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Papers and Tschai: A Journal-Customizing Journey

The advances of technology and social media hinder the wide use of journals and papers. We prefer writing our thoughts and create a thread of diary entries on the web. 

Fortunately, some of us still find journals and planners useful. Our handcrafted pages filled up with colors and highlights glitter our busy schedules, and the smell of fresh pages still excite us.

Papers and Tschai offers medieval bounded journals.

Like many of us, we prefer specific journals to use. From page color, guide lines and cover, the combination of these always has to go together. Luckily, a local business that started from a hobby of customizing journals enlightens us that journals can be perfect the way we want to.

Papers and Tschai was founded and owned by Charo Lyn Roncesvalles or most commonly known as Tschai. This hobby of making journals started thirteen years ago.

“My main product is handmade leather journals. I hand stitch all the journals. After my first son was born, I had all the time so I had to make do of the materials and time and made journals for my friends,” Tschai says.

Tschai is a BS Architecture graduate and loved handcraft materials and journals ever since. “It slowly grew into me and over the years, it was just a hobby. I make journals as gifts for seasons like Christmas,” she adds.

The customizing business started with a simple thought that different types of people need different types of notebooks.

“People ask me why I don’t supply to bookstores and malls and I really tried to soul search if that’s really my market but after a few years, I realized that the edge of my products is I have the option to personalize the items for the specific person,” Tschai says.

Travelers’ notebooks are the refillable journals bounded by elastic bands.

Her stock items are rarely sold. Tschai states that people deserve the paper, leather and style that they personally want. Her leather journals come into two types—the medieval binding and travel notebook type.

Medieval binding is inspired by historically bound achieves. “Books now are glued but before pages were directly stitched to the material which is the leather. It is the sturdiest for archiving,” she says.

The travel notebook type, on the other hand, is the refillable notebook. Small ones of both types range from Php 650 to Php 850 and bigger sizes start from Php 1,200 and up depending on the type of paper and leather the customers prefer. Tschai gathers the materials around the city and over the years, she imported materials from Hong Kong.

“Maybe in five years time, I want to make a shop where people can visit and it will be like an art bar,” she envisions. “They can go there, get my journals, they can have journals made there as well where they can choose the paper and cover,” Tschai continues.

Tschai also envisions to collaborate with different local artists with the same passion and goals– to create and customize journals.

In her future art bar, she also envisions helping other artists, women and people with a hobby of handcrafting.

“I want to train and help people who need jobs and maybe discover a skill that they can earn a decent living from and at the same time they enjoy what they’re doing,” she says. 

Book binding is a basic skill, Tschai insists. “There are a lot of skills that people are in need to have a right venue to practice it and put value in it,” she adds. She also wants to teach handcrafting in her future one-stop shop for journal making.

The only way to learn is to experiment. “I started thinking about this [business] two or years before making my first journal. The first journal took ten to twelve hours so I researched tools and materials. It is also important to innovate and don’t give up,” Tschai advises.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

 

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

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Arts & Culture

Art Fair Philippines 2025: A Celebration of Creativity

by Emcee Go

Art Fair Philippines 2025 transformed the Ayala Triangle Gardens in Makati City into a dynamic showcase of contemporary and modern art. From February 21 to 23, art enthusiasts and collectors were treated to an eclectic mix of visual masterpieces, interactive installations, and thought-provoking exhibits.

This year’s fair features an impressive lineup of local and international galleries, including renowned names like Leon Gallery, Metro Gallery, Orange Project, J Studio and from Cebu, Qube Gallery.

Francis Dravigny’s woven artworks was one of the two featured artists at Qube Gallery’s well curated exhibition.

Qube Gallery’s Mariz Holopainen in front of Sio Montera’s abstracts.

 

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Arts & Culture

Cebuano Pride: The National Museum of Cebu

Pride of Cebu

By Eva Gullas 
photos courtesy of DOT
“With the National Museum of Cebu, the cradle of Christianity in the country, we open the doors to a temple in history and culture, inviting tourists and locals to witness our archaeological and natural treasures. The NMP-Cebu is not just a museum but a bridge to our past and a window into our future,” declares Christina Frasco, our Secretary of Tourism, at the ceremonial opening last July 28.
Located at the heart of the city’s historic port area, the former colonial Customs House, built in 1910, was transformed into an elegant edifice worthy of the city’s place in history. It was in Cebu where the Spanish conquistadors first landed in 1521 and where Magellan met his end at the hands of the local chieftain Lapu-Lapu. Starting August 1, the National Museum of Cebu will open its doors daily from 9 am to 5 pm except Monday.

Cebu City Tourism’s Neil Odjigue, Cembeth Hortillano and CCTC Chairperson Joy Pesquera

Worth checking is the first floor, where a few art pieces from national artists like Cebu’s own Martino Abellana, Fernando Amorsolo, and Jose Joya take pride of place. On the right wing are finds from archeological digs found all over the islands. Called Ang Karaang Sugbo or Old Cebu, they include a gold death mask and ancient vases from China. There’s also Kinaiyahan: Cebu’s Natural Wonders, which features an impressive wall containing the different layers underneath our soil. There is also a display case that interactively showcases the various elements around the area, like gold, copper, and gypsum. Another wing is Paglawig: Cultural Movember Across the Seas, showcasing the islands’ maritime history and sea bounty, including rare shells.

Museum Director Jeremy Barns, Maryanne Arculli, Andronik Aboitiz and wife Doreen, Amanda Luym

Some of the abstract art from the New York collection

It is on the second floor, though, where the museum shines. Up the grand staircase, guests are greeted by Elmer Borlongan’s massive Battle of Mactan, facing a facsimile of the Sta Maria galleon, Magellan’s flagship. Then on to a limited-time exhibit on loan from the Philippine Center New York Core Collection of 1974, a treasure trove of almost 90 paintings collected by former First Lady Imelda Marcos, including Ang Kioks, Sanso, Manuel Rodrigues, and many more representing both avant-garde and classic Filipino masters. The New York collection is only available until March 2024 and is not to be missed.

Writer Eva Gullas beside Elmer Borlongan’s Battle of Mactan

The National Museum Cebu has been years in the making, and this cultural milestone has finally been made possible under the new administration of President Ferdinand Marcos Jr., who famously said during the inauguration, “I am a museum fan, and I can stay in art museums for hours and hours.” He added, ” museums are considered valuable natural assets to a nation as they build a sense of community, document history, inspire creativity, promote tourism, and unite people through a shared heritage.” Kudos to the National Museum Board of Trustees, chaired by Andoni Aboitiz and Museum Director Jeremy Barnes, for this cultural gift to Cebu!
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