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The Pink House
The Pink House, with a vast garden, sitting in the heart of the city at the gateways between the North, South, and West, is an ultimatum of function and form mixing the old with the new.
Cebu is a city that bridges the past and the present. The Queen City of the South, with its strong pre-Hispanic heritage and colonial history is at present the most progressive city in the country. Amidst the fast growing development and changing architectural landscape of Cebu, one iconic house belonging to an old Cebuano family has withstood the proverbial test of time. A witness to the changing of guards of Cebu society, “The Pink House,” as known to many, has transcended from a family home into a cultural hub and haven for both local and international Cebu residents called “La Maison Rose.”

William Morris tells us in the Hopes and Fears for Art, “If you want a golden rule that will fit everybody, this is it: Have nothing in your houses that you do not know to be useful, or believe to be beautiful.” The Pink House, with a vast garden, sitting in the heart of the city at the gateways between the North, South, and West, is an ultimatum of function and form mixing the old with the new.


Completed in 1939, the art deco abode was the home of young couple Jose Velez and Juanita Velhagen. Jose’s mother, Doña Esperanza Velez y Paulin gifted them with the Lahug property, while Juanita’s German relatives contributed funds for the construction. It had been host to occasions of all sorts; intimate dinners, birthday celebrations and anniversaries. “When I visited, it looked like the house was frozen in time; as if it hadn’t moved. It seemed like it had history and a past, and that is what I loved instantly about the house,” says Louis Thevenin, the Director of Alliance Française de Cebu (AFC), and the new tenant of the house. Founded in Paris in 1883, the Alliance Française was the first and now the largest collection of non-profit French teaching associations with local committees interdependent to each other, springing up around the world, with the Cebu branch instigated in by Michel Lhuiller, the honorary consul of France to the Philippines.

COMING UP ROSES We wanted to keep the fixtures of the house, from the windows to the flooring. I think that’s what made the owners of the house decide on giving us the lease.” The house was occupied by its heirs until 2006 and had stood empty until 2012.
Most visibly, they kept its color. “To be honest, we thought about changing the color, but when someone would ask me where is it, I always say it’s the pink house beside the Mormon temple and everybody would know where it is. Why would you change it when everyone knows about it? I think it’s as simple as that.”
Aptly called La Maison Rose, the new AFC center holds three main functions and Louis tells us it is futile to try to compartmentalize them. “All of the things Alliance Française encompasses should be taken in as a whole.” The Pink House serves as a French cultural center where art exhibits, film screenings, and shows are held. Most recently, an art exhibit entitled Liberte held on Bastille Day, featured artists from the Cebu Artists Incorporated, including Cebu-based Parisian artist, Remy Rault. It is also the headquarters for their French language school with 2000 enrollees spread through out the city at the center and at different universities.

But most exciting to curious connoisseurs and oenophiles is the La Maison Rose’ restaurant headed by two young chefs from France. The restaurant promises to be a culinary fête, with the belief that the best way to get to know a culture is through the stomach, serving classic dishes like quenelles using local fish and French lechon religiously cooked for eight hours with San Miguel beer. Prices also promise to keep your wallet in tact; a stereotype they wish to address on the price of French cuisine.
“The French are not heavily engrossed in the consumerist culture,” say Delphine de Lorme, the woman behind the interiors of La Maison Rose. “We like our antiques; and when something is broken, we fix them; we don’t just throw them away and get a new one.” Delphine’s pop art paintings were exhibited in Singapore, Hong Kong, Seoul and London. She recently collaborated with designer Lani Pasquet on the interiors of GILT artisan lounge in Cebu. Looking for inspiration, the team behind Alliance Française wanted to embody its mission of introducing French culture. In this case, a theme best represented by Indo-chine (French Indochina, an imperial age territory spanning from what is now known as Vietnam, Laos, and Myanmar) and Shanghai in the 30’s.
The team behind La Maison Rose had outright said, “The entire renovation focused on keeping intact the ‘soul’ of the house and to accentuate its 1930’s ambiance. The idea was never to remodel the house but to return it to its original.” Nothing in the house is brand new with most being old and forgotten pieces that were given “a second life.” Guests enter into the house through French doors with lion head knockers painted red. The original tiles carried over after the renovation spread throughout the floor, while the eye-catching walls in Tiffany blue set the room’s calm ambience without forgoing it’s vibrancy. Spread throughout the restaurant, vintage posters from Shanghai adorn the walls in tangerine, red, and black frames. Lampshades made out of zoetrope of La Tour Eifel and other symbols of French and French-Asian culture light up the corners of the room, whilst paper lanterns set the lounge aglow. Once belonging to Michel Lhuillier, the piano, painted white, sits by the main entrance. The high chairs reupholstered with fabrics from Vietnam bring the room back to its roots. A glance towards the ceiling exposes the house’s quirks with vividly colored parasols used as lamps, hand carried from Vietnam by Delphine herself. The sliding doors, bought in an old shop downtown and restyled, lead to the private dining room adorned with a Brigitte Bardot collage in Delphine’s signature art nuovo and Sakura flower wallpaper in blush.

The color pink has always been significant to the French. “Pink is the color of love. To live La Vie En Rose means to look at life in a happy way,” says Louis. With its novel concept, quirky interiors and excellent French food, you’re sure to leave the pink house with a smile.
- by David Jones Cua
- photos courtesy of Alliance Francaise de Cebu
- Photography by Romain Rivierre
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7 Things You Need To Know Before Watching Balangiga: Howling Wilderness
Following its premiere in October 2017, controversies still creep on “Balangiga: Howling Wilderness”.
This one-of-a-kind film with surreal takes on one of the Philippines’ dark times surely deserves our time. The story is seen through the eyes of a boy that uniquely shows humanity’s cry for help.
Before its screening at your nearest cinema weeks from now, here are seven things you need to know about this morbid film about a portion of our history.
It revolves around the Balangiga Massacre in 1901.
During the American occupation in the Philippines, Company C of the 9th Infantry Regiment arrived on the south coast of Samar Island, Balangiga in 1901. Their arrival was to cut the contacts of Filipino guerrillas to the people.
According to sources, the Americans confiscated all the weapons of the residents in Balangiga, men were detained and were treated badly. They burned down a church and its bells were taken which are still not returned to date.
Under General Jacob H. Smith’s orders, his officers burned towns and killed all who aged ten and above. For historians and people who lived there, the massacre came after the events of Smith’s orders. Americans practiced scorched earth policy and took food and killed people.
The film revolves around the journey of 8-year-old boy Kulas and his grandfather as they fled the town after Smith’s order to kill everyone over ten years old as revenge for the “rebellion” of the people in Balangiga.
Some scenes were limited especially violence on animals.
The Philippine Animal Welfare Society (PAWS) mentioned that actual scenes of the film were limited.
The sickening scenes of animal slaughter, corpses and deaths will shock or excite us more.
Its tone will keep you interested
Even with gruesome scenes, the dreamy-feels tone with a mood that will continuously haunt you will surely keep you seating on your chair.
The film has minimal dialogues it will also show beautiful shots in the countryside.
It won awards in QCinema International Film Festival 2017
The film won Best Picture during the 2017 QCinema International Film Festival.
Following its back-to-back awards, it also bagged trophies in the 66th Filipino Academy of Movie Arts and Sciences (FAMAS) and Urian.
It will be a part of Pista ng Pelikulang Pilipino 2018
Because of its numerous awards in different film festivals, “Balangiga” will be part of the Pista ng Pelikulang Pilipino 2018 as a guest entry under Special Features Section.
Under this section are best picture awardees in different independent festivals from 2017 to be shown as exhibition films.
The director of the film is also a musician
“Balangiga” was one of the masterpieces of director Khavn dela Cruz. Surprisingly, dela Cruz’s composition “Katurog Na” sang by folk-rock artist Lolita Carbon won Best Original Song in 66th FAMAS.
It was intended to be a historical film for children
According to dela Cruz, the film is an unfinished project.
In his interview with ABS-CBN, he mentioned that he focused on adding and re-shooting the film to make it more accessible to a wider audience, especially for children.
History films show us more. “Balangiga” explained and portrayed more on the horrors of the armed conflict between the American forces and Filipino people.
More importantly, it showed that there is no good outcome from colonialism.
The film will be shown starting on August 15, 2018 in selected cinemas nationwide including Robinsons Galleria.
See you there!
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Scenes From the Manila Art Fair 2026
photography by Doro Barandino
“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.
Q&A with interior decorator and jewellery designer Doro Barandino
Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.
Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.
Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.
The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.
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Butch Carungay’s 50th in Neverland
By Emmanuel Hamoy
Cebu’s glitterati came out in full force for Butch Carungay’s 50th birthday bash at EdenClub. It was a fun-filled night overflowing with Pol Roger, trivia games whilst traipsing the light fantastic.


Butch Carungay and Janice Lin.

Gerry Laperal and Lotte Delima-Edwards

Romero Vergara and Oj Hofer

Mary Anne Aboitiz, Christine Pelaez, Tamsin Booth, Frances Siao and June Alegrado

Maris Holopainen and Carlo Cordaro

Janine Taylor and Mary Anne Aboitiz
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