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Cebuano Designer PJ Ong’s Collaboration with Uniqlo

His chosen creative name may illicit a chuckle here and there, but PJ Ong’s passion for art and graphic design is no
laughing matter. With Inodoro, he’s introduced his own brand of aesthetics, something that landed him a Uniqlo collaboration.

By Kyla Estoya
Photography NATH YBAÑEZ
Grooming CHADY PANTALEON
Locale CRIMSON MACTAN RESORT AND SPA
This story is taken from our archives. Originally published in Zee Digital Vol. 1

“I’m probably the friendliest graphic designer you’ll know,” PJ Ong says as we were wrapping up after the shoot at the villa of Crimson Mactan Resort and Spa. I had asked him what it was that he felt made him stand out from other artists, and he’d replied his character.

Definitely easygoing, PJ is the man behind Indoro, his creative signature that had received widespread recognition
for being the Filipino artist featured in a Uniqlo collection. “It was a great pleasure collaborating with Uniqlo for their Feel the SEA campaign,” he said smiling. “I’m still overwhelmed with the positivity that a team of highly esteemed curators chose me to represent the Philippines.”

PJ Ong grew up exposed to art, having always been interested in the subject for as far as he can remember.
His father was a businessman, but spent his free time dabbling in painting and photography. “They are the reason
I was led to this industry,” he shares about his family. “Aside from their highly supportive nature, there was always
a thirst for creativity and adventure in the household. we love to travel and to explore new things in general. My parents have always been advocates of keeping an open mind and nurturing curiosity.” And those factors have all contributed to who he is a person and as an artist.

Like many artists, it takes time, effort and probably a pinch of drama to finally find your place in the scene. During the journey, he came to the conclusion that he had always been drawn to the so-called underground art industry. Laughing, he randomly mentions that he dropped out from college, where he was studying Information Technology. “It wasn’t for me, so I took a ten-month certification in the International Academy of Design and Technology in Toronto,” PJ shares, continuing that he had went on to finish the course at the top of the class. Not bad for a college dropout. “I will always be proud of that.”

The rest is history, and Inodoro was born.

It’s not unusual for someone to ask why PJ had chosen Inodoro as his brand name, considering it is the local word for a toilet. ì”I wanted a name that had Filipino-Spanish roots, with hints of controversy and humor. Embracing the punk ethos, my moniker naturally has a streak of rebellion and non-conformism. In short, a Fuck You attitude. Plus, it’s hard to forget.”

Inodoro is entirely abstract and experimental design. PJ stressed that each project is a unique endeavor, but
he always tries to stay true to his design DNA. His work emphasize his principles, which are rooted in being forward-thinking, thorough-driven and dynamic.

This is probably one of the reasons why Uniqlo chose his work for the collection. ìI was prompted by a business contact to send over a portfolio link, and after a few days, a representative from the Uniqlo HQ in Japan got in touch with me,” he recalls. “I was overwhelmed to find out that they had strong preference for my work, which they expressed during the initial communication.”

According to him, the main directive was to create designs in three colors. They were given creative freedom in
terms of execution. “I was inspired by the Japanese’s constant pursuit of the avant-garde, the experimental and the
unknown, while keeping the overall look minimal, clean and polished. At the same time, projecting a positive message
since that was one of Uniqlo’s core values as a brand.”

The most significant thing that interests me about PJ’s view in the art industry is that he values his integrity and
brand, much more than being popular or mainstream. he thinks it would be silly of him to change his style just to gain an audience. “To me, the name wouldn’t even matter. As long as you’re able to produce brilliant work for some people, then that’s enough already,î he says. That goes to show how authentic he treats his art, and that his passion for graphic design is no joke. ìClients come to me because they already know my style. I won’t force someone to like my style—if they do, then that’s good!”

Arts & Culture

What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez

The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol

Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.

When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

 

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

 

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Arts & Culture

Art Fair Philippines 2025: A Celebration of Creativity

by Emcee Go

Art Fair Philippines 2025 transformed the Ayala Triangle Gardens in Makati City into a dynamic showcase of contemporary and modern art. From February 21 to 23, art enthusiasts and collectors were treated to an eclectic mix of visual masterpieces, interactive installations, and thought-provoking exhibits.

This year’s fair features an impressive lineup of local and international galleries, including renowned names like Leon Gallery, Metro Gallery, Orange Project, J Studio and from Cebu, Qube Gallery.

Francis Dravigny’s woven artworks was one of the two featured artists at Qube Gallery’s well curated exhibition.

Qube Gallery’s Mariz Holopainen in front of Sio Montera’s abstracts.

 

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