Fashion
The World of Tory Burch
Tory Burch and trusted interior designer Daniel Romualdez talk about how style and inspiration created a flagship store that properly represented the woman behind the name
Tory Burch and trusted interior designer Daniel Romualdez talk about how style and inspiration created a flagship store that properly represented the woman behind the name

Filipino women can’t get enough of Tory Burch. The American designer’s kaftans and ballerina flats are staples in the closets of every chic and well-travelled Pinay. She has a soft spot for the Philippines, having visited the country as a student, and now finding a trusted and ardent Filipino collaborator in Daniel Romualdez, the interior designer of her Manhattan home and stores all over the world.

I had the privilege of meeting Tory and Daniel at the opening of the Tory Burch flagship store in Madison Avenue in Manhattan, New York. In a recent interview with the dynamic design tandem, Tory tells me about her inspirations, the future plans for her eponymous label and her commitment in empowering women beyond charity, while Daniel shares some of the secrets behind the chic and stylish look of Tory’s home and store interiors.

MELO ESGUERRA: The Philippines loves Tory Burch. I see so many Filipino women who are comfortably walking in your signature flats and tunics. But who is really the Tory Burch woman and how is she similar (or different) to the lady behind the brand?
TORY BURCH: Our customers are women of all ages and personal styles who live busy, multi-faceted lives. We want to make getting dressed in the morning effortless, so we focus on designing pieces that will help our customer feel pulled together — a trench, a cashmere t-shirt, a cigarette pant — but that also have unexpected elements. My design team and I also think about what we’re missing in our closets and hope that other women are looking for some of the same things too.
ME: When we learned about your creative partnership with Filipino interior designer Daniel Romualdez, we loved you even more. How did your collaboration with Daniel begin?
DANIEL ROMUALDEZ: We met while Tory and I were working on her apartment in the city and she showed me the work she was beginning to do on her brand. Initially we agreed it made sense for her to work with an interiors person who specialized in boutiques. But as she got deeper into the process of attempting to translate her brand into an actual retail space, Tory asked me to get involved; she felt that I understood her aesthetic. Since then I have worked with the company on all 73 stores.
ME: I thought your Spring/Summer 2012 collection was so beautiful. What are the inspirations behind your collections? What inspired your latest Fall/Winter line?
TB: Thank you! We draw inspiration from many places each season, whether it’s photographs of my parents from the ’70s, a painting by Gerhard Richter or a great song. For fall, one of our inspirations was Wong Kar-wai’s In the Mood for Love. The looks are polished but with subversive undertones — nipped waists, slim cuts and a lot of leather.
ME: I fell in love with the old townhouse that is now your Madison flagship store in New York, which has a fantasy and heritage element that ignites nostalgia and imagination, and you mentioned that you were eyeing it before it was even on the market. Tell us about the history of the house, and how relevant and significant is the house it is to Tory Burch.
TB: It’s a townhouse that was built in the 19th-century. The space has had special significance for me for many years; I used to go to the diner that was on the ground floor with my boys when they were little, and there was a hairdresser above it. When Daniel and I saw the gutted space years later, we were drawn to it instantly. We thought of it as a restoration rather than a renovation, keeping many of the special details from the 1800s and adding references that spoke to the aesthetic of our brand. We also embraced new inspirations, like the work of the (late) renowned French interior designer Madeleine Castaing — we share a love of bold colors with her — and ideas from our feng shui master to bring great energy to the space.
DR: We saw the space together for the first time after it had been gutted; only the perimeter walls and the raw space were left. We reconstructed it to largely resemble what the building most likely looked like when it was originally built, but it was more our fantasy of that than an academically correct restoration. We took some liberties to make it very Tory.

ME: You both did a fantastic job in mixing different elements of design to the interiors to make it look like a collection of a world traveller and adventurer. I saw Asian touches amidst a European grandeur in the forms of the wooden boxes with mother of pearl details and some Chinese antique ceramics. What was the design philosophy behind it?
TB: I collect Imari and Ming china, vintage books and artisanal finds from antique stores and markets as I travel. I love the idea of mixing pieces that don’t seemingly go together and making them work, like the green velvet walls with gypsum accents in the Madison Avenue living room.
DR: Tory loves to travel and has toured extensively in Asia. She had even spent some time in the Philippines as a student. When she comes home from a trip she always brings back a few treasures, like the Chinese and Japan porcelain she collects. Since the stores are a reflection of Tory’s homes, we make it a point to include such objects in them as well.
ME: Please share with us the future plans of the brand. Will there be expansion of the brand? Will there be Tory Burch Home one day?
TB: We recently signed a partnership with Estee Lauder and are thrilled to be launching our first fragrance in 2013. We are developing the scent and bottle design now. Creating a home collection is on my wish list, but we’re taking our time. In terms of our stores, we are expanding in Brazil, China, Southeast Asia and the U.S. in the next few months.
ME: What are the causes and advocacies closest to your heart, and the contributions and efforts you’ve done to advance these causes?
TB: We launched the Tory Burch Foundation three years ago. As a working mother and someone who firmly believes in empowering women, I wanted to start a foundation to help women and their families. We are currently focused on microfinance and mentoring for female entrepreneurs in the U.S., and we hope to eventually diversify our programs and expand internationally. We have given over 50 loans of $8,000 each on average, and we have hosted mentorship events in New York, Chicago, Los Angeles and Hawaii where entrepreneurs can get the advice they need to grow their businesses. It’s important to me that the Foundation is not a charity; it’s helping women help themselves. That’s incredibly exciting.

ME: Allow us to understand your thoughts on style. As one of the world’s most stylish women, how do you define style? For those who aspire to emulate your style, any specific advice for them?
TB: Great style comes from trusting your instincts about what’s right for you. It’s about finding pieces that look great and help you feel like the best and chicest version of yourself. When women ask for style advice, something I always go back to is, “Try not to follow trends too literally.” Look for timeless pieces you not only love but that work for your life, and feel free to put your own spin on them.
ME: You love to travel and you mentioned that you’ve been to the Philippines before. What was your experience like?
TB: I went for the first time during Semester at Sea, a college program that allowed a group of us to travel the world for six months, experiencing new cultures. I was a life-altering trip; the program truly gave me a global sensibility and awareness of issues facing people in other countries. I would love to visit again with family.
by Melo Esguerra photography Noa Griffel
Fashion
Cloud Dancer: The Resonant Reset of 2026
by OJ HOFER
Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.
Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.
In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.
Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028
Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.
Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.
Fashion
To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture
by Kingsley Medalla | photography Emmanuele Sawit
Fashion
Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino
By Doro Barandino
What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno
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