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RTW: Ready To Welch

Fashion shows are usually my little piece of Disneyland. You get to see magical creations from these geniuses that we call designers.

Fashion shows are usually my little piece of Disneyland. You get to see magical creations from these geniuses that we call designers. From properly constructed dresses to custom tailored suits and from time-to-time, if you are lucky and in the right type of show, you see these extravagant pieces that you know deep inside you will never look good in, but can not help but simply still gawk at and appreciate.

 

Fashion shows are a chance for designers to express their creativity, personality and cutting edge designs. The clothes they make represent who they are as a part of the industry, what makes them unique and what makes them stand out from the rest of the millions of designers out there. These shows are crucial especially to the up and coming ones. To put it out simply, if you are not ready, do not do it unless you want to make a fool of yourself, fall and carry that scar around wherever you go. There is no way the brilliant minds of this industry can easily excuse or palliate your dirty work.

Now let us move on to why I christened this entry as such and how my little piece of heaven was crushed and stomped on by Lucifer himself.

With the expectations I had in mind, I was deluded by a recent show I attended. Considering it was labeled as ‘prestigious’, I honestly expected a lot from it. It was a show for fashion designers to show off their custom made chef-d’oeuvre. Instead all we got were supposedly hyped up versions of Ready-To-Wear collections. Promod had genuinely better items and since when was RTW considered as high fashion?

Let me narrate the whole experience as short as possible:

Before the show began, which was thirty minutes late (typical Filipino fashion which I was sort of okay with), they were showing a slideshow of all the designers who were about to introduce their collections. Trying my hardest not to be so judgmental and shallow since we are talking about fashion here, the only thing I noticed was they all had one thing in common: Paris. Not Paris Hilton, my dear haters, but Paris as in the beautiful city of France, one of the four fashion capitals of the world. It is like this is a must-have for every designer to put in their resume. Maybe these designers have never heard of New York, Milan and London? And can we add Tokyo to that list? No matter, it made me sick. Add some variety to your experiences, look around you. Try to build substance in the country you live in. In defense to those designers though, it is healthy to travel and participate in different cultures but at least reflect that on your work, do not leave it as bragging rights if you actually have respect for what you do.

Now to the collections!

First, let us talk about the menswear collection that night. Nothing but one designer, came close to the style and practice of an actual man. If you base your collection on a theme or genre, please make sure you meet the standards. Saying your collection is inspired by Hip Hop, we expect your pieces to look more like Kanye West or P. Diddy, full of life, color and history, not something that looks like it came out of Alexander Wang’s closet. Just because your clothes are loosely fitted and paired with white sneakers, doesn’t instantly make your items Hip Hop. You have to dig deep, look into it’s soul before you start making an entry that will insult a culture.

Speaking of Alexander Wang, I saw a lot of apparel that were inspired by him that night. The casually cool, downtown style that embodies Alexander Wang. I personally believe that most Filipino designers lack the knowledge when it comes to menswear. They are all trapped in these four walls: rock and roll, sex, suits and casual wear, most of them can not even get out. I think it is time for Filipino men to start breaking their shell and express their personalities through the clothes they wear. If a few designers can lead a pack, the rest will follow. Maybe rock and roll is your thing, maybe not but when all of you think of the same thing and no one is any different, there is something wrong.

Combat boots does not describe a hardcore male fashionista. Where are the bags, the 2012 fashion trend for men: two tone, the skirts, colorful pieces and the ever-so-beautiful double monks?

On a lighter side of things, I would like to send my appreciation to that one designer who brought in dresses for men. But next time, make it look more flattering. Do not make your model look like he is about chant with one of the Gregorian monks or post-circumcision.

Raf Simons Fall 2010

Let us have a temporary sex change and divert ourselves to the ultimate sinners that evening, the women.

Now, let me just start with the models. Although some people will never find curvy attractive, I personally think that is just a matter of getting used to. Marilyn Monroe was not waif-like but she was a sex symbol and most of the women in this country are not size zero. Designers should throw maybe one or two plus size models every now and then. It sometimes just looks dead to me, so maybe a little meat can compensate for the lack of creativity. Most of the models I saw are emaciated. More like clothes hangers than people actually wearing clothes. There is a limit to how thin you are, and that is called Gisele Bundchen, not horror house skeletal. Maybe you were born that way? Well that may be the first time I have witnessed a spawn of two skeletons. I should congratulate you for being the first of your kind.

When using fashion icons or let us just the generalize the term, celebrities, as your inspiration, make sure you envision these people actually wearing your clothes or if they would actually even wear it, and if you do not get that close to your incentive, I advise you just label your collection as Scheiße. Very Gaga and it lives up to your collection.

The R’nB collection. Beyonce would never wear a wrap dress and leggings or an ordinary dress with a very low neck line in her concerts. If she was, she would not be Beyonce or she would actually go to Forever 21 and save herself some money to buy a cheeseburger. Most R’nB women are flamboyant. I saw nothing of that. It really looked like a retail shop was doing a show that night.

A collection has to compose of different looking pieces. Not the same dress recycled over and over again. I do not know who these designers are trying to please. The fashion industry or Greenpeace.

Craftsmanship is very important. Your illustrations and rendering might look commendable, but if you do not know how to sew, your work will look like it has been done by a frog, and that is saying something because frogs can not sew, just like you. Now you have something you can collaborate with.

Now to Lady Gaga. The woman is all about no boundaries. If you take a look at her wardrobe, everything to her is wearable. Just because your wedge is covered with glitters or your jumpsuits are covered in Tron-like line details, does not, in any way make it instantly Lady Gaga. This is how you trample on their dreams: take away the glitters and the details, the clothes will look ordinary; take Lady Gaga’s Kermit the Frog details, she is naked. The details make the dress, not the other way around. Besides the collection is very much based on Alexander Wang’s Spring 2012 regarding on the Tron-like details and masculine structure.

Britney Spears is not a fashion icon. She is a music icon but there was not even a single piece that lived up to the Toxic singer. Not even her famous, hipster jeans or her patent leather jumpsuit. So do not make me start nagging about how they ruined Audrey Hepburn and Marilyn Monroe because I guarantee the apocalypse will be here sooner than the 21st of December this year.

Although the color blocking collection was not so bad, it was actually pretty decent and well constructed. But overall, majority of the collections failed. Most of the clothes did not even fit properly, it looked like a disease was hanging on the model’s body. There was no edge, no variety or even a piece that made everyone’s jaw drop. It plateaued miserably. Aside from the color blocking, there were no leopard prints to be found anywhere, thank goodness. There is nothing high-end about that these days, unless you are asking for extreme Kardashian attention. Leave that to the retail shops, do not put it on the runway anymore.

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Fashion

Salt, Silk, and Stardom: Ten Reasons Celebrities Wear Amato by Furne One

by Oj Hofer

At Take Me to the Sea, Amato by Furne One unveiled more than a resort/bridal collection — he revealed a world suspended between tides and starlight, where salt, silk, and stardom stitched themselves into every look.

Held at The Hall of the Crimson Resort and Spa Mactan, the show was a transportive experience. As waves whispered beyond the glass, Amato’s gowns swept down the runway like sirens called to shore. Here are ten reasons why global icons return — time and again — to his sea of style.

1. Salt in the Craft
His garments carry the wild grace of the sea — textured, elemental, unforgettable. Every bead, cut, and crystal tells a story shaped by emotion and intuition.

2. Silk in the Movement
Though opulent, his creations float. There’s ease in the drama — cascading motion without weight. Ideal for performers who speak through movement.

3. Stardom in the Vision
Furne doesn’t chase trends — he conjures icons. His gowns command attention while allowing the wearer’s light to radiate.

4. Salt as Spirit
There is soul in the stitching — a deep undercurrent of cultural pride and personal mythology. His work carries weight because it carries truth.

5. Silk as Spellwork
His fabrics don’t just dress — they enchant. Each piece invites touch, reverence, and awe.

6. Stardom in the Silhouette
Furne understands form. He doesn’t simply clothe a figure — he sculpts for presence. For red carpets, concert stages, and film legends.

7. Salt of the Earth
Despite global acclaim, Furne remains grounded. His humility fosters collaboration, creating space for intimacy in the creative process.

 


8. Silk-Wrapped Strength
There is softness, but never fragility. These gowns are fierce — veiled in elegance yet unapologetically bold.

 


9. Stardom as Alchemy
Wearing Amato is not mere adornment — it is transformation. A star steps into a Furne One creation and becomes mythic.

10. Salt, Silk, and the Furne Himself
Furne One is the thread. With quiet charisma and a generous spirit, he doesn’t just dress celebrities — he disarms them. And from that space of trust emerges what every artist longs for: wonder.

And in Amato’s world, wonder always wins.

Fashion designer Furne One

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Fashion

Ravens, Runways, and Revelations: A Glimpse of Amato

by OJ HOFER | photo credit JOSEPH ONG | jewelry ROYAL GEM  

Fashion had become as instinctive as breathing—so natural that one scarcely noticed it. Yet, after seasons adrift in sartorial limbo, the piercing peal of Birds of Prey by Amato Furne One jolted this archipelago’s fashion scene to attention. Amato’s spectacle soared beyond mundane couture, drawing me from the quiet of my atelier to the intoxicating front row at the reinvented Tops in Busay—from the low murmur of machines to the electrifying brouhaha of the style set.

Amato is not merely a label; it is a visionary ideal stitched in silk and dreams, a symphony of artistry that transforms yarns, fibers, and fabric into fashion phantasmagoria. Under the deft hands of Furne One, Amato has adorned the world’s most fearless icons—Beyoncé, Lady Gaga, Katy Perry, Jennifer Lopez—women who, like his creations, embody style, strength, and spectacle. His couture is not merely worn; it takes flight, transforming the wearer into a mesmerizing apparition of fleeting beauty—a phenomenal vision that lingers long after the moment has passed.

But how does one conjure such fantastical transformations? To offer a glimpse into the mind of this visionary, we posed three playful questions:

Oj: If you were a bird, would you soar as a mighty raptor or scheme as a clever corvid?
Furne: I’d be a raven—sharp-witted, shrouded in mystery, and draped in the perfect shade of midnight. Its inky plumage matches my flair for dark romance; because even in shadows, I prefer a little drama.

Oj: What would be your most formidable power?
Furne: As a raven, I straddle the seen and unseen—transcendence is my superpower.

Oj: What bird would you absolutely refuse to be reborn as?
Furne: Never a turkey—too commercial, too festive, and far too likely to end up as Thanksgiving dinner.

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Fashion

Lucky Colors of 2025: Harness the Energies of Emerald Green & Carmine Red for Success

Thom Browne Cropped tweed jacket
by Oj Hofer

With the Year of the Wood Snake underway, understanding the significance of lucky colors can help align us with its energetic flow. Rooted in Chinese astrology and Feng Shui, the year’s fortifying shades—emerald green and carmine red—offer mindfulness and good intention attracting luck, and fostering personal growth.

Emerald green, associated with the Wood element, symbolizes renewal, clarity, and inner peace. In the year of the wood snake, its dynamic energies will empower and inspire you, fostering growth, renewal and wise transformations. The hue is ideal for moments of self-reflection, study, or creativity. Wearing or incorporating this shade into your space enhances balance and mental focus.

Carmine red, linked to the Fire element, embodies passion, confidence, and vitality. This year, which according to the Bazi Four Pillars Chart, has a lack of metal, earth and fire elements, it will bring balance and the propitious energies. It’s perfect for professional meetings, decision-making, and moments requiring assertiveness as a splash of red can energize and embolden you throughout the day.

Stella Macartney vegan Leather tote

Stefano Ricci silk tie with paisley print

To fully harness their benefits, use these colors in a contemporary, mobile context; through clothing, jewelry, bags and accessories. Alternate between these two potent tints based on your needs. For example, wear green for calmness and clarity when you are going into stressful and mind challenging meetings or appointments. Choose red when you are going into places or situations where you need courage and motivation such as fashion galas, elite socials, prestige affairs, VIP gatherings and so forth. 

Saint Laurent crepe de chine mules

Optionally, you can also choose to wear these colors inconspicuously in small details, such as a garnet or jade bracelet, or a ruby or emerald pendant and earrings set. Men can wear a burgundy or forest green tie or pocket square, or casual polo shirts with poppies or with botanical prints, or jade and garnet jewelry. Doing so can subtly align your energy with the year’s vibrational flow.

Jan Leslie emerald bracelet

Daily Mood Cuff Links with red tiger’s eye tubes

The use of colors is more than just aesthetic choices or preferential picks. Colors can serve as energetic tools, reminding you of your good intentions and keeping you mindful of you daily motions. Effecting an optimistic mental state in the wearer, they can effectively shield you from negativity while fostering prosperity and emotional balance. Thoughtfully incorporating them into your wardrobe and surroundings ensures that you move through 2025 with confidence and the right intentions.

Embracing emerald green for tranquility and carmine red for strength are intentional, mindful choices that have the power to transform your energy and shape your path forward. May you have the best of luck in navigating through Year of the Snake with harmony, energy, and the power to attract good fortune.

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