People
Behind the Michelin Star: Picking the brain of chef Jason Atherton
Our entertaining editor and restaurateur Kate Anzani gets the chance to talk to Jason Atherton to talk about his Michelin star and why he still loves to cook.
It was going to be unlike any other interview I’ve done, and not just because it was Jason Atherton, a Michelin-starred chef with a growing number of restaurants around the world, including the acclaimed The Pig & Palm in our own city. The man behind the brand is an extraordinary person, and not just for the prestige that comes with the status. In fact, if anything, the accolades have even kept his feet even more firmly in the ground. According to Jason, everything he’s done and will do is because of a simple passion: “I love, love, love what I do. I love to cook, and I will always cook for the rest of my life. It’s really important to me that I am still cooking.”
Let’s backtrack on Jason Atherton’s footsteps, to six years ago when it all started. He opened Pollen Street Social, his first restaurant, in London, and it was awarded its first Michelin star that same year. Since then, he’s opened 17 restaurants across the globe. “It’s more than just ‘chef-ing’ now, I guess,” he admits. “We are The Social Company. Armed with different sub-brands, we do a lot of things—we help Westminster college, we design plateware and bar tools. I guess you can say we are a multi-brand operations.” That explains the 1400 employees.
It leaves one to wonder: how do you grow that fast in six years? He reminds me that he was the development director of the Gordon Ramsay group for 11 years. “I owe the ‘taking off’ to him,” he explains. “I was already doing with him what I am doing now, only this time it’s for my own company.” He, of course, credits a lot to his former mentor, who he says knew exactly what he wanted to do from the start. “He opened his restaurant and got his stars, and then he said, I want to be on TV. He was on some of the most watched British TV shows. After that, he says he wants to be on TV in the US, and now he’s one of the most recognized chefs in the world. It’s amazing.”
That kind of drive is something that Jason’s clearly adapted himself, and it’s something that he feels he could most attribute for his success. “I was a dreamer, and I was determined. When I worked with Marco Pierre White, I wasn’t the best. There were way better chefs than I was. But I was there every day, doing my job the best way I could, day in, day out. I kept sticking to it because I knew one day something good would come out of it. There has to, right?” he says. “I’ve always looked to the world like an Olympic athlete. You can get to the top with a little bit of talent, but you need a whole lot of determination. And that’s what it was. I’m not an overnight success story.”
Jason is disarming that way. He’s the first to point out he’s not a genius, but he understands what people look for in food that’s contributed to his success. “I had a little bit of talent in cooking over the years, and I’ve developed a way to put food together in which a lot of my contemporaries have not been able to do,” he shares. “Especially in London. I really understand the palate of the London Westerners.”
The Jason Atherton story gets even more interesting—and detailed—when he found himself in a bit of a problem when a potato recipe he was trying out in The Clocktower, his New York restaurant, wasn’t working as well as it did in London. He reveals that a large space in his headquarters is dedicated to a test kitchen, where a group of chefs spend days experimenting with and perfecting recipes that they could then send to their restaurants around the world. In the case of the potatoes, the variety of potatoes available in the US just weren’t working for the recipe—which had originally been made with London’s King Edward potatoes. Eventually, he decides to send two of his test kitchen chefs, who ended up sourcing potatoes from different states until they could find a match. “For two weeks, were problem-solving the potato. We were getting deliveries of potatoes from everywhere to get that perfect chip,” he shares. This just goes to show that Jason is committed to achieving detailed results—but wow the food cost on just those potatoes must have come quite high?
“It is very important to me to get the product and the output right,” Jason continues. “I’d rather have a 50% food cost of a business and make a little bit of money, and we can sustain it for now, than a 7% margin on a good food cost on a restaurant that’s losing money. The food and bar margins may be correct, but if the food is bad, the drinks are bad and the service is bad, you don’t have a business. In the end, you’ll just have a great percentage of nothing. I always say to my boys, you can’t take a percentage to the bank.” It’s a great lesson for restaurateurs starting out, a breakthrough even.
At this point, the cards are all laid out on a the table. There’s no secret formula, just perspectives of getting things done. The question gets thrown out: how much of the mingling part of the business does he actually enjoy? “We do a lot of events in the UK, where it involves us meeting such interesting people. So meet the Beckhams, Jude Law, Benedict Cumberbatch. So they come to the restaurants, so I say hello. I mean, it just doesn’t work if you’re in the kitchen all the time. I wear many hats,” he replies.
But, he continues, “When success happens to you and you don’t have family roots, you can get carried away, especially in a city like London. I get tons and tons of invitations. I come back from a trip with a stack of envelopes on my desk, and I could be out every night in a different party. When you start to believe your own bullshit, then all of a sudden your life begins to wobble because you’re not paying attention to the things that got you there in the first place. I’m very conscious about that. It’s important to pick and choose.”
With so much achieved, we have to wonder, what comes next? “My work goal is to make Pollen Street Social a two Michelin-star restaurant,” he answers, but reveals that he plans to work on something very close to his heart. “When I first moved to London, there was a youth hostel called the PM Club. It was funded by the government, and it was a community of chefs, waiters and sommeliers. You could stay there and you could meet all these people from the industry. I wouldn’t have made it without the PM Club. The government had stopped the funding for this, but I want to be able to rebuild it for the city, for future chefs.”
To these future chefs, he leaves these words of wisdom: “Everyone wants to be a celebrity or famous—be careful what you wish for. If you want to be a chef, be a chef for the right reasons. Be a chef because you love food. There are very few that become superstars, but it’s important to be yourself. I’ve seen so many great chefs wash away their career chasing being famous and not concentrating on what they are putting on the plate. It’s what you’re putting on the plate that will fill your restaurants. And that really puts life in perspective.”
Originally published in Zee Lifestyle, February 2017
Events
The First NUSTAR BALL
The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.
Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.
It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.
Design
Filipino graphic designer makes history, joins Switzerland’s Museum of Avant-garde among genre’s greats
PJ Ong of Inodoro, an internationally renowned graphic designer, is the first Filipino whose work will be part of the permanent collection of Switzerland’s Museum of Avant-garde
CEBU CITY — In a groundbreaking achievement, Cebu-based graphic designer and art director PJ Ong of Inodoro Design Studio, is set to become the first Filipino artist permanently exhibited at Museum of Avant-garde (MA-g) in Mendrisio, Switzerland.
Ong’s recognition at MA-g places him among over 250 avant-garde artists, including iconic figures like Pablo Picasso and Marcel Duchamp, signifying a profound milestone in museum history.
“Avant-garde,” is a term that refers to pushing the boundaries of artistic expression.
“I am extremely honored and humbled. It is a remarkable milestone in my creative journey, and I am grateful for the opportunity to be part of such a prominent platform. The acknowledgment, especially considering Switzerland’s exacting standards in art and design, is truly fulfilling,” said Ong.
Part of a stellar contemporary collection
Under the museum’s Contemporary Collection, Ong will join global contemporary agencies such as M/M Paris (collaborator of Icelandic singer-songwriter and composer, Björk), WORK Pte Ltd (brainchild of the “Godfather of Singapore Graphic Design,” Theseus Chan), Bedow (Stockholm), BVD Stockholm AB (Stockholm), Socio Design (London) and Milkxhake (Hong Kong), among others.
Ong’s music packaging design for the Filipino harsh noise duo, White Widow, will be featured in the museum. The band’s album “The God Uterus Dissolves” — released under Melt Records — features an unconventional cassette tape packaging incorporating a hand-crafted wire mesh, elevating it into a unique and bespoke collector’s item.
The museum’s selection process for its Contemporary Collection involved three categories: Graphic Design, Photography, and Illustration. Swiss-Canadian Fritz Gottschalk, a prominent figure in contemporary graphic design, led the Graphic Design category.
“This is profoundly validating for me as a graphic designer. Being part of a museum’s permanent contemporary collection is a lasting testament to my capabilities as an artist,” said Ong.
‘Poetry you can touch’
The graphic designer from Cebu City further defined the album as a “deliberate departure from the ordinary,” stating that it was a testament to the artist’s and band’s dedication to pushing boundaries and offering the audience a unique and immersive experience.
“Careful consideration was given to every detail, including choosing a premium supplier for the cassette tape. Opting for a screen-printed cassette, where design elements were applied directly to the surface, gave it a contemporary and visually striking result, helping us reinforce the design narrative,” said Ong.
“From the cohesive placement of elements to using symbols instead of track titles on the spine and customizing fonts, every aspect was carefully thought out. Rather than opting for the conventional wire mesh treatment on print, I took a bold step by incorporating a hand-crafted wire mesh, adding a unique and sensory dimension to the album — almost like poetry you can touch.”
Profound honor
Established in 2003, Inodoro Design Studio under Ong’s leadership has garnered global acclaim for its bold design philosophy, spanning music, fashion, architecture, culture and technology. In becoming the first Filipino whose work will be on display at the MA-g, Ong stated that it is “particularly humbling.”
“Traditionally, these privileges are given to individuals who have amassed decades of experience, attained mastery in their craft, or even as a posthumous acknowledgment. To be among those selected is a profound and unexpected honor,” he said.
“Museums typically focus on visual artists, and for a graphic designer, especially within the realm of commercial work, recognition can be more elusive. I appreciate the challenges of this less conventional route and I am committed to proving the significance of graphic design in the broader artistic landscape.”
Art enthusiasts can anticipate viewing Ong’s work with “The God Uterus Dissolves” at MA-g, scheduled to open to the general public in 2025.
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About The Museum of Avant-garde (MA-g)
The Museum of Avant-garde compiles an original body of work from private collections, providing a unique perspective on the cultural and artistic significance of avant-garde movements. These movements, synonymous with transformative ideologies and daring experimentations, played a pivotal role in challenging political and societal conventions. For more information, visit www.ma-g.org.
About Inodoro
Inodoro is the creative moniker of graphic designer and art director PJ Ong, a prominent figure in the Philippine design scene. Established in 2003, Inodoro Design Studio, based in Cebu, Philippines, has garnered international recognition for its bold and distinctive design, with a focus on thought-driven imagery and iconic visual language. The studio specializes in identities, custom typography, graphic design and art direction. For more information, visit www.inodoro-design.com.
People
Ladies Who Support Ladies
Women’s Circle is an organization composed of Cebuano ladies who are successful entrepreneurs and top executives. They recently held a fellowship event at the Sheraton Mactan Resort, with special guests from the Women’s Business Council Philippines. Chairperson, Rosemarie Rafael and Council Secretary Cynthia Mamon both flew in from Manila to discuss alliances between the Cebu and Manila groups.
The half day event was organized by Perl Jacalan, Gina Atienza and Eva Gullas. Sheraton Resort through its GM Dottie Wugler Cronin supported the event as it is aligned with the hotel’s women initiatives. The successful event was made more fun with generous give-aways, notably Jo Malone perfumes, Sheraton bags, R&M Chocomanga and sarongs from Ferimar.
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