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Bayong Pop Art-Themed Bags Put Local Culture in the Spotlight

What’s a girl to cherish more than her adorning diamonds and pearls, her platform shoes and beauty products? Well of course, it’s something that’s not only of great use but also an excellent way to make a bold fashion statement—bags!

What’s a girl to cherish more than her adorning diamonds and pearls, her platform shoes and beauty products? Well of course, it’s something that’s not only of great use but also an excellent way to make a bold fashion statement—bags!

Bags have long been filling up the market with different styles and types almost every season. In Cebu’s local scene, a marriage of pop art and the local bayong gave life to a fresh creative art form of bag design by a local artist who goes by the moniker Bisai.

“I wanted to use my BAG ART creations as a pathway for me and my fellow artists to support the makers of our locally made bayongs,” shares Bisai. At present, these bayong bags are very much familiar to parents and grandparents, but may be left to the memory of these millennials’ ancestors if not highlighted in today’s modern time.

Locally made from Bohol and Negros where there is an abundance of the raw materials pandan and buri leaves, these bayongs were once revered as the “pop bags” in the past, Bisai muses.

As women helping women is an advocacy that the artist personally supports, when she read an article on bayong bags back in the year 2010, and learned how women from the mountainside would gather to create banig (straw floor mats) and discards were made into little bags, the inspiration for the pop art bayong bags came to life.

“Bag Art started in January 2016 when I started to paint the first few bags with the intention to sell some to friends to get feedback about my art for bags,” further shares Bisai. She got queries for overseas orders like in the USA, Japan and Finland when she finally showed her product to the world.

Success just kept coming for the bag artist and in May 2016, she first exhibited her bag art collection in one of Cebu’s biggest malls and luckily sold a few pieces. Moreover, she started taking the once quaint hobby seriously and created more bags with various pop art themed designs which made its way to the buyers’ hearts.

Connections from government sectors allowed her support in suggesting to put tourism as a theme in her bags, which then paved way for her to conduct workshop sessions to assist women for their livelihood seminars and programs. The sharing of the art’s creative process helped in earning a livelihood for most women in both rural and urban areas.

As the pop art-themed bayong tote bags were a personal favorite, it brought twice the pride to Bisai when foreign customers applauded the rich culture reflected in the bags. Famous icons became the subject of the bayong bags including Monalisa, singers like Madonna, Adele, John Lennon, Michael Jackson, actress Marilyn Monroe, reggae star Bob Marley and even Philippine President Rodrigo Duterte. As a treat for young BAG ART fans, the artist also included a handful of anime-themed designs in the bayong bags.

When it comes to winning the hearts of customers in the local bag market scene, an artist can only do so much to court the attention and ensure the loyalty of one’s customers. Other than being updated with the latest trends and talks-of-the-town, developing styles that are easy to appreciate because of famous subjects would surely go a long way.

“The designs of Bag Art are the inspiring kind. I painted them on purpose because these personalities led inspiring lives as well,” shares Bisai. BAG ART is inexpensive, but when creative minds and hands come together to produce a design like no other, they can easily stand out for the crowd.

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Fashion

Cloud Dancer: The Resonant Reset of 2026

by OJ HOFER

Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.

Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.

In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.

Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028

Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.

Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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