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CEBU’S GALLERY OF ROUGE: Mistress of Disinfo, Vixen of Vexation and the Duchess of Disorder

Ogle La La
By Alexandra Fortabat de Hermès

Cebu’s own Lady Whistledown is back after a long hiatus and talks about the naughty ones who comprise the initial #TroubleTrifecta, three ladies who you may or may not know…

It’s been eight years since someone’s picked up this particular (jewel-encrusted) quill so thought it rather apropos to begin sharpening those French-manicured talons and polishing our sardonic wits once again. After all — dear amigas — there is only so much Netflix one can watch, or peloton one can engage in, or caviar-topped foie to prepare, while we’ve all been locked down in our kubôs for well over a year!

To be sure the last twelve months have been a rollercoaster of emotions, a carousel of follies and a series of blunders that have reversed decades of growth resulting in historical levels of unemployment while a very few have been channeling  Winston Churchill’s adage of “never waste a good crisis” a bit too much. While we can go on and on about the bungled and disastrous government response, we will limit our political commentaries here as we have no interest – nor inclination — to open that rather voluminous Pandora’s box. 

The armoires that we will explore will belong to three types of our island’s “alta” sociedad who – in this last revolution around the sun – made us cringe and bust out many tubs of popcorn through their sheer audacity, lack of sensitivity, and overall dopiness.  This –  ladies (and lady wannabes) – is therefore the debut edition of the  #TroubleTrifecta.

The first is that amiga who, by choice or plain predilection, just cannot keep her facts straight.  Let’s call her Mistress of Disinfo coz one simply cannot trust what comes out of her well-lined lips or read from her often convoluted (and run-on) status updates. In this age of ubiquitous and nearly instantaneous information and the proliferation of fake news, the least one can do is check the veracity of what one puts out in the social media realm.  As with anything else, quality is key!

The next Vixen of Vexation is that overbearing arriviste who is desperate to bowdlerize her courtesanal past by plastering her obviously enhanced and Gluta-enabled mug on every surface (and platform) known to modern man.  This self-proclaimed Madame Multiverse is quick to brandish her (dubious) accomplishments, has an affinity for B (or C?) rated actors and milks her closeness to certain members of the Old Guard.   In her perpetual quest for legitimacy and acceptance by the upper echelons, perhaps this Señorita aspirant should heed the advice of  Malcolm Forbes when he declared: “How to Succeed: Try Hard Enough; How to Fail: Try Too Hard.”

Our last Duchess of Disorder is definitely NOT the least in this Gallery of Rouge and has actually been the source of not just consternation but of many a disruption – and not in a good way.  This Soaper Woman is so-called due to her propensity to air out all her filthy lavada to anyone who will listen or bother to read her IG stories. Besides giving any Grammar Nazi a massive coronary, this Fräulein of Fracas has been known to commit acts of arson, has no qualms of engaging in online character assassinations AND seems to have a never-ending bevy of skeletons that are constantly feasting in her many closets. 

Ladies, please!  While we have to admit that we derive a certain guilty pleasure from your virtual explosions and implosions, they do get very prosaic – very quickly.  Discretion, like intelligence and proper manners, truly never goes out of style.

So there you have it folks. These tumultuous times we live in certainly do not need any more brouhaha so  please remember to be precise, don’t try too hard and always maintain a  certain sense of delicadeza. Not only will your lives be simpler and more pleasurable but maybe, just maybe, you may finally crack that clique that you’ve been clawing your way to be a part of.  

Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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Fashion

Salt, Silk, and Stardom: Ten Reasons Celebrities Wear Amato by Furne One

by Oj Hofer

At Take Me to the Sea, Amato by Furne One unveiled more than a resort/bridal collection — he revealed a world suspended between tides and starlight, where salt, silk, and stardom stitched themselves into every look.

Held at The Hall of the Crimson Resort and Spa Mactan, the show was a transportive experience. As waves whispered beyond the glass, Amato’s gowns swept down the runway like sirens called to shore. Here are ten reasons why global icons return — time and again — to his sea of style.

1. Salt in the Craft
His garments carry the wild grace of the sea — textured, elemental, unforgettable. Every bead, cut, and crystal tells a story shaped by emotion and intuition.

2. Silk in the Movement
Though opulent, his creations float. There’s ease in the drama — cascading motion without weight. Ideal for performers who speak through movement.

3. Stardom in the Vision
Furne doesn’t chase trends — he conjures icons. His gowns command attention while allowing the wearer’s light to radiate.

4. Salt as Spirit
There is soul in the stitching — a deep undercurrent of cultural pride and personal mythology. His work carries weight because it carries truth.

5. Silk as Spellwork
His fabrics don’t just dress — they enchant. Each piece invites touch, reverence, and awe.

6. Stardom in the Silhouette
Furne understands form. He doesn’t simply clothe a figure — he sculpts for presence. For red carpets, concert stages, and film legends.

7. Salt of the Earth
Despite global acclaim, Furne remains grounded. His humility fosters collaboration, creating space for intimacy in the creative process.

 


8. Silk-Wrapped Strength
There is softness, but never fragility. These gowns are fierce — veiled in elegance yet unapologetically bold.

 


9. Stardom as Alchemy
Wearing Amato is not mere adornment — it is transformation. A star steps into a Furne One creation and becomes mythic.

10. Salt, Silk, and the Furne Himself
Furne One is the thread. With quiet charisma and a generous spirit, he doesn’t just dress celebrities — he disarms them. And from that space of trust emerges what every artist longs for: wonder.

And in Amato’s world, wonder always wins.

Fashion designer Furne One

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