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Balak: Cebuanas Writing Their Heart Out And Speaking Their Mind

Spoken word poetry in Cebu has been celebrated by a ton of people in different cafes and restaurants. With perhaps a cup of coffee or a bottle of beer in hand, one may have witnessed the beauty of literature through spoken word in a number of Cebu’s venues and hubs.

It’s not always that people start from the top, nor are they blessed with all the talent and skills to cultivate themselves fit for what they wanted to do or pursue. Valerie Tesing started her journey as a poet back when she was in elementary school, reminiscing her childhood when she pushed herself hard to find words that rhymed to perfect her first few poems.

For Valerie, she never really saw herself as someone who could write poems—she didn’t even love literature in the first place. She would love to think that it was fate that brought her towards literature, and she thanks the universe for it.

It is said that when one is such a bookworm, it would reflect in their writing, just like two peas in a pod. But for Valerie, she hadn’t read that many poems to master the art before she began writing one.

“I could not exactly remember the very first poem I wrote, but I know it only took me a piece of paper and pen to write all the words down. It was as if my mind was already an attic of words, and I never knew it existed until I tried to uncover it,” shares Valerie.

Spoken word poetry in Cebu has been celebrated by a ton of people in different cafes and restaurants. With perhaps a cup of coffee or a bottle of beer in hand, one may have witnessed the beauty of literature through spoken word in a number of Cebu’s venues and hubs.

For the rest of Valerie’s college life, she was known to be one to enjoy slam poetry and the balak. She would go to events catering such an activity and share her pieces which come in a variety of genres.

One of her favorite pieces include one called “Love and War”. On why she deemed it her favorite, she shares that it spoke of her story to the LGBTQIA+ community. It is also one of the very first poems she performed to an audience, an event, the “Bundak! Balak! Pride!” The poem speaks about a love not accepted, a love that would mean “suffocation”, “loss”, and being “wrong”. It is part of her advocacy to voice out and express the woes of those seen as minorities in the society.

“Only Warm When I’m Naked”, another piece of hers, speaks about her invisibility as an artist in our family and with her peers.

“Poets are not commonly recognized as artists I think, pretty much because we use words rather than paint or cameras, and even recently, some poems are reduced to just “hugot” in our culture so they’re not taken seriously as they should be,” says Valerie.

Poetry has been a way for Valerie to express her feelings, although it hasn’t been easy for her. There are no exact words to describe feelings and emotions such as being in love, or being happy, and according to Valerie, in order for these feelings to be described, poetry has shaped her eyes to search stories she can write about that truly speak out.

“You are able to express love in a story as small as finding a raindrop on your windowsill, or listening to your dog’s breaths. Poetry simplifies feelings/emotions in a way that it concretizes the abstract,” says Valerie.

When asked how she’d get millennials like her to appreciate literature in today’s age, she advises them to read more and sail to a sea of stories because they’re all just waiting to be read.

Writing poems and performing spoken word poetry in front of an audience is just some of Juanita Romualdez’s talents. You probably know the Cebuana as a video of her doing balak got viral a week ago, a proof of how her words touched a number of people. She is also a nationally renowned singer under Viva Records and has released a number of albums and singles such as “Inday” and “We’ll Never Know”. Graduating with a Linguistics and Literature majors in college, Juanita is set to be a woman of words.

 

“This (balak or spoken word poetry) really opened me up to a wide range of poetry styles and forms of literature in general,” shares Juanita. Through her Cebuano Poetry major subjects back then, she fell in love at how poetic the language can be. She shares that back then, Balak  would be seen as something baduy, and sarcastic remarks such as “ka lawom ba uy! (how deep!)” would ensue.

It was a struggle for Juanita to write her own balak, due to her lack of vocabulary and metaphors that “sprout from a Cebuano sensibility”. However, this did not stop her as getting into Cebuano spoken word poetry allowed her to create pieces that work around her writing capabilities.

She recalls her beginnings in poetry writing, which she has done since at a very young age.

“I remember that my yearly gift (for all occasions) to my parents were poorly written poems, but they did come from the heart. And they knew very well that’s all my 7-year old self could afford to give,” Juanita muses.

Overwhelming support from the family showered Juanita the encouragement she needed to keep on writing, as her family framed these poems she gave out, a testament of how they loved the pieces.

High school came and Juanita started taking writing seriously by entering essay competitions and poetry contests.

“I just love words. Even the simplest ones. Can you believe that my favorite word is ‘blue’?”, shares Juanita. “I always share this in my workshops. I am not particularly fond of the actual “color blue” , but I love how the B and L roll so naturally into the U and E, it’s just such a delight to say! That’s the secret of writing, I guess,” she adds.

To write with passion, one has to enjoy the words and use the words one is comfortable with, and those that you know how to manipulate to your advantage. Contrary to popular belief, Juanita shares that in writing poetry, it’s not all about writing to impress. As much as she can, she made a vow to try to veer away from “lofty” words unless needed.

“The magic happens when you can take simple words and form something wonderful out of them. Because there is no perfect form of literature, but people will fall in love with genuine pieces/stories,” Juanita says.

Although she got into writing Bisaya Poetry a little late, she takes pride in some of her pieces. One of her first creations was about a time when she was late for a workshop. It circled around the struggle she went through of finding a ride and resorted to taking a habal-habal. Not only that, the piece also talked about her having to finish putting make-up while the driver zoomed through the streets. With this piece, Juanita was able to see the comical nature of the balak, which was what made her enjoy creating it.

Another Bisaya Poem she loved among her pieces, and was also definitely a crowd’s favorite was the one entitled “Isturyahinubog” (drunk talk). It starts with the line  “gihigugma rako niya kung hubog siya (but in English I start it with” he never loved me sober”), which makes the crowd go crazy all because at one point in time, we’ve all experienced this.

When asked of her writing technique, Juanita shares that part of writing a piece is to take a “general concept” which is something that everyone has either experienced or can relate to, and place ideas and words that make it personal to you. The effectiveness in the details would speak to your audience.

Juanita, aside from writing songs, has turned to poetry writing to express herself. She says that poetry is both therapeutic and traumatic. Its ability to let you release your feelings and pour them out on a piece of paper gives you the beautiful work of immortalizing your feelings.

A growing number of millennials have ventured in this art of spoken word poetry. Juanita takes pride in this literature appreciation trend in Cebu, and it is continuing to grow through Cebu LitFest, an avenue promoting literature, most especially spoken word poetry. This 2018, Cebu LitFest is set to kickoff its various activities during the month of July, conducting workshops all over the city and putting up “Open Mic” nights for everyone to express themselves through poetry as well.

The Literary Festival, which is a celebration of the rich literature and art found in Cebu’s local scene and all over the world is how Valerie and Juanita learned to master the art of manipulating words through the different forms it can become, more fuller, more beautiful.

 

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Arts & Culture

Chaos and Clarity: Zen Aesthetic in Oj Hofer’s Art

by Jing Ramos |

Oj Hofer, our fashion contributing editor, is a Fine Arts graduate from the University of the Philippines. Though he began painting at the age of eight, his artistic journey took a transformative turn in 2013. While volunteering as a costume designer for Siddhartha: The Musical, he encountered Venerable Master Hsing Yun’s One-Stroke Calligraphy, sparking a deep devotion to Japanese sumi-e painting and kanji calligraphy. Over the years, he refined his craft, using his art to share the Dharma through exhibitions while supporting the Hsing Yun Educational Foundation. In 2022, his spiritual path deepened at Nan Tien University, where he embraced Zen and Humanistic Buddhism, shaping his artistic philosophy.

“Plum Blossoms in Moonlight.” Serigraphy on abaca.

In his recent works, Hofer merges traditional calligraphy with serigraphy, drawing inspiration from his friend Charles Lahti—an internationally recognized New York-based painter and printmaker. Lahti, known for his collaborations with post-war American artists like Robert Rauschenberg, Donald Judd, Andy Warhol, and LeRoy Neiman, introduced Hofer to silkscreen techniques. Through a workshop Lahti conducted in Cebu—arranged by their mutual friend Greg Urra—Hofer integrated silkscreen into his Zen artworks, particularly those on abaca.

“The Circle of Harmony” Serigraphy and Calligraphy on abaca.

Hofer’s cross-disciplinary approach challenges conventional Zen aesthetics. His layered paintings on abaca may seem far from tranquil at first glance, but closer contemplation reveals a meditative core. His serigraph of an Enso circle, for example, initially appears chaotic, filled with Tang Dynasty poetry and overlapping, repetitive forms. Yet, by focusing on a single calligraphic element, the viewer experiences a moment of clarity—a glimpse of awakening within the visual complexity.

“Monkey Mind” Serigraphy and Calligraphy on abaca.

Even more engaging is his diptych Monkey Mind. At odds with the traditional Zen emphasis on negative space, this piece is deliberately busy, reflecting the restless nature of the mind. A distracted viewer may struggle to find a focal point, but one attuned to emptiness and presence will perceive clarity amidst the seeming disarray.

Ink and intention—creating calligraphy in support of one of my advocacies.

By fusing Zen philosophy with the discipline of serigraphy, Hofer invites his audience to look beyond surface impressions and discover stillness within movement, balance within complexity. His art does not merely depict Zen—it embodies the paradoxes at its core, offering a path to mindfulness through the act of seeing and the experience of doing.

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Arts & Culture

What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez

The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol

Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.

When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.

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Arts & Culture

Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo

There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

Kimsoy with his student and muse, Zhara Rivera Mercado, at the entrance of Galerie Raphael

The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting. 

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches

The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches

The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.

 

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