Arts & Culture
Artist Series: Dream Big with Bigger Murals in Cebu

How frequently do you see murals in Cebu? Nearly everyday, we go around the busy streets with heavy traffic and it’s almost impossible not to notice those small, artistic creations on walls that add more color to the city. Hannah Soi, a mural artist & visual designer, took up the challenge to level up those small piece of artworks on the street into a much bigger scale and a much bolder message to address.
- What inspired you to make murals?
My first mural was for a client in 2014. My friend asked me if I can do a mural for her friend’s room. I was nervous and I wasn’t going to take it because I haven’t done it before but she insisted. I wasn’t really inspired to start making murals, I was pushed. What inspired me to continue though is the thought that it is something big and new for me and I was curious about the craft.
- How different is painting a mural and painting in a canvas?
I don’t really have a formal education on painting. Based on experience and based on what I believe, when I paint a mural I like it to be cohesive with the design of its surroundings unless if the client wants it to pop out. It doesn’t have to have deep meaning if the aim is to beautify the area especially if you are working hand in hand with interior design. Painting a canvas is different. You need to have proper composition and meaning behind that artwork. It still depends though if you are painting for a client or painting for yourself. When I paint for a client, it has rules. But when I paint for myself, I just paint.
- What was the concept of the mural?
The concept of the mural is for awareness that we need to take care of our environment and protect our wildlife. We aim to let the Cebuanos know that Cebu is very special because it is the home of a few of the endangered birds in the world. We as locals should know that these birds are protected by law. We should have compassion not just to these birds but to all wildlife.
- How did you first react when you were asked to make the biggest mural in Cebu? And how did it mean for you.
I was super excited because it has always been my dream to make a 2-storey or more mural for Cebu. I was always looking at huge street art pictures from Manila and other countries and wondered why Cebu doesn’t have super large murals like them. When I knew that it was about endangered birds and flowers then it meant everything to me. I’m an advocate for the wellness of the environment plus birds and flowers are my favorite subjects to paint.
- What were the challenges?
I learned that a dream come true also has its responsibilities and hardships. It was outdoor and it was big. I usually paint a mural quick because I have my own process. But the limited amount of scaffolding made it not possible to follow my process so it added to the number of days to make and it also made the scaling of the design to a large proportion very difficult. The weather also slowed us down. The direct heat of the sun on the wall is unbearable so we have to start painting at 12 noon, when the sun shifts and there is enough shade. We couldn’t paint when there is too much rain. It was also scary climbing to the highest part of the scaffolds. Luckily, I have my assistants Buscas, Kyla and Raul. We joked our way through the inconveniences and we just laugh about everything every day. I wouldn’t have mentally survived the mural without them!
If you want to check out the mural itself, it’s located at The Gallery, Golam Drive, Cebu City.
Arts & Culture
What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez
The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol
Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.
When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.
Arts & Culture
Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo
There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.
The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting.

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches
The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches
The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.
Arts & Culture
Art Fair Philippines 2025: A Celebration of Creativity

by Emcee Go
Art Fair Philippines 2025 transformed the Ayala Triangle Gardens in Makati City into a dynamic showcase of contemporary and modern art. From February 21 to 23, art enthusiasts and collectors were treated to an eclectic mix of visual masterpieces, interactive installations, and thought-provoking exhibits.
This year’s fair features an impressive lineup of local and international galleries, including renowned names like Leon Gallery, Metro Gallery, Orange Project, J Studio and from Cebu, Qube Gallery.

Francis Dravigny’s woven artworks was one of the two featured artists at Qube Gallery’s well curated exhibition.

Qube Gallery’s Mariz Holopainen in front of Sio Montera’s abstracts.
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