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A Pop-Up For the Kids in the Neighborhood

Cebuanos and Manileños come together for a special collaboration.

A culture that sprouted from diversity might put up a good challenge to bind all the differences. Like a bouquet of flowers, the beauty of the combination of differences creates a beauty in unison.

This is how Don’t Blame the Kids and The Good Neighborhood describe their newest collaboration that brings together the cultures of the north and the south.

Don’t Blame the Kids or DBTK is a clothing brand based in Quezon City. Before DBTK, the owners Vince and Emil Javier were already entrepreneurs.

DBTK is a clothing brand that aims to change people’s mindset with straightforward and direct messages.

According to Lex Ignacio, the brand Chief Content Creator of DBTK, the Javier brothers were also invested in the shoe business.

“It started through the interest in clothes and being drawn to the idea of creating something that you can call your own… and it happens to be closely intertwined with style and apparel in general,” Lex adds.

Willow Hoods is the Co-founder and Creative Director of TUF® Barbershop, and the Founder of The Good Neighborhood or TGN, a local clothing brand.

The launching of DBTK x TGN collaboration will be held in TGN’s shop at Esmero St., Capitol Site,Cebu City.

The Good Neighborhood, by November 2017, was set to be a place to build and create new friends. He excitedly shares how he has always dreamed of having a safe space to relax.

“When I was a kid, I’ve always wished to have a spot where I can go, do whatever and feel comfortable,” Willow says.

The crossing over of both brands from north and south began with the same vision earlier this year. According to Lex, Cebu was indeed their choice to put up the pop up shop.

“We were conceptualizing new ideas we can work on, and we were thinking of having pop-up shops in different countries but we knew that we needed to start locally, we then have chosen Cebu as our location because their culture is very rich and their community is very inviting,” he says.

With the same vision to highlight the essence of community and togetherness, the DBTK and TGN collaboration happened.

Cebu City’s culture and lifestyle attracted DBTK, especially its art scene, music scene, skate scene, and a lot more.

“Fortunately, we were introduced to the guys from The Good Neighborhood and right off the bat, we thought of creating something together hence the collaboration,” Lex says.

Willow adds, “The aim of the project is to bridge the gap between our disparity and differences – to continue breaking boundaries and expanding our horizons”.

The collection comes with four designs that aim to bring the essence of community and togetherness.

Their look book celebrates differences.  “We’ve used factors that best describe both our identity as a brand and design elements that communicate our ideas in unison like a bouquet which brings in the beauty of flowers altogether,” Willow expresses.

The look book of the collaboration is reminiscent of the diversity and individuality of kids in the neighborhood. This, according to Willow, draws out their connection and affinity.

As a clothing brand that serves in the north, DBTK aspires to expand even more. “Our aim with DBTK is to continue changing the mindset of people towards young generation around the world with its timeless, positive, and goal-oriented messages and designs imprinted in every product we create,” Lex shares.

The collection comes with four designs that aim to bring the essence of community and togetherness.

The brand also hopes to expand to reach further in the spectrum. “We also aspire to continue reaching out and have our pieces available to more countries because more than just apparel, our merchandise does not only improve one’s style and we don’t only make designs that are aesthetically pleasing to the eyes. They also embody special stories that are worth sharing to the world,” Lex adds.

This is a collaboration of the Cebuanos and the Manileños; the crossover will shell out four different designs each of which having two color ways, limited to only fifty pieces. This collaboration will be launched on June 30, 2018 in The Good Neighborhood 91-C. Esmero St. Capitol Site, Cebu City.

Each shirt design can be bought for only Php 800.  And for the kids in the neighborhood, this pop up is surely something worth experiencing. 

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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Fashion

Salt, Silk, and Stardom: Ten Reasons Celebrities Wear Amato by Furne One

by Oj Hofer

At Take Me to the Sea, Amato by Furne One unveiled more than a resort/bridal collection — he revealed a world suspended between tides and starlight, where salt, silk, and stardom stitched themselves into every look.

Held at The Hall of the Crimson Resort and Spa Mactan, the show was a transportive experience. As waves whispered beyond the glass, Amato’s gowns swept down the runway like sirens called to shore. Here are ten reasons why global icons return — time and again — to his sea of style.

1. Salt in the Craft
His garments carry the wild grace of the sea — textured, elemental, unforgettable. Every bead, cut, and crystal tells a story shaped by emotion and intuition.

2. Silk in the Movement
Though opulent, his creations float. There’s ease in the drama — cascading motion without weight. Ideal for performers who speak through movement.

3. Stardom in the Vision
Furne doesn’t chase trends — he conjures icons. His gowns command attention while allowing the wearer’s light to radiate.

4. Salt as Spirit
There is soul in the stitching — a deep undercurrent of cultural pride and personal mythology. His work carries weight because it carries truth.

5. Silk as Spellwork
His fabrics don’t just dress — they enchant. Each piece invites touch, reverence, and awe.

6. Stardom in the Silhouette
Furne understands form. He doesn’t simply clothe a figure — he sculpts for presence. For red carpets, concert stages, and film legends.

7. Salt of the Earth
Despite global acclaim, Furne remains grounded. His humility fosters collaboration, creating space for intimacy in the creative process.

 


8. Silk-Wrapped Strength
There is softness, but never fragility. These gowns are fierce — veiled in elegance yet unapologetically bold.

 


9. Stardom as Alchemy
Wearing Amato is not mere adornment — it is transformation. A star steps into a Furne One creation and becomes mythic.

10. Salt, Silk, and the Furne Himself
Furne One is the thread. With quiet charisma and a generous spirit, he doesn’t just dress celebrities — he disarms them. And from that space of trust emerges what every artist longs for: wonder.

And in Amato’s world, wonder always wins.

Fashion designer Furne One

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