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Trendy Tassels: The Turning Tides

Today, the tides have turned and these tassels were not only seen in our homes and on graduation caps. These leather fringes, colored beads, and embroidered threads became a trend that paved way to an income generating opportunity for a young designer, Lira Princess Cadorna.

Historically and traditionally, tassels were used in homes to decorate lampshades, pillows and curtains.

Specifically, ‘tassel’ came from the word ‘tassau’ which means “to a clasp at the neck of a garment”. Before, these served as symbols of power, especially by ancient priests. Tassels were believed to ward off evil spirits.

Today, the tides have turned and these tassels were not only seen in our homes and on graduation caps. These leather fringes, colored beads, and embroidered threads became a trend that paved way to an income generating opportunity for a young designer, Lira Princess Cadorna.

Lira is a graduate of Bachelor of Fine Arts Major in Product Design from the University of the Philippines Cebu. During her college days, she was also fond of making clothes. According to her, this hobby was her way to practice creativity and a way to relax. But she was also fond of making her own accessories.

Lira also makes clothes, bracelets, and pouches.

Tassel earrings were really a trend that started last year. “I’m not usually one to follow trends but as I inspected the items that other stores had, I thought to myself that I could make the same thing and sell it for a much cheaper price,” Lira says.

Lira started with Php 180 as her capital. With that, she was able to buy three balls of string, a few pairs of fishhook earrings, and a pack of jump rings.

As a start-up business, Lira manages her expenses carefully. “What I do is keep the profit and use the capital I gained back to buy more supplies and a percentage of the profit for expansion,” she adds.

Her fan-shaped tassel earrings range from Php 100 to Php 180 only.

From making jewelries for herself, she followed the trend and started up her own business that eventually clicked. “I got a few messages from some of my schoolmates. Next thing I know is that their friends wanted to order too,” Lira says.

Her tassel earrings range from Php 100 to Php 180 only. “I do ship locally but the buyer shoulders the shipping fee. For bulk orders, I usually tell them that I would need one to two weeks to finish their orders depending on the volume. If they’re okay with the waiting time, then it’s a go,” Lira shares.

But juggling her start-up business in college was a roller coaster ride. She makes all the earrings herself while doing school works at the same time. “It was also hard to find the supplies that would pass my standards in quality and price so I had to keep finding sources that would best suit the business until I was satisfied,” Lira says.

Her hobby in making pieces of jewelry also challenged her creativity and designed more shapes.

Her time management was tested. “There was no time to slack off so I had to make sure I didn’t do things that were unnecessary so that nothing would be compromised. When it came to the supplies, I had to exert more effort to get what I wanted to achieve the product quality that I want,” Lira shares.

This trend is not yet over, Lira adds. As for her, she tries to study more of the trend and see what it can offer that will eventually challenge her creativity.

The tides have turned and the trend’s flow allows creativity to flow as well. “Find something you think you like and you’re good at. If you don’t think you’re good enough, practice, practice, practice,” Lira advices.

As a young designer, Lira’s journey in the industry is a long way to go but according to her confidence is the key. “Sometimes, what hinders people from sharing and selling their works is that they’re not confident enough. When you’re happy with your output, put on that confidence coat, go out there, and sell your product to the world,” she says.

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Fashion

Cloud Dancer: The Resonant Reset of 2026

by OJ HOFER

Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.

Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.

In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.

Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028

Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.

Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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