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Shades of Grès: A Fashion Design Competition

ZEE Lifestyle Magazine pays tribute to legendary French neoclassical couturiere Alix Grès through this fashion design competition open to all designers and aspiring designers whose clothes have not yet been photographed and published in its fashion editorial pages.

DEADLINE FOR SUBMISSION OF ENTRIES IS ON JUNE 20, 2012

Description

ZEE Lifestyle Magazine pays tribute to legendary French neoclassical couturiere Alix Grès through this fashion design competition open to all designers and aspiring designers whose clothes have not yet been photographed and published in its fashion editorial pages.

Recreate the drape and dynamism of the clothes crafted by Madame Grès in your own designs to become one of the featured designers in the fashion pages. The cover girl for the October Fashion issue will be wearing your winning piece.

Theme:

Channeling the drape and dynamism of the iconic jersey dresses created by Alix Grès. Designers recreate the fluidity of her creations while making the clothes wearable today.

Prizes:

WINNER

  • Winning garment on the cover of Zee’s 2012 Oct. Issue, “Luxury”
  • Prominent feature in Zee’s 2012 October Issue fashion editorial
  • Php 10,000 in cash
  • PhP 20,000 worth of scholarship from Fashion Institute of Design & Arts (FIDA) in Cebu.
  • More prizes to be announced.

FINALISTS

  • One Page feature in Zee’s 2012 October Issue fashion editorial.

Criteria:

Sketches

  • Design Innovation 40%
  • Relevance to Theme 40%
  • Photos Previous Works 20%

Interview

  • Previous Garment 30%
  • Knowledge in Technical Construction 30 %
  • Personality 20%
  • Vision 20%

Garments (FINALS)

  • Construction/Finishing 30%
  • Wear-ability” 30%
  • Adherence to the Concept 20%
  • Photogenic Appeal 20%

MECHANICS

i.ELIGIBILITY
a. UNPUBLISHED Only designers whose garments have not been photographed and published in the fashion editorial pages of ZEE are allowed to join.

i. Designers whose garments have been published as collaterals for fashion shows under the events pages can join.
ii. Designers whose designs have been published as fashion illustrations and not as photographs can join.
iii.
Designers whose clothes have been featured in pages of ZEE Magazine other than the fashion editorial spreads can join.

b. AGE Aspiring and professional designers of any age can join the competition.

i. Designers below the age of eighteen must submit a letter of consent from their parent/legal guardian along with their application.

c. GENDER Aspiring and professional designers of any gender are allowed to enter the competition.

d. EXPERIENCE:

i. Aspiring designers or sewers or anyone interested in fashion who are not yet working professionally as fashion designers but who have produced at least 3 garments that they designed themselves.
ii. Fashion Design students who don’t have dress shops or factories but who have produced at least three garments that they designed themselves.
iii. Any creative person who wants to be featured in the fashion editorial who has produced three garments of his own design.

e. REGION Only designers from Visayas and Mindanao are allowed to enter the competition

i. This includes designers who are currently living in the regions, were born in the
regions, have a permanent address in the regions.

ii. SUBMISSION OF SKETCH ENTRIES
a. NO. OF ENTRIES Designers are only allowed two (2) sketches as entries into the competition.

i. In the event that a designer submits more than two (2) entries, the first two (2) entries reviewed by the judges will be qualified, while the rest will be disregarded.
ii. Both sketches must be submitted in the same packet via email or hard copy.

b. DIMENSIONS Designers must submit their sketches (online or a hardcopy) on a Sketch Sheet with dimensions: 8.5″x13″ (long size bondpaper)
c. COLOR Sketches submitted online and through a hard copy must be rendered in full color.
d. SWATCHES:

i. For hard copy submission- actual swatches of all fabrics used measuring 1-½ inches by 3 inches per fabric should be attached to the Concept Sheet not on the Sketch Sheet.
ii. For soft copy submission- fabric swatches of all fabrics used measuring 1-½ inches by 3 inches per fabric should be scanned and pasted on the Concept Sheet, not on the Sketch Sheet.

e. ILLUSTRATOR Designers may use an illustrator and are not required to sketch their garments themselves but must indicate that they have done so at the bottom right of the Sketch Sheet.
f. SIGNATURES AND DESCRIPTIONS Designers must not sign the sketches or add descriptive marks on the submitted Sketch Sheet.
g. PARAPHERNALIA Paraphernalia attached to the Sketch Sheet are prohibited and can be a basis for disqualification.

iii. CONCEPT SHEET:
a. Dimensions are
b. Should have an image of the inspirational garment from Madame Grès.
c. Should contain detailed description of the design.

i. Description of additional fabrics used other than jersey.
ii. Description of techniques and special skills that will be used to produce the
designs.
iii. Description of embellishment if any is used.
iv. Description of accessories if any are used

iv. BIODATA/APPLICATION FORM
a. SUBMISSION Application forms must be downloaded from HERE or acquired from the ZEE office and submitted with Sketch Sheet and Concept Sheet. Entry packets should be submitted via email at shadesofgres@res210.servconfig.com or physically at the ZEE Cebu office.

v. ENTRY PACKET CONTENT: Submitted packets should contain 3 sheets namely: the Sketch Sheet, Concept Sheet, and official Application Form.
vi. INTERVIEW OF SIX FINALISTS
a. TIME AND DATE Time and date of interview of top six finalists will be set by Zee LifestyleMagazine and must be strictly followed.

i. CEBU Finalist in Cebu will be interview first on DAY1
ii. OUT OF TOWN Out of town finalist will be interviewed on DAY2
iii.TRANSPORATION Zee will not shoulder transportation expense for this stage of the competition.
iv. ABSENTEES

1. Cebu-based finalists who cannot make it on their interview date will automatically be disqualified. A new finalist from the waitlist will be picked and interviewed the following day.
2. Out-of-town based finalists will be given a grace period of one day only provided that they advise the organizers of their inability to travel ahead of time.
3. Waitlisted contestants who make it to the top six finalists may receive the cash allotment for fabrics, materials and production a day later but the same deadline of delivery of finished garments apply.

b. SAMPLES OF DESIGNED GARMENTS Semifinalists must bring a garment that they had
previously designed and created.

i. Designers must bring garment that they designed themselves and that they either
produced themselves or supervised during production.

1. Deconstructed garments from ready-to-wear and other designers are
prohibited
2. Refurbished pieces from old garments are prohibited.

vii. FINAL JUDGING
a. SUBMISSIONS Designers are to produce two garments out of the 5 thousand pesos that they have been provided and submit them for final judging.
b. FABRICS Seventy percent of the fabric used in both garments must be jersey.

i. ADDITIONAL MATERIALS Designers are allowed to purchase additional materials
beyond the Php 5,000 given to them but the costs will not be refurbished by ZEE.

1. OTHER MATERIALS Beads, feathers, metal, etc. are permissible only as accesories.

ii. ACCESSORIES Designers may provide accessories for the garment, but will
not be considered as part of the garment.

1. HATS AND HEADGEAR Hats and headgear made out of the primary fabric will be considered as part of the garment and will be judged as such.

iii. COLOR Designers are allowed to use any color in their garments.

1. DYING Coloring or dying fabric is permissible.

c. OWNERSHIP The winning garments are the property of participating designers. However, they will be kept by ZEE for the fittings, pictorials and launch of the Fashion Issue and will be returned after the event.

i. REPRODUCTION Loalde reserves the right to reproduce the design under any of its design labels but will credit the designer accordingly in press releases and sale pitches. ( WE HAVEN’T CONFIRMED LOALDE YET)

d. CONSTRUCTION Garments may or may not be sewn by the designer him/herself but he has to prove at least 75 % participation in its actual construction.

i. The designer may utilize a seamstress/tailor for the garments however; he has to overlook the production himself.
ii. As proof of his participation in the actual production of his designs, the designer
should present any one of the following during the final judging.

1. Patterns he drafted.
2. Toile or mock-up muslins.
3. Documentation such as a photographs or videos.

Download the application form

Fashion

Ravens, Runways, and Revelations: A Glimpse of Amato

by OJ HOFER | photo credit JOSEPH ONG | jewelry ROYAL GEMS  

Fashion had become as instinctive as breathing—so natural that one scarcely noticed it. Yet, after seasons adrift in sartorial limbo, the piercing peal of Birds of Prey by Amato Furne One jolted this archipelago’s fashion scene to attention. Amato’s spectacle soared beyond mundane couture, drawing me from the quiet of my atelier to the intoxicating front row at the reinvented Tops in Busay—from the low murmur of machines to the electrifying brouhaha of the style set.

Amato is not merely a label; it is a visionary ideal stitched in silk and dreams, a symphony of artistry that transforms yarns, fibers, and fabric into fashion phantasmagoria. Under the deft hands of Furne One, Amato has adorned the world’s most fearless icons—Beyoncé, Lady Gaga, Katy Perry, Jennifer Lopez—women who, like his creations, embody style, strength, and spectacle. His couture is not merely worn; it takes flight, transforming the wearer into a mesmerizing apparition of fleeting beauty—a phenomenal vision that lingers long after the moment has passed.

But how does one conjure such fantastical transformations? To offer a glimpse into the mind of this visionary, we posed three playful questions:

Oj: If you were a bird, would you soar as a mighty raptor or scheme as a clever corvid?
Furne: I’d be a raven—sharp-witted, shrouded in mystery, and draped in the perfect shade of midnight. Its inky plumage matches my flair for dark romance; because even in shadows, I prefer a little drama.

Oj: What would be your most formidable power?
Furne: As a raven, I straddle the seen and unseen—transcendence is my superpower.

Oj: What bird would you absolutely refuse to be reborn as?
Furne: Never a turkey—too commercial, too festive, and far too likely to end up as Thanksgiving dinner.

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Fashion

Lucky Colors of 2025: Harness the Energies of Emerald Green & Carmine Red for Success

Thom Browne Cropped tweed jacket
by Oj Hofer

With the Year of the Wood Snake underway, understanding the significance of lucky colors can help align us with its energetic flow. Rooted in Chinese astrology and Feng Shui, the year’s fortifying shades—emerald green and carmine red—offer mindfulness and good intention attracting luck, and fostering personal growth.

Emerald green, associated with the Wood element, symbolizes renewal, clarity, and inner peace. In the year of the wood snake, its dynamic energies will empower and inspire you, fostering growth, renewal and wise transformations. The hue is ideal for moments of self-reflection, study, or creativity. Wearing or incorporating this shade into your space enhances balance and mental focus.

Carmine red, linked to the Fire element, embodies passion, confidence, and vitality. This year, which according to the Bazi Four Pillars Chart, has a lack of metal, earth and fire elements, it will bring balance and the propitious energies. It’s perfect for professional meetings, decision-making, and moments requiring assertiveness as a splash of red can energize and embolden you throughout the day.

Stella Macartney vegan Leather tote

Stefano Ricci silk tie with paisley print

To fully harness their benefits, use these colors in a contemporary, mobile context; through clothing, jewelry, bags and accessories. Alternate between these two potent tints based on your needs. For example, wear green for calmness and clarity when you are going into stressful and mind challenging meetings or appointments. Choose red when you are going into places or situations where you need courage and motivation such as fashion galas, elite socials, prestige affairs, VIP gatherings and so forth. 

Saint Laurent crepe de chine mules

Optionally, you can also choose to wear these colors inconspicuously in small details, such as a garnet or jade bracelet, or a ruby or emerald pendant and earrings set. Men can wear a burgundy or forest green tie or pocket square, or casual polo shirts with poppies or with botanical prints, or jade and garnet jewelry. Doing so can subtly align your energy with the year’s vibrational flow.

Jan Leslie emerald bracelet

Daily Mood Cuff Links with red tiger’s eye tubes

The use of colors is more than just aesthetic choices or preferential picks. Colors can serve as energetic tools, reminding you of your good intentions and keeping you mindful of you daily motions. Effecting an optimistic mental state in the wearer, they can effectively shield you from negativity while fostering prosperity and emotional balance. Thoughtfully incorporating them into your wardrobe and surroundings ensures that you move through 2025 with confidence and the right intentions.

Embracing emerald green for tranquility and carmine red for strength are intentional, mindful choices that have the power to transform your energy and shape your path forward. May you have the best of luck in navigating through Year of the Snake with harmony, energy, and the power to attract good fortune.

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Events

The First NUSTAR BALL

Janine Taylor, June Alegrado, Jackie Lotzof, Frances Siao, Ina Ronquillo and Christine Pelaez

The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.

Black was the color of night at the Zee table.

Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.

Nora Sol, Beth Go, Frances Siao and Marylou Ong

Ina Ronquillo, Maryanne Aboitiz and Jackie Lotzof

Designers Jun Escario and Philip Rodriguez

Philip Rodriguez with NUSTAR Malls two power ladies: May Adolfo and Joanna Salazar

Lana Osmeña with Mariquita Yeung

PJ Castillo and Kaye Abad with Cary Santiago

Drew Sarmiento with LV Manager Adrian Decuigan

Cary Santiago with Eva Gullas

Manila socialites Julie Boschi and Ching Cruz with June Alegrado

It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.

 

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