Fashion
Casing Point
Zee Lifestyle and custom mobile case printer InstaCasePH team up to bring you a slew of bright young artists to watch out for by setting their artwork on this generation’s new canvas of choice: the phone case.
Zee Lifestyle and custom mobile case printer InstaCasePH team up to bring you a slew of bright young artists to watch out for by setting their artwork on this generation’s new canvas of choice: the phone case.

63. 917 727 4166, whoiscarlgraham.com, carl@whoiscarlgraham.com
There’s more to typography than just letters, and 21-year old multimedia artist Carl David Graham makes art out of it. From cartooning when he was in elementary school to traditional and illustrative art in high school, he found interest in digital output and fonts when a friend asked him about the difference between Arial and Helvetica.
Now on his senior year of multimedia studies at the De La Salle-College of Saint Benilde, Carl identifies as more of a designer than an artist. “I’d choose to draw letters over people, but the occasional figurative painting or drawing always gives me a really great feeling,” he admits. But in truth, he does his best with letters—which come to life as he digitally renders calligraphy or sketches out his versions of fonts on paper. “For lettering, sometimes I’ll use a technical pen or paint.”
Carl’s graphic designs are on his website, showcasing his ability to transform 26 letters into various forms of literal art. His latest project Pancy Letter is a documentary website on Philippine hand-lettering in Metro Manila. “I hope to expand the coverage to the rest of the country and keep adding to the picture bank.” Pancy—a play on how locals say fancy—Letter showcases signage on jeepneys, taxis, pedicabs and ice cream vendors, all of which feature colorful letterings on their “wheels.”
With his design portfolio, Carl hopes to work with international clients and establish his own studio in the future. He also plans to give talks on design. “I’ll make sure that I’m talking about design somehow, even if that means teaching high school students.” He sees himself sticking to commercial design, but also promoting an awareness for typography in his own way. “The letterloving community I’m trying to start, Taypograpiya, will be an organization that people can go to learn about type and meet people who love letters.”

63. 932 697 4485, be.net/dawnviciousdiaries, dawnviciousdiaries@yahoo.com
Chrisley Dawn Durooya, a student of fine arts at the University of San Carlos-Technological Center, discovered her passion for art when she was in first grade. “Throughout my younger years, I would sketch on the back of my notebook and practice drawing when I had free time,” she recalls.
With the rising technology, though, Dawn refined her art with Adobe Illustrator and Photoshop. “I fell in love with it, sometimes it gets addictive when I start illustrating. Majoring in advertising arts, Dawn hopes to work in Singapore someday before establishing her own advertising agency in Cebu.
Like most artists, one of her prized possessions is a folder where she keeps photos that fascinate her. “I usually sketch or doodle first and ask my friends or teachers for their opinion, just because I’m so fickle sometimes with what I’m working on that I want to do it right,” she shares. “When I have everything in place, that’s when I start to transfer the sketch to Illustrator.”
Despite her youth, Dawn matches her creativity with an entrepreneurial spirit, selling handmade notebooks that feature her illustrations in Origamic—a word she came up with when combining origami and geometric. “It’s doing really well,” she beams.
When asked about her definition of an artist, she says that it is someone who expresses unexplainable emotions through their creative work. “Never lose that special ability, because it’s the only thing that keeps us going.”

63. 917 302 3888, eanissleepy.tumblr.com + cargocollective.com/eandacay, eandacay@gmail.com
Dubbed the Photoshop Guy, Ean Dacay has been playing around with the software since he was in the sixth grade. Although he didn’t have any formal training in fine arts, he liked the idea of creating something visual from his imagination. “As I grew older, I went into photography, but I’ve seen concept artwork or game illustrations that impressed me. I’m only recently trying this style out, and there are so many things for me to learn,” says the 22-year old artist.
For him, art is born with the use of his gadgets—namely a camera and his tablet, before Photoshop comes into the picture. His passion has earned him the “nerdy” title from his friends, but Ean is quick to defend the stereotype and says dating an artist would be cool. “They’re creative in many ways, and can give you meaningful and personalized gifts. Isn’t that sweet?”
Like many, Ean considers the internet a tool in discovering inspiration and uses it to juice up the creative side of his brain. Once inspiration strikes, he uses his imagination and sketching skills to continue on the creative process before transferring his sketches to the computer and render coloring, a task that he admits can be tiring. “Sometimes, I quickly move on to another illustration because coloring takes a while. But when I have to do the details, it’s still challenging but more fun.”
Ean describes his work as fantastical and surreal, and hopes to work in a gaming, movie or production company someday. “Marvel, DC, Pixar, Square Enix, Blizzard, anything from the big names,” he dreams, confident of his own talent. “If I could recreate myself, I would never trade away the artistic skills for something else. Be grateful that you’re artistic in your own way.”

63. 927 224 7051, jade_hoksbergen@yahoo.com
Although her pretty face would make a great subject for portraits, 17-year old Jade Hoksbergen goes for art that goes beyond just physical appearance. With over 80 works of art, Jade Hoksbergen values her artwork so much that she hasn’t sold any of them.
“It’s always been very difficult for me to let go of my paintings, because they mean so much more than what you see at a physical level,” she explains. “They contain so much more emotion, emotions that I’m not I’m ready to let go of just yet, but recently I’ve been considering the option to sell after exhibiting my work in Tymad Bistro.”
Behind the paint brush and the canvas is a beauty from mixed races—“My dad is half French and half Dutch. My mother is Taiwanese, but I have been living here in Cebu for 10 years.” A few years ago, Jade recalls going through a difficult period. “My weak health didn’t allow me to attend school—I couldn’t even stand up anymore. During that time, my parents dedicated most of their time to me.”
At the hospital, a friend who visited brought a copy of Discovering Art: Picasso. The painting Guernica— where the horse represents the people —touched Jade and stirred up her desire to express herself through art. “I started to sketch intensively. I had my sketchbook at hand at all times as I got spontaneous bursts of a need to sketch.” At the time, painting was a necessity for Jade and became a form of release. “My work became an exploration of my own mind, a channeling of emotions onto paper or canvas. It is a portrayal of emotions in angular lines. In every painting, there are different characters, each one is actually an auto-portrait of myself and they had played an important role in my life—both in awareness and the healing process.”
Although she’s interested in commercial design, she considers art a very personal endeavor. “An artist should not alter their style to feel more welcomed by the public eye. Art is supposed to bring an artist in contact with emotions and ideas that are important and meaningful to them.”

- by Rhea Ruth Rosell
- creative direction David Jones Cua
- photography Christine Cueto
- collated by Kay Busgano
Fashion
Cloud Dancer: The Resonant Reset of 2026
by OJ HOFER
Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.
Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.
In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.
Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028
Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.
Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.
Fashion
To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture
by Kingsley Medalla | photography Emmanuele Sawit
Fashion
Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino
By Doro Barandino
What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno
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