Arts & Culture
Here’s Everything You Need to Know About Sinulog 2018
The holidays may be over, but in some ways in Cebu the joyous crowd extends and it only means one thing: a Sinulog Fever.
While the country’s biggest festival is best known for the crazy parties happening on the streets, Sinulog goes beyond that. Here’s everything you need to know for Sinulog 2018.
HISTORY OF SINULOG
As always, we always understand why and how it started.
“One Beat. One Dance. One Vision.” This theme has continuously defined the grandiose Sinulog celebration that attracts revelers every year. A festival that can be traced back to a rich history, Sinulog has always been identified with the Queen City—linking us with our pagan past and our Christian present.
At the time when our ancestors worshipped wooden idols and anitos, Sinulog was already a dance ritual honoring these elements. Upon the arrival in 1521 of Portuguese explorer Ferdinand Magellan who introduced Christianity to the country, he presented the Santo Niño image as a baptismal gift to Cebu’s ruler Rajah Humabon and his wife, Hara Amihan. Subsequently, the natives were converted to Christianity and started offering dances but this time in reverence to the Child Jesus.
The term Sinulog comes from the Cebuano word “sulog” which means “water current movement”. The rhythmically forward-backward dance steps of Santo Niño devotees during the Sinulog Grand Parade is said to resemble the movement of currents of water. Cebu’s first Sinulog parade took place in 1980, and the festival has now been institutionalized, making it an annual event.
Today, Sinulog is one of the grandest, most colorful and best-known festivals in the country. A cultural-religious celebration that lasts for nine days, it involves solemn activities widely participated in by Cebuanos whose deep faith in the Holy Child go beyond boundaries. The massive preparation and warm welcome put up by the locals for the upcoming Sinulog festival truly proves their strong devotion to the Santo Niño who has greatly influenced the lives of the Cebuano people. (By Ansylle Mae Bontuyan)
NOVENA MASSES SCHEDULE
Throught that, it is said that the image is stored in what is today the Basilica Minore del Sto. Nino—where thousands of faithfuls will come every year to worship and give praise the Holy Child. Up until now, Sinulog can’t be done without the novena schedule that succeeds prior to the Pista Señor, that is in honor of the Sr. Sto. Nino.
Here’s the schedule of some of the activities at the Basilica.
January 11, Thursday – Opening Salvo
4:00am – Walk With Jesus
5:30am – Holy Mass (Installation of Hermano Mayor and Hermana Mayores 2018)
And with some of the novena masses schedules done from January 11-18, 2018.
4:00am – Holy Mass (Cebuano)
5:30am – Holy Mass (Cebuano)
7:00am – Holy Mass (Cebuano)
8:30am – Holy Mass (English)
10:00am – Holy Mass (Cebuano)
11:30am – Holy Mass (English)
1:00pm – Holy Mass (English)
2:30pm – Holy Mass (Cebuano)
4:00pm – Holy Mass (Cebuano)
5:30pm – Holy Mass (English)
7:00pm – Holy Mass (English)
January 19, Friday
4:00am – Walk With Mary
7:00am – Traslacion (going to National Shrine of Saint Joseph Parish, Mandaue City)
January 20, Saturday (Visperas)
3:00am – Traslacion (from Mandaue to the National Shrine of Nuestra Señora de Regla Parish, Lapu-lapu City)
6:00am – Fluvial Procession
9:00am – Renactment of the First Mass, Wedding and Baptism
1:00pm – Solem Procession
6:00pm – Pontifical Mass
January 21, Sunday (Fiesta Señor Day)
4:00am – Mañanita Mass
6:00am – Pontifical Mass
followed by regular Sunday mass schedules
Source: Sinulog Foundation Website (for full details visit the website them here)
SCHEDULE OF ACTIVITIES
On to the festival side, there’s a lot we can expect to. From gigantes to dances, here’s the schedule to some of the highlights this Sinulog.
January 1 – 30 – Sinulog Street Fair
January 12, Friday – Sinulog 2018 Kick Off
January 13, Saturday – Sinulog sa Lalawigan
January 14, Sunday – Sinulog sa Barangay
January 15, Monday – Cultural Show at Plaza Independencia
Sinulog Idol Eliminations
January 18, Thursday – Sinulog Festival Queen 2018 Photoshoot
– Sinulog Festival Queen 2018 Parade of Costumes & Runway Competition at SM City Cebu
– Sky Night at Plaza Independencia
January 19, Friday – Festival Queen Coronation Night at Cebu City Sports Center
– Dance Crew Grand Showdown at Cebu City Sports Center
January 20, Saturday – Sinulog 2018 Grand Finals at Plaza Independencia
– Sinulog 2018 Fireworks Competition at SM City Cebu
January 21, Sunday – Sinulog Grand Parade
Source: Sinulog Foundation Website (for full details visit the website them here)
SINULOG WEEKEND WARPLAN
Now for the parties, we never get tired of having fun during these times. As it becomes a yearly habit for us. We give you the following schedule for the ultimate Sinulog parties that will take place in the city.
January 19, Friday
Lifedance
City di Mare, South Road Properties
January 20, Saturday
Plus 63 Music and Arts Festival
Cebu Business Park
Hyper Wonderland
Axis Entertainment Avenue
Paintensity
SM Seaside City Open Grounds
January 21, Sunday
Neon Jungle: Sinulog Music Festival
The Sentral Cebu, Norkis Cyberpark, Mandaue City
SINULOG GRAND PARADE CONTEST
Tickets are sold through Sinulog Foundation Inc. You can visit the website here. (https://sinulog.ph/shop/)
SINULOG ROUTE MAP
Plan ahead as we don’t know how much traffic we can get and we can contribute. Please see the following route through this website. sinulog.ph
Arts & Culture
Art Beat: Scenes From the Manila Art Fair 2026
photography by Doro Barandino
“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Vinta by Protegeri, collaboration art piece by Leeroy New, Solenn Heuseff and Vito Selma
Q&A with interior decorator and jewellery designer Doro Barandino
Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.
Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.
Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.
The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

The Standard by Thai artist Pitchapa at the Triangular durational, performance art.

Bato Bato sa Langit by Filipino artist Carlo Tanseco

Stocking Proportions Menumpuk Proporsi by Indonesian artist Labadiou Piko

Untitled by Indonesian artist Yunizar

Filipiny, wool tapestry by national artist of the Philippines,Federico Aguilar Alcuaz.

Untitled by German artist Valentin Elias Renner

Interior decorator and jewellery designer Doro Barandino is also a regular contributor for zee.ph
Arts & Culture
Visayas Art Fair Year 5: Infinite Perspectives, Unbound Creativity
by Jing Ramos
This year’s Visayas Art Fair marks its 5th anniversary, celebrating the theme “Infinite Perspectives: Unbound Creativity.” The fair continues its mission of bridging creativity, culture, and community in the country. This milestone edition strengthens its partnership with the National Commission for Culture and the Arts and expands collaborations with regional art organizations and collectives—reinforcing its role as a unifying platform for Philippine art.
VAF5 features the works of Gil Francis Maningo, honoring the mastery of his gold leaf technique on opulent portraits of the Visayan muse Carmela, reflecting spiritual awareness.

Gil Francis Maningo is celebrated for his gold leaf technique.

Gil Francis Maningo’s recurring theme of his Visayan muse “Carmela”.
Another featured artist is Danny Rayos del Sol, whose religious iconography of Marian-inspired portraits offers a profound meditation on the sacred and the sublime. This collaboration between two visual artists sparks a dialogue on the Visayan spirit of creativity and resilience. Titled “Pasinaya,” this dual showcase explores gold leaf as a medium of light and transcendence.

Artist Danny Reyes del Sol

Danny Reyes del Sol’s religious iconography.
Now in its fifth year, the Visayas Art Fair has influenced a community of artists, gallerists, brokers, collectors, museum curators, and art critics—constructing a narrative that shapes how we approach and understand the artist and his work. This combination of factors, destined for popular consumption, illustrates the ways in which art and current culture have found common ground in a milieu enriched by the promise of increased revenue and the growing value of artworks.
Laurie Boquiren, Chairman of the Visayas Art Fair, elaborates on the theme, expressing a vision that celebrates the boundless imagination of unique artistic voices:
“Infinite Perspectives speaks of the countless ways artists see, interpret, and transform the world around them—reminding us that creativity knows no single point of view. Unbound Creativity embodies freedom from convention and controlled expression, allowing every artist to explore and experiment without borders.”

Laurie Boquiren, Chairman of the Visayas Art Fair has tirelessly championed the creative arts for the past five years.
Arts & Culture
Kultura. Kapital. Kasalukuyan: Art that Speaks of Today
by Jose Carlos G. Campos, Board of Trustees National Museum of the Philippines
The National Museum of the Philippines (NMP) and the Bangko Sentral ng Pilipinas (BSP) recently teamed up to prove that money isn’t just for counting—it’s also for curating! Their latest joint exhibition, Kultura. Kapital. Kasalukuyan: Contemporary Art from the Bangko Sentral ng Pilipinas Collection, is now open, and it’s a real treat for art lovers and culture buffs alike.
On display are gems from the BSP’s contemporary art collection, including masterpieces by National Artist Benedicto Cabrera (Bencab), along with works by Onib Olmedo, Brenda Fajardo, Antipas Delotavo, Edgar Talusan Fernandez, and many more. Some of the artists even showed up in person—Charlie Co, Junyee, Imelda Cajipe-Endaya, Demi Padua, Joey Cobcobo, Leonard Aguinaldo, Gerardo Tan, Melvin Culaba—while others sent their family representatives, like Mayumi Habulan and Jeudi Garibay. Talk about art running in the family!

Deputy Governor General of the BSP, Berna Romulo Puyat

Chairman of NMP, Andoni Aboitiz
The BSP Governor Eli M. Remolona, Jr. and members of the Monetary Board joined the event, alongside former BSP Governor Amando M. Tetangco, Jr., Ms. Tess Espenilla (wife of the late Nestor A. Espenilla, Jr.), and the ever-graceful former Central Bank Governor Jaime C. Laya, who gave a short but enlightening talk about the BSP art collection.
From the NMP, Chairman Andoni Aboitiz, Director-General Jeremy Barns, and fellow trustees NCCA Chairman Victorino Mapa Manalo, Carlo Ebeo, and Jose Carlos Garcia-Campos also graced the occasion. Chairman Aboitiz expressed gratitude to the BSP for renewing its partnership, calling the exhibition a shining example of how financial institutions can also enrich our cultural wealth.

Former Governor of BSP Jaime Laya

Governor of BSP Eli M. Remona and Chairman of NMP Board Andoni Aboitiz

Artist Charlie Co
Before the official launch, a special media preview was held on 5 August, hosted by BSP Deputy Governor Bernadette Romulo-Puyat and DG Jeremy Barns. It gave lucky guests a sneak peek at the collection—because sometimes, even art likes to play “hard to get.”
The exhibition Kultura. Kapital. Kasalukuyan will run until November 2027 at Galleries XVIII and XIX, 3/F, National Museum of Fine Arts. Doors are open daily, 9:00 AM to 6:00 PM. So if you’re looking for something enriching that won’t hurt your wallet (admission is free!), this is your sign to visit. After all, the best kind of interest is cultural interest.

Monetary Board of the BSP, Walter C. Wassmer

Luis Yee, Jr. aka ‘Junyee’ The Artist beside his Sculpture

Arvin Manuel Villalon, Acting Deputy Director General for Museums, NMP with Ms. Daphne Osena Paez
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