Fashion
Strozzi Rosende is Just as Colourful as Her Eponymous Accessories Line
In an industry where perfectly recreated prototypes are a norm, the quirky imperfection of Strozzi’s pieces might prove that handmade is the new luxury.

Strozzi Abacel Rosende greets us with a big smile and an exuberant greeting as we reached her home, which sits on top of a hill in Lilo-an. She has a cat trailing behind her—she tells us she has 12 more, some of which she’d “catnapped” from the streets. All things considered, it’s not surprising that close friends call her Meow and that cats figure prominently in the designs of her eponymous accessory line.
With a growing online following and various fashion spreads featuring creations, Strozzi’s pieces are just as packed with personality as she is—bracelet charms shaped like hot-air balloons, an octopus-shaped brooch, and a sizable necklace that looks almost like armor. It is a brand for those who want to stand out, while showing off their playful side. The collection is made from sterling silver or brass, with inlays of semi-precious stones.
Working with different materials have always been a passion for Strozzi—“Melted crayons run in my veins,” she laughs, referring to the many times she’s worked with what she could find to create something. Accessories, however, weren’t her first love.
“Honestly, I wanted to become a fashion designer, and to have my own line of garments,” she admits. But as she earned her degree in Interior Design at the University of San Carlos, she realized that her love was crafts. She took classes related to arts and crafts, going into sculpting and painting instead of fashion design and sewing.
In 2005, Strozzi’s parents encouraged her to enroll in a prototype-making metal workshop with the Cebu Fashion Accessories Manufacturers + Exporters. An intensive ten-month hands-on training period under German metal artist Ingrid Haufe proved that this was the right path for her.
From there, Strozzi took a job at a furniture company, and formed friendships with other accessories designers in the country. In fact, she was on the team for the erstwhile trade show Cebu NEXT, creating different art and furniture installments. “I also ventured into photography,” she adds.
But even then, she knew that accessories were her passion. In 2008, she launched her line on ETSY, an e-commerce platform that sells everything handmade, and wanted to reinforce the brand’s penchant for color, personality and animal figures.
“It’s about crafts-womanship,” Strozzi says with a smile. Having converted their family home into a factory of sorts, the designer is involved in all aspects of the process—from acquiring the materials and coming up with the designs, to cutting and polishing the stones and metal materials. She knows how to do everything herself, and the equipment used in manufacturing were custom-made by her father.
“It’s not just jewelry. It’s the art of telling a story through symbols. It’s creating a visual expression of a person’s uniqueness,” she answers when we ask why it was so important to keep everything handmade. And although she creates her own collections, a bulk of Strozzi’s time is dedicated to custom-made orders, such as personalized wedding giveaways. “It’s a very interesting experience, and I like to celebrate their style and appreciate their sense of creativity.”
It’s almost democratic the way Strozzi creates her line, but considering her inherent friendliness, it’s just what we expected. More than producing accessories, she is hoping to build a movement back to handmade, and the perfectly imperfect. Perhaps in a time when technology can produce flawless versions of the same thing over and over again, there is a certain luxury to having a piece created by hand especially for you.
Fashion
To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit
Fashion
Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino
What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno
Fashion
Salt, Silk, and Stardom: Ten Reasons Celebrities Wear Amato by Furne One

by Oj Hofer
At Take Me to the Sea, Amato by Furne One unveiled more than a resort/bridal collection — he revealed a world suspended between tides and starlight, where salt, silk, and stardom stitched themselves into every look.
Held at The Hall of the Crimson Resort and Spa Mactan, the show was a transportive experience. As waves whispered beyond the glass, Amato’s gowns swept down the runway like sirens called to shore. Here are ten reasons why global icons return — time and again — to his sea of style.
1. Salt in the Craft
His garments carry the wild grace of the sea — textured, elemental, unforgettable. Every bead, cut, and crystal tells a story shaped by emotion and intuition.
2. Silk in the Movement
Though opulent, his creations float. There’s ease in the drama — cascading motion without weight. Ideal for performers who speak through movement.
3. Stardom in the Vision
Furne doesn’t chase trends — he conjures icons. His gowns command attention while allowing the wearer’s light to radiate.
4. Salt as Spirit
There is soul in the stitching — a deep undercurrent of cultural pride and personal mythology. His work carries weight because it carries truth.
5. Silk as Spellwork
His fabrics don’t just dress — they enchant. Each piece invites touch, reverence, and awe.
6. Stardom in the Silhouette
Furne understands form. He doesn’t simply clothe a figure — he sculpts for presence. For red carpets, concert stages, and film legends.
7. Salt of the Earth
Despite global acclaim, Furne remains grounded. His humility fosters collaboration, creating space for intimacy in the creative process.
8. Silk-Wrapped Strength
There is softness, but never fragility. These gowns are fierce — veiled in elegance yet unapologetically bold.
9. Stardom as Alchemy
Wearing Amato is not mere adornment — it is transformation. A star steps into a Furne One creation and becomes mythic.
10. Salt, Silk, and the Furne Himself
Furne One is the thread. With quiet charisma and a generous spirit, he doesn’t just dress celebrities — he disarms them. And from that space of trust emerges what every artist longs for: wonder.
And in Amato’s world, wonder always wins.

Fashion designer Furne One
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