Arts & Culture
Three Artists You Should Look Out For This 2018
“Art, freedom and creativity will change society faster than politics.” – Victor Pinchuk
Artists have been in this world since who knows when. From as simple as drawing a picture to creating award-winning films, their outputs served as both entertaining and meaningful to their audience.
Here in Cebu, we have unquestionably contributed equal share of talents. As years go on and on, the Cebuano art scene is continuously growing, adapting and evolving at the same time.
Last year, the Cebuano creative circle proved that art’s life is unending. Galleries of well-known Bisaya artists are still highlighted events. In fact, some newbies who aspire to participate in the art scene showed not only good potential skills but perceive themselves as people who can actually make a difference. And I’d like to quote Maria Gigante’s answer in Binibining Cebu 2017, “As a millennial, I have learned that you should never be afraid of being the same. Being one in an army of people who are ready and willing to make a difference in the world.”
That rings true to these three artists who not only earned the limelight in visual arts, but also deserve to be role models in our society.
The Archiver: Mark “Kidlat” Copino

Marc Copino, more famously known as Kidlat, is known for his minimalist stencil works. He stopped attending art school and made his way to the art scene in a different approach.
Have you always been this artistic?
“Yes. I developed my skills through my passion in street art. My first exhibit was in Kukuk’s Nest in 2005. That time, it really wasn’t something of a big deal. But last year, I got the opportunity to have a show in Qube Gallery and that, for me, was something more.”

“Ang Pagpanimpalad sa Managhigala Didto sa Groto sa Punta “
Where do you get your inspiration?
“Mostly from everywhere, I’m quite the observer and I would usually just soak everything up like a sponge. The main inspiration though is my kid, Elias. Seeing him grow up brings a lot of memories from my own childhood and I would incorporate those in my art. In fact, he’s my model.”
Who are your role models when it comes to art?
“I have a lot of role models, it’s really hard to put them all in one list. I do appreciate the classical painters though, like Picasso, Francis Bacon and Michael Borremans.”
What projects are you currently working on?
“Currently I’m just experimenting with different styles in using stencils, some commissioned works which were recently finished. Mainly all just in preparation for my next solo show this year.”

“Mga Hunghong sa Labang-labang nga Duwa”

“Barko-Barko”
Other than visual arts, is there any other type of art you want to explore?
“I’ve always fantasized of making art through sound. Also Performance art. I actually tried performance art years ago but I want to make more now.”
As an artist, what do you think is your role in society?
“That’s a big question. You see, I have this need to create and how I see myself is more of an archiver of people’s experiences. I collect ideas, feelings and situations from everybody — categorize them and basically show it to the audience.”
What is your message to young aspiring Cebuano artists?
“Have fun. That’s the main thing. If you don’t have one then hey, what’s the point?”
The Visionary: Jayson “Daot” Bacunador

Daot may ring a bell or two. A graduate from University of the Philippines, his works are mostly influenced by pop culture. Colorful and surreal, he takes the audience to another dimension of how he sees everything.
Have you always been this artistic?
“As far as I can remember, it may have been in kindergarten. My mother is artistic and I can still remember how supportive she was back then– until now. But I remember how my skills were sharpened in high school because I’ve always joined poster-making contests. And of course, I enhanced it through graffiti.”

Sightseer
Where do you get your inspiration?
“Almost anything can be my inspiration. But when it comes to style, I’m inspired between pop art and realism. I have also developed a habit in putting orbs in my works which is inspired by the three psyches of a person: the id, ego and super ego.”
Who are your role models when it comes to art?
“I’ve always idolized artists whose works can not only be seen in canvas, but also in murals, ads, shirts or shoes even. Kaws [Brian Donnelly] is one of my favorite. His works are seen almost anywhere.”

What projects are you currently working on?
“I’m working with something commission-based but it would be nice to have another gallery this year– may it be solo or part of a group. There a lot of art events this year that I will be participating on and I aim to grow my audience.”
Other than visual arts, is there any other type of art you want to explore?
“Yes. I’ve always wanted to try sculpting. I want to make a character and maybe experiment on how he should look like. I mean, as an artist, it’s hard trying to find your own identity and exploring is my way of enhancing my skills.”

As an artist, what do you think is your role in society?
“I have big dreams for myself and for this world. I would consider myself as a provider of something interesting and expose it to people who are deprived from visual art. I want to inspire other artists, especially new ones.”
What is your message to young aspiring Cebuano artists?
“Dedicate your time to your craft, I guess. Be consistent in your progress and your attitude towards your works. Don’t be afraid of criticisms because that’s one significant element for you to evolve.”
The Mediator: Lhee Deiparine Taneo

Lhee is another contemporary artist who unexpectedly found her edge due to her thesis in University of the Philippines. Shells imported from Olango Island is transformed by the artist into a beautiful mosaic piece.
Have you always been this artistic?
“Unlike others who were born artistic, I wasn’t. When I was young, my dad had always been crafty and seeing him creating stuff made me interested in art. Apparently that interest became an urge to learn which is why I went to art school. In fact, most of my skills were developed through education already.”

Where do you get your inspiration?
“I’m inspired by random everyday thoughts that I consider relevant and should be taken consideration of.”
Who are your role models when it comes to art?
“One of the people I look up to is Frida Kahlo. I admire her strong personality and her perspective despite her tragic and melancholic life. Another artist I like is Jason Dussault. He makes tiles mosaic and they are all beautiful.”
What projects are you currently working on?
“Last year I was able to have my solo exhibit. This 2018, I am currently working on another exhibit. On the other hand, I make portraits every now and then if someone would request it.”
Other than visual arts, is there any other type of art you want to explore?
“My family have showed great interest in music. Maybe art through music would be nice to try. I also like the idea of making films especially documentaries. The thing is, it’s safe to say that I still have more room to grow. Maybe if I have more resources, I’d be glad to experiment on what else I am capable of.”


As an artist, what do you think is your role in society?
“I’d like to see myself as someone who reminds other how important it is to co-exist with each other. Most of the people are ignorant about what other’s are going through. Artists, for me, can be in other people’s shoes because I think we are keen enough to notice the things that most people overlook.”
What is your message to young aspiring Cebuano artists?
“Remain human matter how big you become.”
Kidlat, Daot and Lhee represent all artists not only in Cebu but all over the world. The way they see themselves as an active part of the society surely is an inspiration inside and outside their circle.
Arts & Culture
Art Beat: Scenes From the Manila Art Fair 2026
photography by Doro Barandino
“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Vinta by Protegeri, collaboration art piece by Leeroy New, Solenn Heuseff and Vito Selma
Q&A with interior decorator and jewellery designer Doro Barandino
Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.
Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.
Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.
The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

The Standard by Thai artist Pitchapa at the Triangular durational, performance art.

Bato Bato sa Langit by Filipino artist Carlo Tanseco

Stocking Proportions Menumpuk Proporsi by Indonesian artist Labadiou Piko

Untitled by Indonesian artist Yunizar

Filipiny, wool tapestry by national artist of the Philippines,Federico Aguilar Alcuaz.

Untitled by German artist Valentin Elias Renner

Interior decorator and jewellery designer Doro Barandino is also a regular contributor for zee.ph
Arts & Culture
Visayas Art Fair Year 5: Infinite Perspectives, Unbound Creativity
by Jing Ramos
This year’s Visayas Art Fair marks its 5th anniversary, celebrating the theme “Infinite Perspectives: Unbound Creativity.” The fair continues its mission of bridging creativity, culture, and community in the country. This milestone edition strengthens its partnership with the National Commission for Culture and the Arts and expands collaborations with regional art organizations and collectives—reinforcing its role as a unifying platform for Philippine art.
VAF5 features the works of Gil Francis Maningo, honoring the mastery of his gold leaf technique on opulent portraits of the Visayan muse Carmela, reflecting spiritual awareness.

Gil Francis Maningo is celebrated for his gold leaf technique.

Gil Francis Maningo’s recurring theme of his Visayan muse “Carmela”.
Another featured artist is Danny Rayos del Sol, whose religious iconography of Marian-inspired portraits offers a profound meditation on the sacred and the sublime. This collaboration between two visual artists sparks a dialogue on the Visayan spirit of creativity and resilience. Titled “Pasinaya,” this dual showcase explores gold leaf as a medium of light and transcendence.

Artist Danny Reyes del Sol

Danny Reyes del Sol’s religious iconography.
Now in its fifth year, the Visayas Art Fair has influenced a community of artists, gallerists, brokers, collectors, museum curators, and art critics—constructing a narrative that shapes how we approach and understand the artist and his work. This combination of factors, destined for popular consumption, illustrates the ways in which art and current culture have found common ground in a milieu enriched by the promise of increased revenue and the growing value of artworks.
Laurie Boquiren, Chairman of the Visayas Art Fair, elaborates on the theme, expressing a vision that celebrates the boundless imagination of unique artistic voices:
“Infinite Perspectives speaks of the countless ways artists see, interpret, and transform the world around them—reminding us that creativity knows no single point of view. Unbound Creativity embodies freedom from convention and controlled expression, allowing every artist to explore and experiment without borders.”

Laurie Boquiren, Chairman of the Visayas Art Fair has tirelessly championed the creative arts for the past five years.
Arts & Culture
Kultura. Kapital. Kasalukuyan: Art that Speaks of Today
by Jose Carlos G. Campos, Board of Trustees National Museum of the Philippines
The National Museum of the Philippines (NMP) and the Bangko Sentral ng Pilipinas (BSP) recently teamed up to prove that money isn’t just for counting—it’s also for curating! Their latest joint exhibition, Kultura. Kapital. Kasalukuyan: Contemporary Art from the Bangko Sentral ng Pilipinas Collection, is now open, and it’s a real treat for art lovers and culture buffs alike.
On display are gems from the BSP’s contemporary art collection, including masterpieces by National Artist Benedicto Cabrera (Bencab), along with works by Onib Olmedo, Brenda Fajardo, Antipas Delotavo, Edgar Talusan Fernandez, and many more. Some of the artists even showed up in person—Charlie Co, Junyee, Imelda Cajipe-Endaya, Demi Padua, Joey Cobcobo, Leonard Aguinaldo, Gerardo Tan, Melvin Culaba—while others sent their family representatives, like Mayumi Habulan and Jeudi Garibay. Talk about art running in the family!

Deputy Governor General of the BSP, Berna Romulo Puyat

Chairman of NMP, Andoni Aboitiz
The BSP Governor Eli M. Remolona, Jr. and members of the Monetary Board joined the event, alongside former BSP Governor Amando M. Tetangco, Jr., Ms. Tess Espenilla (wife of the late Nestor A. Espenilla, Jr.), and the ever-graceful former Central Bank Governor Jaime C. Laya, who gave a short but enlightening talk about the BSP art collection.
From the NMP, Chairman Andoni Aboitiz, Director-General Jeremy Barns, and fellow trustees NCCA Chairman Victorino Mapa Manalo, Carlo Ebeo, and Jose Carlos Garcia-Campos also graced the occasion. Chairman Aboitiz expressed gratitude to the BSP for renewing its partnership, calling the exhibition a shining example of how financial institutions can also enrich our cultural wealth.

Former Governor of BSP Jaime Laya

Governor of BSP Eli M. Remona and Chairman of NMP Board Andoni Aboitiz

Artist Charlie Co
Before the official launch, a special media preview was held on 5 August, hosted by BSP Deputy Governor Bernadette Romulo-Puyat and DG Jeremy Barns. It gave lucky guests a sneak peek at the collection—because sometimes, even art likes to play “hard to get.”
The exhibition Kultura. Kapital. Kasalukuyan will run until November 2027 at Galleries XVIII and XIX, 3/F, National Museum of Fine Arts. Doors are open daily, 9:00 AM to 6:00 PM. So if you’re looking for something enriching that won’t hurt your wallet (admission is free!), this is your sign to visit. After all, the best kind of interest is cultural interest.

Monetary Board of the BSP, Walter C. Wassmer

Luis Yee, Jr. aka ‘Junyee’ The Artist beside his Sculpture

Arvin Manuel Villalon, Acting Deputy Director General for Museums, NMP with Ms. Daphne Osena Paez
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