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Celebrate Grander this Sinulog 2020: A Traffic Guide

by Chrissy Grey Resaba

Alas! ‘Tis the season to be merry once again for Cebuanos. Cebu holds the record of being the city that celebrates Christmas the longest because it ends until the third of week of January. With that being said, the Queen City of the South becomes colorful and cheerful as Ceabunos revel the grandest festival in the Visayas and of the Philippines – the Sinulog Festival.

Sinulog Festival is celebrated every third Sunday of January to give honor to Snr. Sto. Niño, the patron saint of Cebu. This festival as well can be celebrated in two ways: solemn activity and cultural festivity.

Devotees from all ages and walks of life flock to Basilica Minore Del Santo Niño de Cebu to zealously attend the novena mass for nine days in the hopes of having their wishes be granted by the Holy Child Jesus. The novena holds masses plenty everyday until 7:00 in the evening ending with a traditional Sinulog dance. The first day of novena starts with Walk with Jesus procession and the last day ends with Walk with Mary together with Sto. Niño in which both routes begin in Fuente Osmeña Circle to the Basilica during the dawn of the day.

Part of the solemn celebration of the Holy Child, there is a fluvial procession that commemorates the coming of Snr. Sto. Niño to the shores of Cebu brought by Spaniards almost five centuries ago. Not only Cebu was introduced to Christianity in 1521, but it also became the foundation for the Sinulog’s relevance. It is a holy and peaceful tradition held at the sea a day before the grand celebration.

Cultural festivity thrills the party-goers with excitement as well when they get to feast their eyes with the multicolored costumes and props parading along the streets of Cebu for the Sinulog Grand Parade. Not to mention the parties laid out by the organizers for the millennial and young-at-heart. Yet, street parties are prohibited within the 100-meter radius that is why parties are held far from the city center days before the grand celebration.

There may be a lot of things to do during Sinulog this year however, streets become busier during some days because of the activities, expect heavier traffic because some streets will close thus planning might be a good solution … or maybe the best.

Be it by a taxi, Grab car, Angkas, jeepney, or a private car avoid the routes that will surely get affected by the activity.

Avoid heading over to streets closer to piers because fluvial procession will take place at six to nine in the morning. Osmeña Blvd., MJ Cuenco Avenue, Legaspi Extension, and Pier Uno will be closed during these times for the short foot procession.

Image courtesy of sinulog.ph

Traslacion is when Sto. Niño pays a visit to his father Saint Joseph in the National Shrine of Saint Joseph the Worker in Mandaue City and then to his Mother Mary in the National Shrine of Virgen de Regla in Lapu Lapu City that is to complete the Holy Family. Traslacion signifies the importance of family being together. The route starts at the Basilica then takes right to D. Jakosalem Street, right to Gen. Maxilom Ave., left to Gorordo Ave., right to Abp. Reyes Ave., then take the junctures MJ Cuenco Ave., and Banilad Road, takes a right to AS Fortuna St., right after to A. Del Rosario St., and ends by taking right to SC Cabahug St.

The streets of Mandaue and Lapu Lapu will be closed during the Traslacion of Sto. Niño. These streets are SC Cabahug, AC Cortes, Cebu-Mandaue (First) Bridge, Quezon Natl’ Highway, Cy De la Cerna St., and lastly Osmeña St.

The moving of the Holy Child Jesus from Cebu to Mandaue and Lapu Lapu happens on January 17 – 18, 2020. Moreover, the first bridge is closed during this time.

The Solemn Foot Procession happens on January 18, 2020, at one in the afternoon. Thousands of pilgrims and devotees take part in the holy procession to say a prayer or ask Snr. Sto. Niño to grant petitions. The route of the procession starts at the Basilica then to Osmeña Blvd., Colon St., Leon Kilat St., J. Alcantara St., V. Rama St., B. Rodriguez St., Fuente Osmeña Circle, back to Osmeña Blvd., then to P. Del Rosario St., Junquera St., back to Colon St., lastly to D. Jakosalem St., and back to the Basilica.

The revelry and the grandiose party definitely will get the tourists’ jaw dropped and be in awe as they witness a showcase of street pageantry accompanied by frenzied dance steps and choreography. Loud chants of “Pit Senyor” will also be ubiquitous. The Sinulog Grand Parade is the culminating activity of the Fiesta Señor. But, getting up early and going to the place where the street dancing is happening is a must because of the carousel route. The carousel route will take place starting outside the Cebu City Sports Center then along the N. Bacalso Ave., next to Imus Ave., then to Gen. Maxilom Ave., around the Fuente Osmeña Circle, next to Osmeña Blvd., and will end inside the CCSC.

Fare surge for Grab and Angkas will occur during peak hours especially when the procession and Sinulog parade happens. Jeepneys still have their minimum fare at Php 8 and taxis have its flag down rate at Php 40. Expect to have long walks as well when the streets will be closed. For people who have private cars, choose a spot where parking lots are closer to specific places.

Cebu has a lot in store for all the revelers during Sinulog season and knowing what streets will close due to important events as part of the festivity can let the people go a long way. Free the worries up and celebrate a grander Sinulog 2020 in razzmatazz.

Arts & Culture

Chaos and Clarity: Zen Aesthetic in Oj Hofer’s Art

by Jing Ramos |

Oj Hofer, our fashion contributing editor, is a Fine Arts graduate from the University of the Philippines. Though he began painting at the age of eight, his artistic journey took a transformative turn in 2013. While volunteering as a costume designer for Siddhartha: The Musical, he encountered Venerable Master Hsing Yun’s One-Stroke Calligraphy, sparking a deep devotion to Japanese sumi-e painting and kanji calligraphy. Over the years, he refined his craft, using his art to share the Dharma through exhibitions while supporting the Hsing Yun Educational Foundation. In 2022, his spiritual path deepened at Nan Tien University, where he embraced Zen and Humanistic Buddhism, shaping his artistic philosophy.

“Plum Blossoms in Moonlight.” Serigraphy on abaca.

In his recent works, Hofer merges traditional calligraphy with serigraphy, drawing inspiration from his friend Charles Lahti—an internationally recognized New York-based painter and printmaker. Lahti, known for his collaborations with post-war American artists like Robert Rauschenberg, Donald Judd, Andy Warhol, and LeRoy Neiman, introduced Hofer to silkscreen techniques. Through a workshop Lahti conducted in Cebu—arranged by their mutual friend Greg Urra—Hofer integrated silkscreen into his Zen artworks, particularly those on abaca.

“The Circle of Harmony” Serigraphy and Calligraphy on abaca.

Hofer’s cross-disciplinary approach challenges conventional Zen aesthetics. His layered paintings on abaca may seem far from tranquil at first glance, but closer contemplation reveals a meditative core. His serigraph of an Enso circle, for example, initially appears chaotic, filled with Tang Dynasty poetry and overlapping, repetitive forms. Yet, by focusing on a single calligraphic element, the viewer experiences a moment of clarity—a glimpse of awakening within the visual complexity.

“Monkey Mind” Serigraphy and Calligraphy on abaca.

Even more engaging is his diptych Monkey Mind. At odds with the traditional Zen emphasis on negative space, this piece is deliberately busy, reflecting the restless nature of the mind. A distracted viewer may struggle to find a focal point, but one attuned to emptiness and presence will perceive clarity amidst the seeming disarray.

Ink and intention—creating calligraphy in support of one of my advocacies.

By fusing Zen philosophy with the discipline of serigraphy, Hofer invites his audience to look beyond surface impressions and discover stillness within movement, balance within complexity. His art does not merely depict Zen—it embodies the paradoxes at its core, offering a path to mindfulness through the act of seeing and the experience of doing.

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Arts & Culture

What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez

The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol

Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.

When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

Kimsoy with his student and muse, Zhara Rivera Mercado, at the entrance of Galerie Raphael

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

 

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