeroy New, Solenn Heuseff and Vito Selma

Q&A with interior decorator and jewellery designer Doro Barandino

Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.

Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.

Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.

The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

The Standard by Thai artist Pitchapa at the Triangular durational, performance art.

Bato Bato sa Langit by Filipino artist Carlo Tanseco

Stocking Proportions Menumpuk Proporsi by Indonesian artist Labadiou Piko

Untitled by Indonesian artist Yunizar

Filipiny, wool tapestry by national artist of the Philippines,Federico Aguilar Alcuaz.

Untitled by German artist Valentin Elias Renner

Interior decorator and jewellery designer Doro Barandino is also a regular contributor for zee.ph

Arts & Culture

Visayas Art Fair Year 5: Infinite Perspectives, Unbound Creativity

by Jing Ramos

This year’s Visayas Art Fair marks its 5th anniversary, celebrating the theme “Infinite Perspectives: Unbound Creativity.” The fair continues its mission of bridging creativity, culture, and community in the country. This milestone edition strengthens its partnership with the National Commission for Culture and the Arts and expands collaborations with regional art organizations and collectives—reinforcing its role as a unifying platform for Philippine art.

VAF5 features the works of Gil Francis Maningo, honoring the mastery of his gold leaf technique on opulent portraits of the Visayan muse Carmela, reflecting spiritual awareness.

Gil Francis Maningo is celebrated for his gold leaf technique.

Gil Francis Maningo’s recurring theme of his Visayan muse “Carmela”.

Another featured artist is Danny Rayos del Sol, whose religious iconography of Marian-inspired portraits offers a profound meditation on the sacred and the sublime. This collaboration between two visual artists sparks a dialogue on the Visayan spirit of creativity and resilience. Titled “Pasinaya,” this dual showcase explores gold leaf as a medium of light and transcendence.

Artist Danny Reyes del Sol

Danny Reyes del Sol’s religious iconography.

Now in its fifth year, the Visayas Art Fair has influenced a community of artists, gallerists, brokers, collectors, museum curators, and art critics—constructing a narrative that shapes how we approach and understand the artist and his work. This combination of factors, destined for popular consumption, illustrates the ways in which art and current culture have found common ground in a milieu enriched by the promise of increased revenue and the growing value of artworks.

Laurie Boquiren, Chairman of the Visayas Art Fair, elaborates on the theme, expressing a vision that celebrates the boundless imagination of unique artistic voices:

“Infinite Perspectives speaks of the countless ways artists see, interpret, and transform the world around them—reminding us that creativity knows no single point of view. Unbound Creativity embodies freedom from convention and controlled expression, allowing every artist to explore and experiment without borders.”

Laurie Boquiren, Chairman of the Visayas Art Fair has tirelessly championed the creative arts for the past five years.

Arts & Culture

Kultura. Kapital. Kasalukuyan: Art that Speaks of Today

by Jose Carlos G. Campos, Board of Trustees National Museum of the Philippines

The National Museum of the Philippines (NMP) and the Bangko Sentral ng Pilipinas (BSP) recently teamed up to prove that money isn’t just for counting—it’s also for curating! Their latest joint exhibition, Kultura. Kapital. Kasalukuyan: Contemporary Art from the Bangko Sentral ng Pilipinas Collection, is now open, and it’s a real treat for art lovers and culture buffs alike.

On display are gems from the BSP’s contemporary art collection, including masterpieces by National Artist Benedicto Cabrera (Bencab), along with works by Onib Olmedo, Brenda Fajardo, Antipas Delotavo, Edgar Talusan Fernandez, and many more. Some of the artists even showed up in person—Charlie Co, Junyee, Imelda Cajipe-Endaya, Demi Padua, Joey Cobcobo, Leonard Aguinaldo, Gerardo Tan, Melvin Culaba—while others sent their family representatives, like Mayumi Habulan and Jeudi Garibay. Talk about art running in the family!

Deputy Governor General of the BSP, Berna Romulo Puyat

Chairman of NMP, Andoni Aboitiz

The BSP Governor Eli M. Remolona, Jr. and members of the Monetary Board joined the event, alongside former BSP Governor Amando M. Tetangco, Jr., Ms. Tess Espenilla (wife of the late Nestor A. Espenilla, Jr.), and the ever-graceful former Central Bank Governor Jaime C. Laya, who gave a short but enlightening talk about the BSP art collection.

From the NMP, Chairman Andoni Aboitiz, Director-General Jeremy Barns, and fellow trustees NCCA Chairman Victorino Mapa Manalo, Carlo Ebeo, and Jose Carlos Garcia-Campos also graced the occasion. Chairman Aboitiz expressed gratitude to the BSP for renewing its partnership, calling the exhibition a shining example of how financial institutions can also enrich our cultural wealth.

Former Governor of BSP Jaime Laya

Governor of BSP Eli M. Remona and Chairman of NMP Board Andoni Aboitiz

Artist Charlie Co

Before the official launch, a special media preview was held on 5 August, hosted by BSP Deputy Governor Bernadette Romulo-Puyat and DG Jeremy Barns. It gave lucky guests a sneak peek at the collection—because sometimes, even art likes to play “hard to get.”

The exhibition Kultura. Kapital. Kasalukuyan will run until November 2027 at Galleries XVIII and XIX, 3/F, National Museum of Fine Arts. Doors are open daily, 9:00 AM to 6:00 PM. So if you’re looking for something enriching that won’t hurt your wallet (admission is free!), this is your sign to visit. After all, the best kind of interest is cultural interest.