Arts & Culture
4 Restaurants in Cebu You Probably Haven’t Tried Yet
We check out some of the newest restaurants in the city that will inspire your wanderlust.

One can never go to too many restaurants. It’s always fun and exciting to try new flavors, especially for foodies like the Cebuanos. With that in mind, we give you 4 new restaurants you should try. You can thank us later.
Palermo
by Patty Taboada
You can never really go wrong with Italian food, so heading out to Mactan Island for some pizza and pasta is worth the long drive, especially if you’re going to Palermo at Plantation Bay Resort & Spa. For someone who has made that journey twice already, I can make this statement with confidence.
My first time around wasn’t completely intentional: A friend and I planned to try the resort’s nightly themed dinner buffet, but the terrible traffic on that particular payday Friday caused us to miss it altogether. The night wasn’t a total waste, however, as opting to dine at Palermo instead made for a more intimate and wonderful dinner experience. Back then, the restaurant had wood furnishings and red terra cotta tiles which, along with the red-and-white checkered tablecloths, gave off a rustic trattoria vibe.
Charming as it was, Plantation Bay decided to give Palermo a new and contemporary look to appeal to more diners. The result is a stylishly casual restaurant with cool gray walls to balance out the warmth of the wooden accents. Lights were also significantly dimmed, so the stained glass details stand out even more. All of these, general manager Efren Belarmino explains, are proudly Cebu-made.
As for the menu, it was heartening to know that despite the design overhaul, Palermo has retained many of its tried-and-tested favorites, while welcoming new additions. Their Hot and Spicy Gambas are a crowd favorite, and the roasted bell peppers are an interesting combination of soft and spicy sweet. The Jamon Bellota, made with free-range Iberian pigs fattened on acorns and cured for up to three years, also proved to be quite the hit. There are several options for their pizzas, pastas and steak. The blue cheese lover in me immediately went for the Fusilli Con Gorgonzola. The macadamia nuts added texture to the otherwise creamy sauce with that unique blue cheese kick. Managing editor Shari Quimbo opted for the Rib Eye Steak with Potato Wedges—a hearty dish that’s sure to be a crowd pleaser. All of these went down quite well with our wine.
Everything was so rich and filling that it was hard to make room for dessert, and it’s quite a challenge to pass up on Palermo’s delicious treats. The Banana Burnt Butterscotch Tart, also known as the Triple B, was a deliciously deadly treat, with a mix of flavors and textures. The Gelato Alla Menta—mint ice cream with chocolate chips in an almond basket—is also a must-try.
As far as Italian places go, there are a lot of choices within the city. But when you want to take the extra mile, you’ll find that Palermo in Plantation Bay is a hidden gem that’s worth the visit.
Plantation Bay Resort & Spa
Mactan Island, Lapu-Lapu City
6332. 505 9800
K-Pub BBQ
by Shari Quimbo
I confess, I was one of the many who went through a kpop phase. For a good two years after college, I was mesmerized by the bright colors, synchronized dance sequences and surprisingly catchy beats that seemed to be one of Seoul’s major exports. I got over that phase (thankfully) but there are a few things that stuck—a fascination with their beauty products, a general compulsion to make faces for pictures, and a deep-rooted romance with Korean barbecue.
Maybe I’m just a meat-lover or perhaps I’ve seen way too many TV series where the leading man feeds a lettuce-wrapped serving of samgyeopsal to his lady; but there’s something about a well-grilled piece of meat that appeals to me. Which is why, not surprisingly, when KPub’s Meat-All-You-Can menus arrived in Cebu, I found myself more than a little excited.
KPub BBQ opened its first outlet in Bonifacio Global City in 2013, and it’s been expanding its vibrant and fun way of Korean dining around the country since. “We’re happy to bring the concept of KPub to Cebu, especially now that Korea is becoming a favorite dining destination of Cebuanos,” says president and proprietor George Pua. “KPub brings in the vibrant food and culture for the local market to experience, and will be a welcome and unique addition to Cebu’s growing culinary landscape.”
While the restaurant has secluded VIP sections and an al fresco area, most of the restaurant is the main dining hall. Glossy marble-esque tables with built-in grills are arranged around a stage and three large screens that have, you guessed it, kpop music videos on loop. The playful songs seem to solidify the experience, especially when you take the waitstaff’s military jackets with golden epaulets in consideration.
KPub has four different packages for diners to choose from, all of which offer a variety of Korean side dishes and unlimited portions of meat which you grill at your table. There’s the Eat & Run package at P499 for an hour of grilling, which includes beef sukiyaki, pork belly, Korean-style bacon, marinated pork belly in sweet and spicy sauce, marinated pork chop, marinated chicken in sweet and spicy sauce and marinated chicken in sweet soy sauce. The Eat & Run Level Up at P699 includes all of the same dishes, plus garlic butter shrimp, marinated fish fillet, japchae, fish tofu, calamari, lamb chorizo and pizza. The No Limits package at P899 with unlimited grilling time, includes premium beef selections such as So Galbi (marinated beef short rib), L-A Galbi (marinated cross-cut beef short rib), So Bulgogi (marinated beef slice in sweet soy sauce), and Dwaeji Bulgogi (marinated pork slice in sweet soy sauce). If you’re really feeling indulgent, though, get the To The Max package—at P999, you get everything mentioned above, plus salmon belly, salmon steak, fresh prawns, crab sticks, tempura platter, seafood pizza, seafood kimbab, seafood japchae, fried dumplings, assorted vegetables and fried spring rolls.
Of course, for those who are a bit more conscientious about their food intake, they can order a la carte or sample KPub’s version of Korean chicken. Oppa! Chicken offers selections that are fried twice—the traditional Korean way which makes the skin more crispy—and comes in various flavors. The Original, Soy and Garlic, and Sweet and Spicy are surely flavorful, but my dining companions all agreed that the Snowing Cheese rose higher in taste than the rest.
This I can assure you—when you choose to eat at KPub BBQ, you are going to leave feeling very stuffed. With the amount of food their packages include, there is just no other way to it. Their incredibly delicious offerings and the very helpful staff make it an easy dining experience. In fact, if I could have grown another stomach, all the meat that I could would have been a lot more.
2F Terraces, Ayala Center Cebu
032 410 7590, 410 8592
[FB] KpubBBqTheTerracesCebu
Señor Kimchi
by Michael Karlo Lim
I’d reference the migratory clichés of Mexicans and Koreans, if only us Pinoys were immune to the same. But, no. If anything, there are more similarities among Mexicans, Koreans and Pinoys than meets the eye. Across the board, there’s fantastical religiosity, extended families more knotted than their declared tightly knit, some generational and cultural scarring from some or several foreign occupations, what appears to be contentment with discontent and other sweeping generalizations. That last one was a disclaimer. Across the border, the American Dream. Of course, there’s the love for food. I’ll admit I thread myself through the uncomfortable knots at family gatherings only for the good stuff.
Downtown LA comes down to town via Señor Kimchi, one of the first purveyors of the MexiKor food trend on the island. Fusion cuisine can quickly morph into confusion but Mexican and Korean seem to marry well with similarities in punch and layered flavors. Both intricately layered and spiced, the divide is set between the earthier in the former to the tart and funky of the latter.
Extra large brown mushrooms are stuffed with crabmeat and cream cheese, battered and deep-fried, split, sprinkled with cilantro and drizzled with homemade spicy aioli in their Mushroom Poppers. The blank slate earthiness of the mushrooms make for a great base for the savory cheese and the briny kani. Frying made it golden; cilantro anchored Asia with the aioli putting it along the spice trade route of old. Easily my personal favorite, it’s aptly named as there is a tendency to just keep popping one piece after another into your mouth.
A global nod to the fusions come by way of the Pandesal Sliders, among their house specials. The everyday-everyman explodes with baby spring onions, shredded greens and local tomato slices topped with spicy aioli and your choice of meat—in our case, Bulgogi Beef. The soy sauce, sugar, garlic and black pepper combination in the marinade is not quite unlike local preps. Eomeoni comes in with sesame oil profusions of scallions, onions and ginger to push the flavor beyond bistek to SoKor.
Flour tortillas are quite versatile, in that they can carry assortments of toppings that usually work. Fresh kimchi slaw and homemade pepper paste top spicy pork in Señor Kimchi’s Korean BBQ Tacos. A special tropical salsa with mangoes pays homage to local pride.
Rice is an unnecessary starch in my book, but there is no denying the beautiful combination of the spicy pungency of kimchi on plain, boiled rice. A stir-frying to fuse the two is quite the Korean alchemist’s trick with red bell peppers, onions and carrots figuring in the aromatics in the Kimchi Fried Rice. A generous topping of Bulgogi Beef and an oozy fried egg stood as solid proteins.
A variety of local and imported beers are available, but the obvious choice was a Corona. Mexican-American, you know? DTLA. This light, easy beer is pleasantly malty with a latent tartness brought about by that lemon wedge. Perfect for the bright and easy dining atmosphere packed with chic downtown details and arresting, thematic graffiti. Rough finishes, patchy tiling, “rusted” pendant lights, reclaimed wood look and bursts of color. The City of Angels may still be a US Visa approval away, but it might as well be right smack in the new neighborhood of Axis Entertainment Center. Si, señor, at Señor Kimchi.
Axis Entertainment Center-Vibo Place, Escario Street, Cebu City
0943 450 2445
Ramen Kamekichi
by Patty Taboada
“Spicy level three?” a good friend asked, part skeptical and part admiring, as I placed my usual order of a chashumen. This was at Ramen Kamekichi about a year ago—incidentally, this was the last time I found myself at their branch in Mabolo. Our other dining companions ordered their bowls of ramen at reasonable levels of hotness (that is, level one or not spicy at all), while I, a lover of all dishes with that extra kick, apparently have the tolerance of a superhero.
If there’s one dish I could eat for the rest of my life, it’s ramen. Ask anyone who knows me, and they’ll tell you that the first place I’d suggest for a meal would be a ramen place, even if it’s right in the middle of a summer heatwave. Ramen Kamekichi was one of my favorite places for ramen, so you can’t possibly imagine the anguish I felt when I thought they had closed up for good.
Fast forward several months later, and I was brimming with excitement as I entered the new Ramen Kamekichi along Gorordo Avenue. While the original branch was comfortable and unassuming at best, the new restaurant embraces a modern and stylish look, decked with cool shades of teal and warm wooden accents—a definite upgrade. As much as I was impressed with the décor, however, I had a craving and an empty stomach to satisfy.
We start off the meal with a generous helping of Okonomiyaki, another favorite Japanese dish. Unlike the many others I’ve had, Kamekichi’s version was topped with bonito flakes, giving the dish that distinctly alive look and a unique flavor. The Seafood Chahan was a crowd-pleaser with its hearty and filling taste. There were also plates of Gyoza, Buta Ika Shougayaki and Yakitori—all of them incredibly delicious, by the way. I would’ve finished them all if I wasn’t anticipating the ramen.
Finally, the Jigoku Chashumen arrives—at spice level one only, but I had to play nice and share. While it lacked the kick I was used to, it was the same ramen I knew and loved from all the way back, complete with a big serving of noodles, some mushroom slices, chashu, spring onions and other spices. The broth was flavorful without being too overwhelming. We also try out the Tonkotsu Ramen and the Miso Ramen, and both were delicious in different ways, assuring there’s something for everyone.
The regular patrons of the original Ramen Kamekichi would be pleased to know that while a different family now runs the restaurant, they have retained the chef as an industrial partner. The result is a much better restaurant and location, while serving the same dishes—and more offerings—that has made Ramen Kamekichi a longtime Cebuano favorite. As for me, I’m definitely going back for that spicy level three chashumen soon.
38 Gorordo Avenue, Cebu City
632. 261 1018
[FB] Ramen Kamekichi
[INSTA] @ramenkamekichi
Originally published in Zee Lifestyle, March 2016
Arts & Culture
Chaos and Clarity: Zen Aesthetic in Oj Hofer’s Art

by Jing Ramos |
Oj Hofer, our fashion contributing editor, is a Fine Arts graduate from the University of the Philippines. Though he began painting at the age of eight, his artistic journey took a transformative turn in 2013. While volunteering as a costume designer for Siddhartha: The Musical, he encountered Venerable Master Hsing Yun’s One-Stroke Calligraphy, sparking a deep devotion to Japanese sumi-e painting and kanji calligraphy. Over the years, he refined his craft, using his art to share the Dharma through exhibitions while supporting the Hsing Yun Educational Foundation. In 2022, his spiritual path deepened at Nan Tien University, where he embraced Zen and Humanistic Buddhism, shaping his artistic philosophy.

“Plum Blossoms in Moonlight.” Serigraphy on abaca.
In his recent works, Hofer merges traditional calligraphy with serigraphy, drawing inspiration from his friend Charles Lahti—an internationally recognized New York-based painter and printmaker. Lahti, known for his collaborations with post-war American artists like Robert Rauschenberg, Donald Judd, Andy Warhol, and LeRoy Neiman, introduced Hofer to silkscreen techniques. Through a workshop Lahti conducted in Cebu—arranged by their mutual friend Greg Urra—Hofer integrated silkscreen into his Zen artworks, particularly those on abaca.

“The Circle of Harmony” Serigraphy and Calligraphy on abaca.
Hofer’s cross-disciplinary approach challenges conventional Zen aesthetics. His layered paintings on abaca may seem far from tranquil at first glance, but closer contemplation reveals a meditative core. His serigraph of an Enso circle, for example, initially appears chaotic, filled with Tang Dynasty poetry and overlapping, repetitive forms. Yet, by focusing on a single calligraphic element, the viewer experiences a moment of clarity—a glimpse of awakening within the visual complexity.

“Monkey Mind” Serigraphy and Calligraphy on abaca.
Even more engaging is his diptych Monkey Mind. At odds with the traditional Zen emphasis on negative space, this piece is deliberately busy, reflecting the restless nature of the mind. A distracted viewer may struggle to find a focal point, but one attuned to emptiness and presence will perceive clarity amidst the seeming disarray.

Ink and intention—creating calligraphy in support of one of my advocacies.
By fusing Zen philosophy with the discipline of serigraphy, Hofer invites his audience to look beyond surface impressions and discover stillness within movement, balance within complexity. His art does not merely depict Zen—it embodies the paradoxes at its core, offering a path to mindfulness through the act of seeing and the experience of doing.
Arts & Culture
What is Sappia? The Rice Myth Goddess of Bohol Who Helped Feed the People During a Great Famine

by Emma Gomez
The story began when the people of Bohol started to experience hunger and famine. All the livestocks were inedible and the fields were dried out leaving only weeds planted on the ground. The people prayed to the goddess of mercy, Sappia, to ask for food.

Sappia, the rice myth goddess of Bohol
Sappia, from the heavens, heard the cries of the people. She saw the dense population of weeds and offered to help them. Sappia thought of nourishing the weeds to be edible and healthy for the people of Bohol. Straightaway, she sprinkled the weed with milk from her bossom. She emptied each breast until blood came out. Before she left, she whispered to the weeds that they may be nourished and be able to feed the people.
When harvest season came, the people of Bohol quickly gathered the nourished weeds. They observed that the ones sprinkled with milk were white, while the other were red. They called the new plant rice and they replanted these in honor of Sappia, and for the people to devour.
Arts & Culture
Kimsoy’s Canvas of a Lifetime in Full Display

by Diana Gillo
There is nothing more fascinating than seeing an artist’s lifetime of work in one room. Such is the experience in Jose “Kimsoy” Yap’s third solo exhibit entitled “Kimsoy: Episodes of Mastery,” at Galerie Raphael Cebu. This serves as the truest form of homage to his enduring journey, showcasing works that span over decades.

Kimsoy with his student and muse, Zhara Rivera Mercado, at the entrance of Galerie Raphael
The exhibit speaks greatly of Kimsoy’s evolution as an artist, with his shifting mediums and remarkable variety of subjects. His creations range from heartfelt portraits of individuals he encountered along his journey to detailed landscapes inspired by the different walks of his life. The room’s layout carries the weight of his years of craft with one wall lined with pastels, another with watercolors, and another with oil painting.

As the River Flows Onward by Kimsoy Yap 2020 | Oil on canvas | 82×48 inches
The exhibit transcends beyond just the commemoration of Kimsoy’s masterful periods. It wanders more into a sense of intimacy reflecting Kimsoy’s life’s journey—from his roots as a young boy in Negros Oriental, through his pursuit of greater artistic mastery in New York, to his prominence in Cebu’s art scene. All his work freehanded, created both with his left and right hand, depicts the ways in which we all leave traces of ourselves in our work and in the world.

A Friend of Mine 1979 | watercolor on paper | 24×18 inches

In a Relaxed Mood 1977 | water color on paper | 16×19.5 inches
The opening ceremony featured Ambassador Jose Mari Cariño, alongside special guests Ivy Ang Gabas, Paolo Li, Angbetic Tan, Laurie Bouquiren of the Visayas Art Fair, and Valerie Go of Galerie Raphael Cebu. The exhibit is open until March 21, 2025.
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