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Balak: Cebuanas Writing Their Heart Out And Speaking Their Mind

Spoken word poetry in Cebu has been celebrated by a ton of people in different cafes and restaurants. With perhaps a cup of coffee or a bottle of beer in hand, one may have witnessed the beauty of literature through spoken word in a number of Cebu’s venues and hubs.

It’s not always that people start from the top, nor are they blessed with all the talent and skills to cultivate themselves fit for what they wanted to do or pursue. Valerie Tesing started her journey as a poet back when she was in elementary school, reminiscing her childhood when she pushed herself hard to find words that rhymed to perfect her first few poems.

For Valerie, she never really saw herself as someone who could write poems—she didn’t even love literature in the first place. She would love to think that it was fate that brought her towards literature, and she thanks the universe for it.

It is said that when one is such a bookworm, it would reflect in their writing, just like two peas in a pod. But for Valerie, she hadn’t read that many poems to master the art before she began writing one.

“I could not exactly remember the very first poem I wrote, but I know it only took me a piece of paper and pen to write all the words down. It was as if my mind was already an attic of words, and I never knew it existed until I tried to uncover it,” shares Valerie.

Spoken word poetry in Cebu has been celebrated by a ton of people in different cafes and restaurants. With perhaps a cup of coffee or a bottle of beer in hand, one may have witnessed the beauty of literature through spoken word in a number of Cebu’s venues and hubs.

For the rest of Valerie’s college life, she was known to be one to enjoy slam poetry and the balak. She would go to events catering such an activity and share her pieces which come in a variety of genres.

One of her favorite pieces include one called “Love and War”. On why she deemed it her favorite, she shares that it spoke of her story to the LGBTQIA+ community. It is also one of the very first poems she performed to an audience, an event, the “Bundak! Balak! Pride!” The poem speaks about a love not accepted, a love that would mean “suffocation”, “loss”, and being “wrong”. It is part of her advocacy to voice out and express the woes of those seen as minorities in the society.

“Only Warm When I’m Naked”, another piece of hers, speaks about her invisibility as an artist in our family and with her peers.

“Poets are not commonly recognized as artists I think, pretty much because we use words rather than paint or cameras, and even recently, some poems are reduced to just “hugot” in our culture so they’re not taken seriously as they should be,” says Valerie.

Poetry has been a way for Valerie to express her feelings, although it hasn’t been easy for her. There are no exact words to describe feelings and emotions such as being in love, or being happy, and according to Valerie, in order for these feelings to be described, poetry has shaped her eyes to search stories she can write about that truly speak out.

“You are able to express love in a story as small as finding a raindrop on your windowsill, or listening to your dog’s breaths. Poetry simplifies feelings/emotions in a way that it concretizes the abstract,” says Valerie.

When asked how she’d get millennials like her to appreciate literature in today’s age, she advises them to read more and sail to a sea of stories because they’re all just waiting to be read.

Writing poems and performing spoken word poetry in front of an audience is just some of Juanita Romualdez’s talents. You probably know the Cebuana as a video of her doing balak got viral a week ago, a proof of how her words touched a number of people. She is also a nationally renowned singer under Viva Records and has released a number of albums and singles such as “Inday” and “We’ll Never Know”. Graduating with a Linguistics and Literature majors in college, Juanita is set to be a woman of words.

 

“This (balak or spoken word poetry) really opened me up to a wide range of poetry styles and forms of literature in general,” shares Juanita. Through her Cebuano Poetry major subjects back then, she fell in love at how poetic the language can be. She shares that back then, Balak  would be seen as something baduy, and sarcastic remarks such as “ka lawom ba uy! (how deep!)” would ensue.

It was a struggle for Juanita to write her own balak, due to her lack of vocabulary and metaphors that “sprout from a Cebuano sensibility”. However, this did not stop her as getting into Cebuano spoken word poetry allowed her to create pieces that work around her writing capabilities.

She recalls her beginnings in poetry writing, which she has done since at a very young age.

“I remember that my yearly gift (for all occasions) to my parents were poorly written poems, but they did come from the heart. And they knew very well that’s all my 7-year old self could afford to give,” Juanita muses.

Overwhelming support from the family showered Juanita the encouragement she needed to keep on writing, as her family framed these poems she gave out, a testament of how they loved the pieces.

High school came and Juanita started taking writing seriously by entering essay competitions and poetry contests.

“I just love words. Even the simplest ones. Can you believe that my favorite word is ‘blue’?”, shares Juanita. “I always share this in my workshops. I am not particularly fond of the actual “color blue” , but I love how the B and L roll so naturally into the U and E, it’s just such a delight to say! That’s the secret of writing, I guess,” she adds.

To write with passion, one has to enjoy the words and use the words one is comfortable with, and those that you know how to manipulate to your advantage. Contrary to popular belief, Juanita shares that in writing poetry, it’s not all about writing to impress. As much as she can, she made a vow to try to veer away from “lofty” words unless needed.

“The magic happens when you can take simple words and form something wonderful out of them. Because there is no perfect form of literature, but people will fall in love with genuine pieces/stories,” Juanita says.

Although she got into writing Bisaya Poetry a little late, she takes pride in some of her pieces. One of her first creations was about a time when she was late for a workshop. It circled around the struggle she went through of finding a ride and resorted to taking a habal-habal. Not only that, the piece also talked about her having to finish putting make-up while the driver zoomed through the streets. With this piece, Juanita was able to see the comical nature of the balak, which was what made her enjoy creating it.

Another Bisaya Poem she loved among her pieces, and was also definitely a crowd’s favorite was the one entitled “Isturyahinubog” (drunk talk). It starts with the line  “gihigugma rako niya kung hubog siya (but in English I start it with” he never loved me sober”), which makes the crowd go crazy all because at one point in time, we’ve all experienced this.

When asked of her writing technique, Juanita shares that part of writing a piece is to take a “general concept” which is something that everyone has either experienced or can relate to, and place ideas and words that make it personal to you. The effectiveness in the details would speak to your audience.

Juanita, aside from writing songs, has turned to poetry writing to express herself. She says that poetry is both therapeutic and traumatic. Its ability to let you release your feelings and pour them out on a piece of paper gives you the beautiful work of immortalizing your feelings.

A growing number of millennials have ventured in this art of spoken word poetry. Juanita takes pride in this literature appreciation trend in Cebu, and it is continuing to grow through Cebu LitFest, an avenue promoting literature, most especially spoken word poetry. This 2018, Cebu LitFest is set to kickoff its various activities during the month of July, conducting workshops all over the city and putting up “Open Mic” nights for everyone to express themselves through poetry as well.

The Literary Festival, which is a celebration of the rich literature and art found in Cebu’s local scene and all over the world is how Valerie and Juanita learned to master the art of manipulating words through the different forms it can become, more fuller, more beautiful.

 

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Arts & Culture

Art Beat: Scenes From the Manila Art Fair 2026

photography by Doro Barandino

“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Vinta by Protegeri, collaboration art piece by Leeroy New, Solenn Heuseff and Vito Selma

Q&A with interior decorator and jewellery designer Doro Barandino

Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.

Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.

Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.

The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

The Standard by Thai artist Pitchapa at the Triangular durational, performance art.

Bato Bato sa Langit by Filipino artist Carlo Tanseco

Stocking Proportions Menumpuk Proporsi by Indonesian artist Labadiou Piko

Untitled by Indonesian artist Yunizar

Filipiny, wool tapestry by national artist of the Philippines,Federico Aguilar Alcuaz.

Untitled by German artist Valentin Elias Renner

Interior decorator and jewellery designer Doro Barandino is also a regular contributor for zee.ph

 

 

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Arts & Culture

Visayas Art Fair Year 5: Infinite Perspectives, Unbound Creativity

by Jing Ramos

This year’s Visayas Art Fair marks its 5th anniversary, celebrating the theme “Infinite Perspectives: Unbound Creativity.” The fair continues its mission of bridging creativity, culture, and community in the country. This milestone edition strengthens its partnership with the National Commission for Culture and the Arts and expands collaborations with regional art organizations and collectives—reinforcing its role as a unifying platform for Philippine art.

VAF5 features the works of Gil Francis Maningo, honoring the mastery of his gold leaf technique on opulent portraits of the Visayan muse Carmela, reflecting spiritual awareness.

Gil Francis Maningo is celebrated for his gold leaf technique.

Gil Francis Maningo’s recurring theme of his Visayan muse “Carmela”.

Another featured artist is Danny Rayos del Sol, whose religious iconography of Marian-inspired portraits offers a profound meditation on the sacred and the sublime. This collaboration between two visual artists sparks a dialogue on the Visayan spirit of creativity and resilience. Titled “Pasinaya,” this dual showcase explores gold leaf as a medium of light and transcendence.

Artist Danny Reyes del Sol

Danny Reyes del Sol’s religious iconography.

Now in its fifth year, the Visayas Art Fair has influenced a community of artists, gallerists, brokers, collectors, museum curators, and art critics—constructing a narrative that shapes how we approach and understand the artist and his work. This combination of factors, destined for popular consumption, illustrates the ways in which art and current culture have found common ground in a milieu enriched by the promise of increased revenue and the growing value of artworks.

Laurie Boquiren, Chairman of the Visayas Art Fair, elaborates on the theme, expressing a vision that celebrates the boundless imagination of unique artistic voices:

“Infinite Perspectives speaks of the countless ways artists see, interpret, and transform the world around them—reminding us that creativity knows no single point of view. Unbound Creativity embodies freedom from convention and controlled expression, allowing every artist to explore and experiment without borders.”

Laurie Boquiren, Chairman of the Visayas Art Fair has tirelessly championed the creative arts for the past five years.

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Arts & Culture

Kultura. Kapital. Kasalukuyan: Art that Speaks of Today

by Jose Carlos G. Campos, Board of Trustees National Museum of the Philippines

The National Museum of the Philippines (NMP) and the Bangko Sentral ng Pilipinas (BSP) recently teamed up to prove that money isn’t just for counting—it’s also for curating! Their latest joint exhibition, Kultura. Kapital. Kasalukuyan: Contemporary Art from the Bangko Sentral ng Pilipinas Collection, is now open, and it’s a real treat for art lovers and culture buffs alike.

On display are gems from the BSP’s contemporary art collection, including masterpieces by National Artist Benedicto Cabrera (Bencab), along with works by Onib Olmedo, Brenda Fajardo, Antipas Delotavo, Edgar Talusan Fernandez, and many more. Some of the artists even showed up in person—Charlie Co, Junyee, Imelda Cajipe-Endaya, Demi Padua, Joey Cobcobo, Leonard Aguinaldo, Gerardo Tan, Melvin Culaba—while others sent their family representatives, like Mayumi Habulan and Jeudi Garibay. Talk about art running in the family!

Deputy Governor General of the BSP, Berna Romulo Puyat

Chairman of NMP, Andoni Aboitiz

The BSP Governor Eli M. Remolona, Jr. and members of the Monetary Board joined the event, alongside former BSP Governor Amando M. Tetangco, Jr., Ms. Tess Espenilla (wife of the late Nestor A. Espenilla, Jr.), and the ever-graceful former Central Bank Governor Jaime C. Laya, who gave a short but enlightening talk about the BSP art collection. 

From the NMP, Chairman Andoni Aboitiz, Director-General Jeremy Barns, and fellow trustees NCCA Chairman Victorino Mapa Manalo, Carlo Ebeo, and Jose Carlos Garcia-Campos also graced the occasion. Chairman Aboitiz expressed gratitude to the BSP for renewing its partnership, calling the exhibition a shining example of how financial institutions can also enrich our cultural wealth. 

Former Governor of BSP Jaime Laya

Governor of BSP Eli M. Remona and Chairman of NMP Board Andoni Aboitiz

Artist Charlie Co

Before the official launch, a special media preview was held on 5 August, hosted by BSP Deputy Governor Bernadette Romulo-Puyat and DG Jeremy Barns. It gave lucky guests a sneak peek at the collection—because sometimes, even art likes to play “hard to get.”

The exhibition Kultura. Kapital. Kasalukuyan will run until November 2027 at Galleries XVIII and XIX, 3/F, National Museum of Fine Arts. Doors are open daily, 9:00 AM to 6:00 PM. So if you’re looking for something enriching that won’t hurt your wallet (admission is free!), this is your sign to visit. After all, the best kind of interest is cultural interest.

Monetary Board of the BSP, Walter C. Wassmer

Luis Yee, Jr. aka ‘Junyee’ The Artist beside his Sculpture

Arvin Manuel Villalon, Acting Deputy Director General for Museums, NMP with Ms. Daphne Osena Paez

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