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A Helpful Guide on What to Wear to the Next Wedding

Wedding season is almost over, which means you finally get to go on a break from all those wedding invites, which also means you’ve probably lost ideas on what to wear to the next one. As what the girl scouts say, it’s best to be prepared especially for outfit ideas for your friend’s special day.

Wedding season is almost over, which means you finally get to go on a break from all those wedding invites, which also means you’ve probably lost ideas on what to wear to the next one. As what the girl scouts say, it’s best to be prepared especially for outfit ideas for your friend’s special day.

Whether you are a bridesmaid or groomsman, sponsor, or guest, weddings are always a chance to dress up and feel fancy. Yet we all know that dressing up takes a lot of careful thinking, time, and money.

Here are a few tips that will help you make up your mind on what to wear for the next wedding.

DO. NOT. WEAR. WHITE!

Unless of course the all-white theme permits you to, then you can. But it is wedding taboo for a guest to wear white so as not to compete with the bride, and drama is one thing we want to avoid in weddings (it is her special day after all!).

 

Don’t wear too skimpy dresses 

Here in the Philippines, weddings are mostly associated with religious affiliations. So it is also good to respect that note and not wear too skimpy or revealing outfits. We also wouldn’t want you to keep on pulling down that mini. 

 

Black is all right

That beloved LBD you wear to cocktail parties or dates can be worn to any wedding event. Pair it with the right necklace and it instantly gives a touch of class, perfect for a formal wedding.

 

Better safe than sorry

That’s just what our mama said, and so do the wedding outfit gods. It might be better to come overdressed than underdressed. Be careful not to play matchy-matchy with your bag, belt and shoes though.

 

It’s good to bring a blazer

Yes, the Philippines is a tropical country, perfect to wear dresses with light fabric. The reception, however, may have a very good air-conditioning system that turns the room into a winter wonderland. And unless you’re Queen Elsa who is unbothered by the cold, it’s good to bring a blazer that goes with your outfit. An oversized blazer over a party dress or a cardigan with a fancy brooch pinned over it instantly becomes a chic modern look and cold resistor.

 

Rock your colors

Stick to your personality; it’s a good idea to go with bold colors during weddings, but not all out. Go with dresses that adds a pop of color with some simple patterns, pair it with comfy pair of heels, and you’re good to go! Always put into mind that you do not want to take the spotlight away from the bride and groom.

 

Wear comfortable shoes

Even Vogue suggests their readers to wear a pair of platforms or wedges. Grab your favorite velvet flats for when your heel starts to give, without compromising your look.

Forget the clutch!

A small leather strap–handle bag is chic and goes with you easily. Plus, it drapes by your elbow elegantly for when drinking champagne. Clink!

 

One last tip: it’s not entirely bad to wear the same outfit twice or thrice especially when you’re on a budget. Take note to go with it differently and match it with different accessories.

Fashion

Cloud Dancer: The Resonant Reset of 2026

by OJ HOFER

Pantone’s Color of the Year for 2026, Cloud Dancer, signals a deliberate shift toward clarity and restraint. This off-white hue—balanced, soft, and lightly luminous—emerges in response to visual saturation and constant acceleration. Rather than competing for attention, Cloud Dancer provides a neutral foundation, allowing design and intention to take precedence over excess.

Its relevance is underscored by the Year of the Fire Horse, which officially begins on February 17. Traditionally associated with momentum, decisiveness, and forward motion, the Fire Horse introduces an energetic rhythm that benefits from focus. Cloud Dancer offers that counterbalance. It tempers intensity without diminishing drive, creating space for action guided by intention. In this context, color operates not as decoration, but as a framework for decision-making.

RESTORATIVE SPACE. Natural tones set the calm, while subtle touches of black, deep brown, navy, or olive add quiet contrast—bringing depth and character to Wabi-Sabi spaces without disturbing their sense of balance.

In interiors, Cloud Dancer supports environments shaped by longevity and ease. Applied to walls, ceilings, and architectural surfaces, it reflects light with subtlety, enhancing spatial clarity without austerity. The hue pairs naturally with wood, stone, linen, and ceramic, reinforcing a preference for tactile materials and functional design. Homes become spaces for restoration and daily living, rather than display.

EFFORTLESS POISE. Louise Trotter’s Spring 2026 ready-to-wear for Bottega Veneta pairs a billowing jupe-culotte cotton trouser, anchored low on the hip, with an ultra-stretch silk tank for quiet, modern ease.

Fashion adopts Cloud Dancer as a study in form and construction. The color allows silhouette, proportion, and movement to take the lead. Tailored separates, fluid dresses, and layered essentials in this off-white tone read as considered and adaptable. It aligns with a continued shift toward wardrobe longevity and thoughtful repetition, where garments are designed to endure.

MODERN EASE. The white Chanel 19 brings relaxed refinement to your wardrobe with its soft, slouchy shape, oversized quilting, and mixed-metal chain hardware for a quietly chic finish.

CELESTIAL RADIANCE.White jade and selenite glow in warm, milky restraint, punctuated by a sculptural gold lotus and a serene Buddha face—an intimate expression of harmony, quietly attuned to the wearer’s birth rhythm. Available by appointment: 0910 418 2028

Accessories extend the narrative. Bags, footwear, and eyewear in Cloud Dancer offer continuity across seasons, while jewelry in pearl, brushed gold, and muted silver finds balance against the softness of the hue. The effect is understated, with design serving function rather than statement.

TIMELESS STRIDE. First unveiled in 2013, the Y-3 Qasa endures as a cult icon—its avant-garde silhouette carrying a vintage pedigree while remaining rooted in present-day wearability and select global availability.

Beyond aesthetics, Cloud Dancer reflects a broader lifestyle orientation toward simplicity and clarity. Its application across tableware, stationery, wellness spaces, and personal objects encourages mindful selection over accumulation. As 2026 unfolds, Cloud Dancer frames the year as one of refinement—supporting forward momentum with focus and restraint. Cloud Dancer is the resonant reset for 2026.

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Fashion

To See and Be Seen: Philippine Terno Gala, A Celebration of Heritage and Couture

by Kingsley Medalla | photography Emmanuele Sawit

The Philippine Terno Gala 2025, curated by Cary Santiago, has evolved into a key feature in the Filipino fashion agenda, highlighting the iconic Terno—a traditional Filipiniana garment that represents a significant part of our cultural legacy. The prestigious fashion event was supported by the Cebu City Government, the Cultural Center of the Philippines, and the Cebu Tourism Commission.

Now on its third edition, the gala fashion show was marked by the creative forces of six highly acclaimed designers: Jun Escario, Edwin Ao, Protacio Empacis, Cary Santiago, Jojie Lloren, and Joey Samson. Their body of work produced a collection that showcased intricate craftsmanship and delicate hand embroidery, enhancing traditional aesthetics.

Maybelle Padillo

Bernie Aboitiz, Jaja Chiongbian-Rama, Pacita Agoncillo Sode, Oj Hofer, and Rose Cayetano-Henessy

Michael Waechter, Katrina Ponce Enrile, Simon Piggot, Margie Moran-Floirendo, and Cary Santiago

Javi Martinez and Daryl Chang

The evening was complemented by a live orchestra, creating an ambiance to match the designers’ reimagining of the Terno. The experience offered sensory stimulation that reflected the harmony between fashion and live music, punctuated by the presence of prominent personalities in the fashion and social circles.

No other fashion garment embodies the richness of Filipino heritage and culture quite like the Terno. The Philippine Terno Gala serves as both a celebration and a tribute to the Filipino identity, reinforcing the importance of cultural heritage in a contemporary context.

Jennifer Helen Weigel Sarmiento, and Mags Cue

Kaye Tinga, Mia Borromeo and Bernie Montinola-Aboitiz

Jennifer Ty and Tessa Prieto-Valdes

Councilors Edu Rama and Joy Pesquera

Mariquita Yeung and Protacio Empacis

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Fashion

Behind the Scenes: Backstage at The Philippine Terno Fashion Show 2025 in the Waterfront Cebu City Hotel & Casino

By Doro Barandino

What most people attending fashion events don’t realize is that the actual battleground happens backstage. Here’s a peek at the real magic that transpires among fashion designers, stylists, hair and make-up artists, dressers, and ramp models hours before showtime. In the recent Philippine Terno fashion show, a whole team of creatives in the fashion industry produced the most extravagant and whimsical recreation of the celebrated garment in the country’s cultural landscape.

Fabric manipulation simulating bird feathers are the main features in Cary Santiago’s ternos.

Mesh-like sculptural head accessories added to the visual impact of the designer’s collection.

Jun Escario’s relaxed barong tunics are characterized by its fine embroidery on pinya fabric

The modern kimona reinterpreted by Jun Escario.

Edwin Ao’s take on the Barong is both linear and minimalist.

Edwin Ao ‘s modern version of the traditional baro at saya has architectural folds as its signature look.

The classic terno has draping and printed silk fabric on Joji Lloren’s master class look

Joey Samson known for avant-garde designs has assorted neckties as an accessory to complement the color black.

Protacio re-shaped the silhouette of the traditional barong Tagalog.

Joji Lloren added geometric patterns for a more contemporary look on the terno.

 

Unfinished stitches of embroidery leaving loose threads add movement and volume to Edwin Ao’s version of the terno

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