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The makeup looks you should be wearing this season

The MAC SS17 Pro Tour gave us a peek into the four faces you’ll want to wear this season, and the products you need to do it.

The advent of a new year always brings with it a tide of change, in our vanities as much as in the rest of our lives. When the models are strutting down the runway, we’re looking at their faces just as much as their clothes. Is contouring on its way out? How dark will this season’s smoky eye be? Will red lipstick ever go out of style? (The answer to that last question remains a firm no.)

Thankfully, we don’t have to figure it all out ourselves. MAC Cosmetics’ director of makeup artistry Gregory Alt flew in to Shangri-la Mactan Resort & Spa to school us on beauty. The MAC SS17 Pro Tour introduced the four looks that will dominate beauty this season, as created by the brand for fashion week. Gregory takes us through the concept of each face, and the products that’ll help you recreate them.


The looks at Alberta Ferretti, Prabal Gurung and Veronique Leroy

THE REAL LIFE

Unpretentious and nonchalant are some of the key words that dictate the Real look, with emphasis on how women look in real life. “Everything feels very easy, unforced,” says artist Val Garland in the MAC trends book.

The look Val created for Alberta Ferretti featured slightly smudged eyeliner, a natural lip and only the slightest hint of contouring and blush. “Carine Roitfeld meets Kate Moss,” she calls it. The smudged liner is given as much attention at Chloe, where Aaron de Mey made it look like last night’s makeup. At Desigual and Lanvin, models looked practically bare-faced, with colors that blended into their natural skin tones.

To get the look, cover up imperfections with the MAC Studio Fix Perfecting Stick, then give your brows an imperfect but groomed look with the Brow Sculpt. Complete it with the Retro Matte Liquid Lipcolour in High Drama or Feels So Good.


The looks at Giamba, Haider Ackerman and Salvatore Ferragamo

FREE SPIRIT

Color and creativity are the highlights of the Free face, with makeup taking on a more fun and spontaneous look. “It’s the opposite of taking yourself seriously and filtering your selfies,” Val says. It’s artisanal, optimistic and eclectic—in other words, you’re encouraged to let your freak flag fly.

Bright eyes were seen throughout the runways. Geometric cateyes are done in yellow at Haider Ackerman and Ports 1961, while all sorts of colorful eye shadow were on display at Emilio Pucci, Kenzo and Ryan Lo, among others. If you’re more experimental, you can go the extra mile—there’s silver-painted eyebrows at Giamba and drawn-on circles trailing the cheekbones at Issey Miyake.

There’s a number of products on MAC’s arsenal that’d be great for the look, but what we’re really excited about are the colored mascaras. In shades of yellow, blue and purple, the In Dimension Lash is something we’re definitely adding to our vanities.


The looks at Altuzarra, Hood by Air and Simone Rocha

GET WET

Looking sweaty might have not seemed appealing during the days of the hyper matte finish, but times have changed. The Wet look is all about mimicking the way light reflects on the skin for a dewy finish. 

Slicked back hair and strategic highlights gave models a bright finish at Moncler and Altuzarra. At Gareth Pugh, super glossy lips are done in dark colors, while foreheads are literally glossed in Hood by Air. In fact, it’s clear we’ll soon be putting gloss on features besides our lips. At Baja East and Blugirl, eyes are slick for an ultra-shine finish.

MAC Prep + Prime is essential for getting the dewy base for this look, and the Strobe Creams are now available in different colors for different effects. 


The looks at Alexis Mabille, Paul Smith and Preen

WARM BODIES

It’s the new romantic, with soft washes and tints creating a very natural effect on the skin for the Warm look. “These colors are designed to enhance and mimic really great skin condition,” says artist Terry Barber.

He creates a very natural look at Marco De Vincenzo, where peach and pinks are given more depth with highlighter. “It’s that woman who looks chic just wearing lipstick,” he adds. The pastel palette continues at Roksanda, Paul Smith and Missoni carry on the floral theme, although at Preen by Thornton Bregazzi, where petals were actually pasted on the face.

Bronzers and peach lipsticks are all you need for your Warm beauty kit. But it’s the Extra Dimension Skinfinish highlighters that really make a difference—a quick swipe leaves the most gorgeous sheen.

 

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The Qipao As Interpreted by Innovative Filipino Designers: PHILIP RODRIGUEZ

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Cebu’s esteemed designer, Philip Rodriguez, pays homage to imperial attire with this stunning yellow silk brocade qipao. While adhering to the traditional cheongsam silhouette, Rodriguez infuses a touch of sensuality by incorporating see-through silk tulle panels along the waistline. Known for his timeless designs and culturally respectful creations, Rodriguez’s attention to detail is unparalleled. His embellishments are intricate and exquisite, showcasing impeccable taste and luxurious design without veering into ostentation. Take, for instance, his cheongsam for the Year of the Dragon. While it may seem daring compared to traditional sensibilities, Rodriguez maintains elegance by delicately veiling the wearer’s skin with sheer tulle on the cutout side panels. The front slit of the dress is cautiously calculated to strike the perfect balance between modesty and allure “I design for women who possess sophistication beyond their years, “ Philip emphasizes. “My clothes are crafted to evoke a sense of beauty and allure, leaving her feeling exquisite and confident.” As a seasoned designer, Rodriguez consistently achieves harmony in his designs. His qipao for 2024 seamlessly blends elements of royalty and sensuality, luxury and practicality, reflecting his mastery of the craft and his ability to create pieces that are truly elegant and well-balance.

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The Qipao As Interpreted by Innovative Filipino Designers: JC BUENDIA

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

JC Buendia, celebrated for his ability to tell a million style stories through minimalist details, is a master of clean, chic lines in fashion. Eschewing frivolity and nonsensical embellishments, every element of his designs contributes to their overall elegance.

Inspired by cinematic portrayals of Chinoiserie, Buendia’s first fascination with the Qipao began with Gloria Romero’s iconic portrayal of a Chinese princess disguised as a ‘sampan’ girl in the 1957 film “Hong Kong Holiday.”

“This admiration for orientalalia only deepened as I watched films like “The Last Emperor” and “In The Mood For Love,” JC recalls.

Buendia’s latest creation is a testament to this cinematic influence. His interpretation of the Qipao for the Year of the Wood Dragon features a cropped top crafted from silk Dupioni, embellished with diamond brooches on the reverse closure for a touch of glamour. Paired with a tea-length bouffant skirt made from frothy layers of delicate tulle, the ensemble exudes sophistication and timeless elegance.

With meticulous attention to detail and a keen eye for design, JC Buendia’s Qipao captures the essence of cinematic glamour while offering a contemporary twist on a classic silhouette. It’s a tribute to the enduring allure of Chinoiserie and the timeless beauty of the Cheongsam.

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The Qipao As Interpreted by Innovative Filipino Designers: PROTACIO EMPACES

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Protacio Empaces is renowned for his talent in reinventing historical silhouettes into stylish statements perfect for modern women’s lifestyles. His reinterpretations present wearable, contemporary, and highly coveted fashion pieces. The distinct embroidery he incorporates adds an extra touch of charm to his creations. Take, for instance, his cheongsam adorned with delicately hand-embroidered macro daisies and trapunto leaves. “I imagined a vibrant qipao inspired by tropical aesthetics, tailored for chic city living in ASEAN mega-cities. I’m using cotton pique for its structure and infusing it with lively colours to retain a stylish, sensual silhouette,” explains Protacio. His knee-length qipao captures the timeless sophistication seen in Maggie Cheong’s iconic look in the classic film “In the Mood for Love.” Crafted for the Year of the Dragon, this design seamlessly complements the film’s aesthetic, presenting a potential addition to the character’s wardrobe. Seasoned designer Protacio’s creations speak to women aged 30 to 80. His intial Qipao offering for 2024 combines modern elegance with classic charm that resonates with these women’s sophisticated tastes and vibrant lifestyles.

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