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OJ Hofer Recommends the Fashion Designers You Should Be Looking Out For

With a fashion community that’s growing everyday, Cebu is home to many young designers. Oj Hofer names his picks for the five up-and-coming names in the industry, who he feels will be dressing some big names soon.

With a fashion community that’s growing everyday, Cebu is home to many young designers, each with their own statement to share. Fashion designer and Zee’s fashion editor Oj Hofer names his picks
for the five up-and-coming names in the industry, who he feels will be dressing some big names soon.

photography KODA
hair and makeup JANICE BARILLO And NICKO DELA PEÒA
locale THE PYRAMID

Originally published in Zee Digital Vol.1

 

PERCIE LOVE REQUIERO

When did you know you wanted to be a fashion designer?
when I was younger, I fancied clothes, especially those with elaborate details. It started out as a hobby-making clothes for my daughter. It was two years ago when I finally decided to get formal training, and realized that designing is my passion.

How did you break into the industry?
In 2016, my group and I represented FIDA in a competition. Then, more opportunities came.

How would you describe your style?
Tailored, simple and timeless

Who are the Cebuano designers you look up to?
There are a lot of designers that I look up to, especially my FIDA mentors. Each of them has their own expertise that honed me to be where I am today.

What are your plans for 2018?
As a beginner, this year, I want to focus on having more exposure, experience, and to get to know more about the industry. I want to gain additional
knowledge from seasoned designers on how to handle challenges in the business, and at the same time, establish my brand.

Yoko Sato Li and Edward Castro

YOKO SATO-LI

When did you know you wanted to be a fashion designer?
Ever since I was young, it was really my dream to be a fashion designer, but eventually I forgot about that because of other priorities. My mom wanted me to take up nursing, so I followed her and even got my license. I also worked as a Loans Associate, and a bank teller for almost three years. It went well, but something still seemed missing. I rekindled my love for fashion. I tried to enroll in FIdA several times, but had doubts pushing through since I had a hard time giving up my stable job at the bank. I talked to some of my friends and family, but most of them weren’t supportive about taking the risk. It was my husband who was very supportive, and motivated me to follow my dream. I weighed things, and didn’t want to grow old and have regrets about not pursuing what I really love to do. I then realized that it meant a lot to me, and I fought for my passion and chased my dreams.

How did you break into the industry?
As someone who is still starting in the fashion industry, I think the FIdA Graduation Show Beyond Borders opened me up to a lot of opportunities.

How would you describe your style?
I am actually an eclectic person. I love to mix and match different styles and make it my own. It is important to have an eye for what you like, and what suits you or your client. I tend to like classic
style and go for a minimal look, but I also love trends. I donít really limit myself. I just want to make sure that it looks feminine but edgy, sexy but elegant and sophisticated, simple but unique, and also
clean polished.

Who are the Cebuano designers you look up to?
Cary Santiago, Philip Rodriguez and Harvey Cenit

What are your plans for 2018?
Hopefully starting up my own boutique

EDWARD JAMES CASTRO

When did you know you wanted to be a fashion designer?
Ever since I could remember. For me, what really triggered this love for fashion was watching Cinderella at a very young age. Watching the mice sew her pink dress was something I aspired to do when I was old enough to handle needles and scissors. I would practice draping handkerchiefs on my sister’s Barbie dolls. So I pretty much got into it at a very young age.

How did you break into the industry?
It wasn’t until high school when I started considering fashion design as a career. Before, it used to be only on paper. Being in an all-boys high school made me want to develop my own identity. Most of my peers wanted to be doctors, architects, engineers—I think I was the only one in my batch who showed up for the fine arts college orientation. Fast forward, I didn’t really take up fine arts in college, but I got my big break designing for the college pageants, and winning a few design competitions in school. I met a few established designers when I graduated, and they helped me get into the fashion scene. Eventually I got into Clothes for Life, and since then, I went from this wide-eyed neophyte to a full-time designer and stylist. #DreamsDoComeTrue

How would you describe your style?
My style is very eclectic. I can be at opposite ends of the spectrum. One day I could be fun, nonchalant and colorful. Some days, serious, dark and melancholy. It’s a bipolarity I have embraced with open arms.

Who are the Cebuano designers you look up to?
Cebuano designers are very talented, to say the least, but I have a few whose aesthetics resonate with me a lot. Protacio, for his clean lines and tailoring. Jun Escario for timeless glamour. Cary Santiago for his vision, and how he tells a story with his collection.

What are your plans for 2018?
For 2018, I’m planning to focus more on bridal wear. It’s something I really want to do, but didn’t have time to because of so much freelancing work. I want to develop a bridal line that reflects my design philosophy, at the same time relatable and marketable.

Jessica Ouano and Mike Yapching

JESSICA OUANO

When did you know you wanted to be a fashion designer?
I was always into clothes, ever since I was a little kid—actually costumes to be precise. Halloween was my favorite day of the year, and I loved being in theater because of costumes. I am also very much into cosplay, and I love making things. When I was in high school, I knew that fashion design was something I wanted to pursue.

How did you break into the industry?
My first big opportunity was creating a collection for the Kansai Collection fashion show in Osaka, Japan, with the help of a good friend of mine, Nobuo Koizumi. The collection was a collaboration with another designer from College of Saint Benilde, Jason Patricio. Jason did the designs for the garments, and I worked on the textiles. The project was also how I got into handwoven textiles, and working with the local weaving communities. I was also very fortunate to have been mentored by Oj Hofer for this project.

How would you describe your style?
My style is experimental and quirky. I love garments with simple silhouettes, combined with interesting textile applications. I love experimenting with textiles very much, and I always try to make it the highlight of the garments that I design.

Who are the Cebuano designers you look up to?
I love the work of Oj Hofer, he is such a master at draping. I also love the beautiful, intricate details of the work of Cary Santiago. They are both extremely talented.

What are your plans for 2018?
For 2018, I plan to focus more on experimenting with handwoven textiles, and creating more innovations together with the team at AnTHILL.

MIKE YAPCHING

When did you know you wanted to be a fashion designer?
The love for making clothes came at a young age for me, growing up and observing my grandmother and my aunt, who are both seamstresses. It was during high school when I got obsessed with designing clothes.

How did you break into the industry?
It was in my second year in college when the eighth edition of Mega Young Designers’s Competition was calling for entries. I was fortunate to have been shortlisted from countless submissions. It was a very big platform for me then, as a budding designer, as MYDC was the stage where prominent and renowned Cebuano designers started out, like Edwin Ao, Oj Hofer and Furne One.

How would you describe your style?
I have grown to love evening wear with a minimalist sensibility. Streamlined looks with little details that make for a maximum effect.

Who are the Cebuano designers that you look up to?
Of course, Edwin is always on top of my list. We may have different aesthetics, but the knowledge he has imparted me with are priceless. I admire Arcy Gayatin, Cary Santiago, Oj Hofer and Philip Rodriguez.

What are your plans for 2018?
To live in the moment.

Fashion

Ravens, Runways, and Revelations: A Glimpse of Amato

by OJ HOFER | photo credit JOSEPH ONG | jewelry ROYAL GEMS  

Fashion had become as instinctive as breathing—so natural that one scarcely noticed it. Yet, after seasons adrift in sartorial limbo, the piercing peal of Birds of Prey by Amato Furne One jolted this archipelago’s fashion scene to attention. Amato’s spectacle soared beyond mundane couture, drawing me from the quiet of my atelier to the intoxicating front row at the reinvented Tops in Busay—from the low murmur of machines to the electrifying brouhaha of the style set.

Amato is not merely a label; it is a visionary ideal stitched in silk and dreams, a symphony of artistry that transforms yarns, fibers, and fabric into fashion phantasmagoria. Under the deft hands of Furne One, Amato has adorned the world’s most fearless icons—Beyoncé, Lady Gaga, Katy Perry, Jennifer Lopez—women who, like his creations, embody style, strength, and spectacle. His couture is not merely worn; it takes flight, transforming the wearer into a mesmerizing apparition of fleeting beauty—a phenomenal vision that lingers long after the moment has passed.

But how does one conjure such fantastical transformations? To offer a glimpse into the mind of this visionary, we posed three playful questions:

Oj: If you were a bird, would you soar as a mighty raptor or scheme as a clever corvid?
Furne: I’d be a raven—sharp-witted, shrouded in mystery, and draped in the perfect shade of midnight. Its inky plumage matches my flair for dark romance; because even in shadows, I prefer a little drama.

Oj: What would be your most formidable power?
Furne: As a raven, I straddle the seen and unseen—transcendence is my superpower.

Oj: What bird would you absolutely refuse to be reborn as?
Furne: Never a turkey—too commercial, too festive, and far too likely to end up as Thanksgiving dinner.

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Fashion

Lucky Colors of 2025: Harness the Energies of Emerald Green & Carmine Red for Success

Thom Browne Cropped tweed jacket
by Oj Hofer

With the Year of the Wood Snake underway, understanding the significance of lucky colors can help align us with its energetic flow. Rooted in Chinese astrology and Feng Shui, the year’s fortifying shades—emerald green and carmine red—offer mindfulness and good intention attracting luck, and fostering personal growth.

Emerald green, associated with the Wood element, symbolizes renewal, clarity, and inner peace. In the year of the wood snake, its dynamic energies will empower and inspire you, fostering growth, renewal and wise transformations. The hue is ideal for moments of self-reflection, study, or creativity. Wearing or incorporating this shade into your space enhances balance and mental focus.

Carmine red, linked to the Fire element, embodies passion, confidence, and vitality. This year, which according to the Bazi Four Pillars Chart, has a lack of metal, earth and fire elements, it will bring balance and the propitious energies. It’s perfect for professional meetings, decision-making, and moments requiring assertiveness as a splash of red can energize and embolden you throughout the day.

Stella Macartney vegan Leather tote

Stefano Ricci silk tie with paisley print

To fully harness their benefits, use these colors in a contemporary, mobile context; through clothing, jewelry, bags and accessories. Alternate between these two potent tints based on your needs. For example, wear green for calmness and clarity when you are going into stressful and mind challenging meetings or appointments. Choose red when you are going into places or situations where you need courage and motivation such as fashion galas, elite socials, prestige affairs, VIP gatherings and so forth. 

Saint Laurent crepe de chine mules

Optionally, you can also choose to wear these colors inconspicuously in small details, such as a garnet or jade bracelet, or a ruby or emerald pendant and earrings set. Men can wear a burgundy or forest green tie or pocket square, or casual polo shirts with poppies or with botanical prints, or jade and garnet jewelry. Doing so can subtly align your energy with the year’s vibrational flow.

Jan Leslie emerald bracelet

Daily Mood Cuff Links with red tiger’s eye tubes

The use of colors is more than just aesthetic choices or preferential picks. Colors can serve as energetic tools, reminding you of your good intentions and keeping you mindful of you daily motions. Effecting an optimistic mental state in the wearer, they can effectively shield you from negativity while fostering prosperity and emotional balance. Thoughtfully incorporating them into your wardrobe and surroundings ensures that you move through 2025 with confidence and the right intentions.

Embracing emerald green for tranquility and carmine red for strength are intentional, mindful choices that have the power to transform your energy and shape your path forward. May you have the best of luck in navigating through Year of the Snake with harmony, energy, and the power to attract good fortune.

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Events

The First NUSTAR BALL

Janine Taylor, June Alegrado, Jackie Lotzof, Frances Siao, Ina Ronquillo and Christine Pelaez

The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.

Black was the color of night at the Zee table.

Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.

Nora Sol, Beth Go, Frances Siao and Marylou Ong

Ina Ronquillo, Maryanne Aboitiz and Jackie Lotzof

Designers Jun Escario and Philip Rodriguez

Philip Rodriguez with NUSTAR Malls two power ladies: May Adolfo and Joanna Salazar

Lana Osmeña with Mariquita Yeung

PJ Castillo and Kaye Abad with Cary Santiago

Drew Sarmiento with LV Manager Adrian Decuigan

Cary Santiago with Eva Gullas

Manila socialites Julie Boschi and Ching Cruz with June Alegrado

It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.

 

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