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Model Citizen

She goes by Clau, or Claudinha , but it’s Claudia Bezza, and she speaks four languages, hails from Brazil, lives in Hong Kong, and frequents Cebu. She prefers the simpler things in life but also enjoys the good life, and works hard for it. She gives, she shares, she’s a model citizen of the world, pun intended.

She goes by Clau, or Claudinha , but it’s Claudia Bezza, and she speaks four languages, hails from Brazil, lives in Hong Kong, and frequents Cebu. She prefers the simpler things in life but also enjoys the good life, and works hard for it. She gives, she shares, she’s a model citizen of the world, pun intended.

Off-shoulder nude jersey dress overlaid with gold brocade “scales” cutouts by Cary Santiago, gold pearl necklace worn as bracelet and stud earrings from Jewelmer

Running on a most meager amount of sleep, Hong Kong-based Brazilian high-fashion model Claudia Bezza, slipped her statuesque frame into one glittering couture dress after another. But she’s used to that. She was smiling the whole time, cracking jokes in two languages, greeting and thanking in a third, all while striking a myriad poses for Manila-based Argentinian model and photographer Eric Alessi.

Like many physically-blessed Brazilians, Claudia’s story of discovery is not too unique. She was approached by a model-scout at the age of fourteen, so on and so forth. But this is where it gets interesting: she declined to model right away—also discouraged by her mother—and completed first her military (that’s right, military) high school education, wanting to be an air force pilot like her older brother, Wiston (yes, not “Winston”).

Silver jersey dress adorned with Swarovski crystals in an art-deco design by Jun Escario, black pearl stud earrings by Jewelmer.

But the fashion world called once again and she was convinced by friends to join a state modelling contest and after winning was recruited by modelling agency Marilyn, the same agency that handles talents such as Fernanda Tavares and Giselle Bündchen, who both don’t need any introductions.

Gold lace blouse with a pierrot collar and gold silk gazar skirt with ribbon by Philip Rodriguez, golden pearl cuff, ring and studs by Jewelmer

Because Claudia’s look is very malleable, she has worked as a model all over the world, and mainly in Brazil, Europe, and Asia, doing campaigns for household names like Vodafone, Oral-B, and Bacardi; runway shows for designers such as Valentino, Vivienne Westwood, John Galliano, and Jil Sander, and brands such as Versace, Louis Vuitton, La Perla, Cartier, Fendi, Piaget, Hugo Boss, and other beloved Brazilian brands and designers, among her countless editorial work and covers for magazines like Harper’s Bazaar, In Style, Marie Claire, and Cosmopolitan, and even a namesake Brazilian magazine, Claudia. Little did she know that a second trip to Hong Kong would change her life once again.

Brown and gold lace dress by Ito Curata, golden stud earrings, ring and opera pearls worn in matinee length by Jewelmer.

Part whim and part coercion from her manager brought Claudia back to Hong Kong in 2006. It was then never going to be the same. A mutual friend, of herself and Martin Yeung—son of Cebuana philanthropist Mariquita Salimbangon-Yeung and Hong Kong tycoon Carlos Yeung—had introduced them. It was only after a year of friendship that a deeper courtship took its form lasting three years (and counting), and like they say, the rest is history. “Martin was brought up very well,” Claudia said, “men like him are so rare these days.”

Since she had met Martin, Claudia has also been frequenting Cebu and claims she loves the place as it reminds her so much of her hometown, Natal. “You will be surprised how similar Cebu is to Natal,” she said, “the people are extremely friendly and warm, and both share very similar values and morals, especially when it comes to family and loved ones.” Although she calls Hong Kong her home away from home, she says she also feels very much at home when she is in Cebu.

Jewelry by Simplex Diam, shot by Martin Yeung

Aside from her mom and brother, the two closest people to her heart, she also deeply admires and takes much inspiration from her “Tita Mariquita and her heart of gold”, who she says can go on for days without sleep just making sure her Operation Smile charity activities go on without a hitch. Claudia too has her personal advocacies back in Natal, something she does mostly on weekends in her free time, gathering together and distributing just the most basic needs such as food and water to some indigent areas. “Any amount you share with the less fortunate goes a long way,” Claudia mused, “and it makes me very happy just to see them smile.”

“Tudo posso naquele que me fortalece,” she quoted Philippians 4:13, as the best advice she’s been given, and the best she would ever give: “I can do all things though Him who gives me strength.” Of all the glamorous things she has seen and experienced, Claudia Bezza strongly believes that to love and to be loved is her true luxury in life.


Jewelry by Simplex Diam, shot by Martin Yeung

Claudia was, of course, very professional, showing up at the shoot on the dot and though she was tired from flying in from Hong Kong that same day and going straight from the airport to the set, she made not even the faintest of complaints. She declined having a bite between changes as she was watching her diet, but still had enough energy to display her lightning-fast reflexes to catch a set of lighting equipment as they fell, when someone tripped over the wire. She also adamantly protected her modesty, requesting everyone to kindly step out as she changed herself. Even with quite a shy demeanor she wittily cracked a couple of jokes during grooming, and tried impressing everyone with her “salamat kaayo,” and other beginner Bisaya phrases between takes.

Although the beautiful photos portray a more romanticised ideal, the simpler, real, and candid Claudia Bezza shined through.

by Ian E. Baol photographer Eric Alessi production manager David Jones Cua guest stylist Melo Esguerra make-up artistRomero Vergara make-up assistant Jessie Egos

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7 Things You Need To Know Before Watching Balangiga: Howling Wilderness

Following its premiere in October 2017, controversies still creep on “Balangiga: Howling Wilderness”.

This one-of-a-kind film with surreal takes on one of the Philippines’ dark times surely deserves our time. The story is seen through the eyes of a boy that uniquely shows humanity’s cry for help.

Before its screening at your nearest cinema weeks from now, here are seven things you need to know about this morbid film about a portion of our history.

It revolves around the Balangiga Massacre in 1901.

During the American occupation in the Philippines, Company C of the 9th Infantry Regiment arrived on the south coast of Samar Island, Balangiga in 1901. Their arrival was to cut the contacts of Filipino guerrillas to the people.

According to sources, the Americans confiscated all the weapons of the residents in Balangiga, men were detained and were treated badly. They burned down a church and its bells were taken which are still not returned to date.

Under General Jacob H. Smith’s orders, his officers burned towns and killed all who aged ten and above. For historians and people who lived there, the massacre came after the events of Smith’s orders. Americans practiced scorched earth policy and took food and killed people.

The film revolves around the journey of 8-year-old boy Kulas and his grandfather as they fled the town after Smith’s order to kill everyone over ten years old as revenge for the “rebellion” of the people in Balangiga.

Some scenes were limited especially violence on animals.

The Philippine Animal Welfare Society (PAWS) mentioned that actual scenes of the film were limited.

The sickening scenes of animal slaughter, corpses and deaths will shock or excite us more.

Its tone will keep you interested

Even with gruesome scenes, the dreamy-feels tone with a mood that will continuously haunt you will surely keep you seating on your chair.

The film has minimal dialogues it will also show beautiful shots in the countryside.

It won awards in QCinema International Film Festival 2017

The film won Best Picture during the 2017 QCinema International Film Festival.

Following its back-to-back awards, it also bagged trophies in the 66th Filipino Academy of Movie Arts and Sciences (FAMAS) and Urian.

It will be a part of Pista ng Pelikulang Pilipino 2018

Because of its numerous awards in different film festivals, “Balangiga” will be part of the Pista ng Pelikulang Pilipino 2018 as a guest entry under Special Features Section.

Under this section are best picture awardees in different independent festivals from 2017 to be shown as exhibition films.

The director of the film is also a musician

“Balangiga” was one of the masterpieces of director Khavn dela Cruz. Surprisingly, dela Cruz’s composition “Katurog Na” sang by folk-rock artist Lolita Carbon won Best Original Song in 66th FAMAS.

It was intended to be a historical film for children

According to dela Cruz, the film is an unfinished project.

In his interview with ABS-CBN, he mentioned that he focused on adding and re-shooting the film to make it more accessible to a wider audience, especially for children.

History films show us more. “Balangiga” explained and portrayed more on the horrors of the armed conflict between the American forces and Filipino people.

More importantly, it showed that there is no good outcome from colonialism.

The film will be shown starting on August 15, 2018 in selected cinemas nationwide including Robinsons Galleria.

See you there!

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Scenes From the Manila Art Fair 2026

photography by Doro Barandino

“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Q&A with interior decorator and jewellery designer Doro Barandino

Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.

Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.

Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.

The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

 

 

 

 

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Butch Carungay’s 50th in Neverland

By Emmanuel Hamoy

Cebu’s glitterati came out in full force for Butch Carungay’s 50th birthday bash at EdenClub. It was a fun-filled night overflowing with Pol Roger, trivia games whilst traipsing the light fantastic.

Butch Carungay and Janice Lin.

Gerry Laperal and Lotte Delima-Edwards

Romero Vergara and Oj Hofer

Mary Anne Aboitiz, Christine Pelaez, Tamsin Booth, Frances Siao and June Alegrado

Maris Holopainen and Carlo Cordaro

Janine Taylor and Mary Anne Aboitiz

 

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