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GLOBAL PINOYS: London’s “It” Boy

Meet Filipino-American Shaun Samson, 31, London’s latest menswear sensation who is carving a strong, steady following for his authentic streetwear designed with a high fashion sensibility.

Meet Filipino-American Shaun Samson, 31, London’s latest menswear sensation who is carving a strong, steady following for his authentic streetwear designed with a high fashion sensibility.

Sue-Wen Quek: Hi Shaun, where are you from originally?

Shaun Samson: My father is from Abucay, Bataan and my mother is from Manila. I was born and raised in California, but I have visited the Philippines on holiday a few times while growing up.

SWQ: What are your fondest memories from there?

SS: I remember going there once as a child and traveling to a hidden resort that we had to drive across a mountain and ride in a boat to get to. More recently, I’ve gone clubbing with a cousin and have found the nightlife in Manila comparable to going out in Los Angeles or Hong Kong – meaning it’s very current and something that anyone from any country can get into, which I think is great for holiday goers.

SWQ: You’re very much part of a generation shaping London menswear – what are you finding most exciting about it at the moment?

SS: I think a lot of people find security in tradition, but fashion is at its most exciting when there is something new and radical happening.  More than ever society is opening up to fresh ideas about sexuality and acceptance so I’m most excited to see how menswear will be shaped in the next few years with the idea of gender always being pushed.

SWQ: Any menswear trends you’re interested in?

SS: I don’t do trends.

SWQ: Tell us about your last collection. What were you inspired by and why?

SS: For AW12 I’m referencing the social and anti-social aspects of growing up through sportswear.  I was looking at sports jerseys and how youth in America have adopted those garments as a way of showing camaraderie with sports teams, but also a way of marking allegiance and territory, which can cause conflict. It’s that raw energy that I’m always looking to interpret with my collections. I was also looking at faux fur and other different forms of hair like goat hair and hair weave because I like how the material literally and figuratively softens all the hard reference points I was researching.

SWQ: What do you love most about being a designer?

SS: Making people question the norm.

SWQ: Do your Filipino roots ever inspire you, despite not having grown up there?

SS: My collections have been autobiographical in that I look to my youth and adolescence for reference points. I didn’t grow up in the Philippines, so I’m not going to debase the culture by referencing something I have no first hand knowledge of. I think growing up in a Filipino household in California is a lot different than actually growing up in the Philippines. However I’m always looking to the future and researching new materials and technologies, so if there is something in the rich culture of the Philippines that I can explore for a future collection then I’m game.

SWQ: I’m sure there is plenty to discover in the Philippines. What are you currently working on?

SS: I’ve just acquired a new studio space in East London so I’m spending the next few weeks making it look and feel right. I’m also traveling to California in a couple weeks to oversee the production of my AW collection with my production manager.  My next show will be in January, so I’m starting research for that collection as well.

SWQ: Finally, some advice for aspiring designers in the Philippines?

SS: Shed yourself of any labels and anything will be possible.

SWQ: That reminds me of something you once told me about your grandparents.

SS: Yeah. Up until I finally finished my MA at Central Saint Martins, in 2011, my grandparents were like, “You still have time to become a doctor!” Their idea of design is akin to what dressmakers do in the Philippines and they think that that’s what I’m studying. But after seeing the NEWGEN MAN show, they changed their perspective of how far I can take my degree so they’ve since stopped telling me that.

  • bySue-Wen Quek
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Events

The First NUSTAR BALL

Janine Taylor, June Alegrado, Jackie Lotzof, Frances Siao, Ina Ronquillo and Christine Pelaez

The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.

Black was the color of night at the Zee table.

Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.

Nora Sol, Beth Go, Frances Siao and Marylou Ong

Ina Ronquillo, Maryanne Aboitiz and Jackie Lotzof

Designers Jun Escario and Philip Rodriguez

Philip Rodriguez with NUSTAR Malls two power ladies: May Adolfo and Joanna Salazar

Lana Osmeña with Mariquita Yeung

PJ Castillo and Kaye Abad with Cary Santiago

Drew Sarmiento with LV Manager Adrian Decuigan

Cary Santiago with Eva Gullas

Manila socialites Julie Boschi and Ching Cruz with June Alegrado

It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.

 

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Design

Filipino graphic designer makes history, joins Switzerland’s Museum of Avant-garde among genre’s greats

PJ Ong of Inodoro, an internationally renowned graphic designer, is the first Filipino whose work will be part of the permanent collection of Switzerland’s Museum of Avant-garde

CEBU CITY — In a groundbreaking achievement, Cebu-based graphic designer and art director PJ Ong of Inodoro Design Studio, is set to become the first Filipino artist permanently exhibited at Museum of Avant-garde (MA-g) in Mendrisio, Switzerland.

Cebu-based graphic designer and art director of Inodoro Design Studio, PJ Ong

Ong’s recognition at MA-g places him among over 250 avant-garde artists, including iconic figures like Pablo Picasso and Marcel Duchamp, signifying a profound milestone in museum history.

“Avant-garde,” is a term that refers to pushing the boundaries of artistic expression.

“I am extremely honored and humbled. It is a remarkable milestone in my creative journey, and I am grateful for the opportunity to be part of such a prominent platform. The acknowledgment, especially considering Switzerland’s exacting standards in art and design, is truly fulfilling,” said Ong.

 

Part of a stellar contemporary collection

Under the museum’s Contemporary Collection, Ong will join global contemporary agencies such as M/M Paris (collaborator of Icelandic singer-songwriter and composer, Björk), WORK Pte Ltd (brainchild of the “Godfather of Singapore Graphic Design,” Theseus Chan), Bedow (Stockholm), BVD Stockholm AB (Stockholm), Socio Design (London) and Milkxhake (Hong Kong), among others.

Ong’s music packaging design for the Filipino harsh noise duo, White Widow, will be featured in the museum. The band’s album “The God Uterus Dissolves” — released under Melt Records — features an unconventional cassette tape packaging incorporating a hand-crafted wire mesh, elevating it into a unique and bespoke collector’s item.

The museum’s selection process for its Contemporary Collection involved three categories: Graphic Design, Photography, and Illustration. Swiss-Canadian Fritz Gottschalk, a prominent figure in contemporary graphic design, led the Graphic Design category.

“This is profoundly validating for me as a graphic designer. Being part of a museum’s permanent contemporary collection is a lasting testament to my capabilities as an artist,” said Ong.

‘Poetry you can touch’

The graphic designer from Cebu City further defined the album as a “deliberate departure from the ordinary,” stating that it was a testament to the artist’s and band’s dedication to pushing boundaries and offering the audience a unique and immersive experience.

“Careful consideration was given to every detail, including choosing a premium supplier for the cassette tape. Opting for a screen-printed cassette, where design elements were applied directly to the surface, gave it a contemporary and visually striking result, helping us reinforce the design narrative,” said Ong.

“From the cohesive placement of elements to using symbols instead of track titles on the spine and customizing fonts, every aspect was carefully thought out. Rather than opting for the conventional wire mesh treatment on print, I took a bold step by incorporating a hand-crafted wire mesh, adding a unique and sensory dimension to the album — almost like poetry you can touch.”

 

Profound honor

Established in 2003, Inodoro Design Studio under Ong’s leadership has garnered global acclaim for its bold design philosophy, spanning music, fashion, architecture, culture and technology. In becoming the first Filipino whose work will be on display at the MA-g, Ong stated that it is “particularly humbling.”

“Traditionally, these privileges are given to individuals who have amassed decades of experience, attained mastery in their craft, or even as a posthumous acknowledgment. To be among those selected is a profound and unexpected honor,” he said.

“Museums typically focus on visual artists, and for a graphic designer, especially within the realm of commercial work, recognition can be more elusive. I appreciate the challenges of this less conventional route and I am committed to proving the significance of graphic design in the broader artistic landscape.”

Art enthusiasts can anticipate viewing Ong’s work with “The God Uterus Dissolves” at MA-g, scheduled to open to the general public in 2025.

***

About The Museum of Avant-garde (MA-g)

The Museum of Avant-garde compiles an original body of work from private collections, providing a unique perspective on the cultural and artistic significance of avant-garde movements. These movements, synonymous with transformative ideologies and daring experimentations, played a pivotal role in challenging political and societal conventions. For more information, visit www.ma-g.org.

 

About Inodoro

Inodoro is the creative moniker of graphic designer and art director PJ Ong, a prominent figure in the Philippine design scene. Established in 2003, Inodoro Design Studio, based in Cebu, Philippines, has garnered international recognition for its bold and distinctive design, with a focus on thought-driven imagery and iconic visual language. The studio specializes in identities, custom typography, graphic design and art direction. For more information, visit www.inodoro-design.com.

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People

Ladies Who Support Ladies

Women’s Circle is an organization composed of Cebuano ladies who are successful entrepreneurs and top executives.  They recently held a fellowship event at the Sheraton Mactan Resort, with special guests from the Women’s Business Council Philippines. Chairperson, Rosemarie Rafael and Council Secretary Cynthia Mamon both flew in from Manila to discuss alliances between the Cebu and Manila groups.

Loot bag from Jo Malone, Sheraton, R&M Chocomanga, gift card from Maayo Clinic, sarong from Ferimar.

The half day event was organized by Perl Jacalan, Gina Atienza and Eva Gullas. Sheraton Resort through its GM Dottie Wugler Cronin supported the event as it is aligned with the hotel’s women initiatives.  The successful event was made more fun with generous give-aways, notably Jo Malone perfumes, Sheraton bags, R&M Chocomanga and sarongs from Ferimar.

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