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Strozzi Rosende is Just as Colourful as Her Eponymous Accessories Line

In an industry where perfectly recreated prototypes are a norm, the quirky imperfection of Strozzi’s pieces might prove that handmade is the new luxury.

Strozzi Abacel Rosende greets us with a big smile and an exuberant greeting as we reached her home, which sits on top of a hill in Lilo-an. She has a cat trailing behind her—she tells us she has 12 more, some of which she’d “catnapped” from the streets. All things considered, it’s not surprising that close friends call her Meow and that cats figure prominently in the designs of her eponymous accessory line.

With a growing online following and various fashion spreads featuring creations, Strozzi’s pieces are just as packed with personality as she is—bracelet charms shaped like hot-air balloons, an octopus-shaped brooch, and a sizable necklace that looks almost like armor. It is a brand for those who want to stand out, while showing off their playful side. The collection is made from sterling silver or brass, with inlays of semi-precious stones.

Working with different materials have always been a passion for Strozzi—“Melted crayons run in my veins,” she laughs, referring to the many times she’s worked with what she could find to create something. Accessories, however, weren’t her first love.

“Honestly, I wanted to become a fashion designer, and to have my own line of garments,” she admits. But as she earned her degree in Interior Design at the University of San Carlos, she realized that her love was crafts. She took classes related to arts and crafts, going into sculpting and painting instead of fashion design and sewing.

In 2005, Strozzi’s parents encouraged her to enroll in a prototype-making metal workshop with the Cebu Fashion Accessories Manufacturers + Exporters. An intensive ten-month hands-on training period under German metal artist Ingrid Haufe proved that this was the right path for her.

From there, Strozzi took a job at a furniture company, and formed friendships with other accessories designers in the country. In fact, she was on the team for the erstwhile trade show Cebu NEXT, creating different art and furniture installments. “I also ventured into photography,” she adds.

But even then, she knew that accessories were her passion. In 2008, she launched her line on ETSY, an e-commerce platform that sells everything handmade, and wanted to reinforce the brand’s penchant for color, personality and animal figures.

“It’s about crafts-womanship,” Strozzi says with a smile. Having converted their family home into a factory of sorts, the designer is involved in all aspects of the process—from acquiring the materials and coming up with the designs, to cutting and polishing the stones and metal materials. She knows how to do everything herself, and the equipment used in manufacturing were custom-made by her father.

“It’s not just jewelry. It’s the art of telling a story through symbols. It’s creating a visual expression of a person’s uniqueness,” she answers when we ask why it was so important to keep everything handmade. And although she creates her own collections, a bulk of Strozzi’s time is dedicated to custom-made orders, such as personalized wedding giveaways. “It’s a very interesting experience, and I like to celebrate their style and appreciate their sense of creativity.”

It’s almost democratic the way Strozzi creates her line, but considering her inherent friendliness, it’s just what we expected. More than producing accessories, she is hoping to build a movement back to handmade, and the perfectly imperfect. Perhaps in a time when technology can produce flawless versions of the same thing over and over again, there is a certain luxury to having a piece created by hand especially for you.

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Fashion

Cloud Dancer: The Resonant Reset of 2026

by OJ HOFER

Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.

Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.

In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.

Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028

Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.

Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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