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Cebuano Craftsmanship Takes Centerstage at Sheraton Cebu Mactan Resort’s Design Series

The first in Sheraton’s Design Series, the collaboration with Detalia Aurora highlights craftsmanship that is distinctly Cebuano.

Paula and Vikki Rodriguez of Detalia Aurora graciously settle themselves onto tall chairs, meant to be bar stools, in the spacious one-bedroom showroom of The Residences at Sheraton Cebu Mactan Resort. They’re modest but clearly eager as they greet guests with smiles, moments before their talk about design begins.

The afternoon sun streams in through the tall glass windows—with the panoramic view of untouched greenery contrasting the deep blue of the sea beyond—and bathes the room in a warm, golden glow. It’s as if the surroundings mirror the essence of the event on this fine afternoon, and pleasingly so, putting together things that are truly Cebuano: its natural resources, and its talent.

Detalia Aurora is a familiar presence in the homes of Cebu’s most discerning residents. For many years, the company has become a household name in the furniture export industry, having produced contemporary pieces such as the nautilus-shaped Shellf bookcase and the intricate Gaia chair.

After becoming more involved in the family business, Paula and Vikki have worked on streamlining processes and nurturing their edge in product design. The sisters are taking Detalia Aurora a step further by fostering their close-knit community, and bringing passion into everything they do.

Vikki and Paula Rodriguez

“What we do is we design, develop, manufacture and export handmade products, [using] natural materials,” Paula, who’s in charge of design and marketing, explains. “We develop designs out of these materials. We want to share with everyone the products we’ve been doing so far, and the craftsmanship that comes along with it.”

The collaboration between Detalia Aurora and Sheraton Cebu Mactan Resort comes as no surprise. Ultimately, Sheraton was designed to reflect Cebu’s design, and what better way to reflect this than to partner with and celebrate Cebu talent?

“This collaborative effort is very special to us, because it speaks to us,” Angela Emphasis, Corporate Communications Manager of AppleOne Mactan, Inc., shares. “When we were designing Sheraton Cebu Mactan Resort and The Residences at Sheraton, what we had in mind was Cebu design.” The most natural things that their designers worked with were the rocks on the shore, which greatly influenced their plan.

The first in Sheraton’s Design Series, the collaboration with Detalia Aurora highlights craftsmanship that is distinctly Cebuano. The furniture company makes use of rattan, stone laminating, and weaving, which are done by master craftsmen who’ve been with them for years.

“These craftsmen play a big role, as they work with the materials and products everyday.” Paula says. “We’re so happy that they can show what they normally do day-to-day here on the spot at Sheraton.”

For some items, the sisters share, one rattan pole may take up to eight hours to finish. One table can take two days, and weaving a chair can take up to two days as well.

“I think it’ll be an eye-opener for everyone. Imagine if we export in volume, and these people work to meet 30 pieces or 50 pieces.” Paula smiles. “Their work is very important.”

Detalia Aurora’s core competency is product development, and the company has quite a wide range of materials, with Vikki to thank for. The company is able to work with a lot of different materials, the majority of which are natural, with a specialization in indoor and outdoor furniture.

The details on these pieces are notably Detalia Aurora

“For us, material is really the star. So the simpler the shape, the more the people focus on material, and that’s how you can tell it’s Detalia Aurora.” Vikki shares.

“I think the variety is distinctly Detalia,” Paula adds. “We take pride in our quality, of course, executed by the Cebuano craftsmen.”

“You’ll really see the details, how much work was involved. It can’t be mass produced. There’s a lot of time given into the product.” Paula finishes.

While found in many Cebuano homes, Detalia Aurora’s clientele is mostly international. Their buyers travel all the way to Cebu, to be present for the entire process.

“We tell them the story, how long the product takes, how much work was involved, for them to really know the value in our products,” Paula says. “And they’ll be able to share it with their clients as well.”

The company does small demos for their visiting clients as well. “It’s for them to understand more about the items, so they know exactly what’s going on,” Vikki explains.

It was easy for both ends of the collaboration to come together. In a nutshell, the Design Series platform is meant to showcase the company and as a whole, showcase Cebu craftsmanship.

“We designed the Design Series platform to tap into different design ecosystems of Cebu,” shares Javier Marcalain, Group Marketing Manager of AppleOne Mactan, Inc. “It’s a homage to Cebu design. Cebu is known to have such great, painstaking design and craftsmanship and we wanted to highlight that as The Residences.”

Will there be more to come for the Design Series? Definitely, if Javier has anything to say about it.

“I can’t disclose anything yet, but definitely we can expect something early next year.” He promises.

Detalia Aurora’s iconic pieces were on display at The Residences at Sheraton Cebu Mactan Resort until October 23, 2019.

Arts & Culture

Chaos and Clarity: Zen Aesthetic in Oj Hofer’s Art

by Jing Ramos |

Oj Hofer, our fashion contributing editor, is a Fine Arts graduate from the University of the Philippines. Though he began painting at the age of eight, his artistic journey took a transformative turn in 2013. While volunteering as a costume designer for Siddhartha: The Musical, he encountered Venerable Master Hsing Yun’s One-Stroke Calligraphy, sparking a deep devotion to Japanese sumi-e painting and kanji calligraphy. Over the years, he refined his craft, using his art to share the Dharma through exhibitions while supporting the Hsing Yun Educational Foundation. In 2022, his spiritual path deepened at Nan Tien University, where he embraced Zen and Humanistic Buddhism, shaping his artistic philosophy.

“Plum Blossoms in Moonlight.” Serigraphy on abaca.

In his recent works, Hofer merges traditional calligraphy with serigraphy, drawing inspiration from his friend Charles Lahti—an internationally recognized New York-based painter and printmaker. Lahti, known for his collaborations with post-war American artists like Robert Rauschenberg, Donald Judd, Andy Warhol, and LeRoy Neiman, introduced Hofer to silkscreen techniques. Through a workshop Lahti conducted in Cebu—arranged by their mutual friend Greg Urra—Hofer integrated silkscreen into his Zen artworks, particularly those on abaca.

“The Circle of Harmony” Serigraphy and Calligraphy on abaca.

Hofer’s cross-disciplinary approach challenges conventional Zen aesthetics. His layered paintings on abaca may seem far from tranquil at first glance, but closer contemplation reveals a meditative core. His serigraph of an Enso circle, for example, initially appears chaotic, filled with Tang Dynasty poetry and overlapping, repetitive forms. Yet, by focusing on a single calligraphic element, the viewer experiences a moment of clarity—a glimpse of awakening within the visual complexity.

“Monkey Mind” Serigraphy and Calligraphy on abaca.

Even more engaging is his diptych Monkey Mind. At odds with the traditional Zen emphasis on negative space, this piece is deliberately busy, reflecting the restless nature of the mind. A distracted viewer may struggle to find a focal point, but one attuned to emptiness and presence will perceive clarity amidst the seeming disarray.

Ink and intention—creating calligraphy in support of one of my advocacies.

By fusing Zen philosophy with the discipline of serigraphy, Hofer invites his audience to look beyond surface impressions and discover stillness within movement, balance within complexity. His art does not merely depict Zen—it embodies the paradoxes at its core, offering a path to mindfulness through the act of seeing and the experience of doing.

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Arts & Culture

What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez

The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol

Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.

When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

Kimsoy with his student and muse, Zhara Rivera Mercado, at the entrance of Galerie Raphael

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

 

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