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Iya Villania: Lady in Waiting

Away from the craziness, in the dimly lit, eerily cool and plush Salon de Ning, host, actress, and model Iya Villania fixes her gaze on our camera. With Arcy Gayatin’s gown enveloping her every curve, Iya shows us her moves and proves to us why showbiz is lucky to have her.

(assymentrical gown in slivered tweed with hand-sewn lace collage by ARCY GAYATIN, fashion accessories by SM DEPARTMENT STORE)

Show business, with its mass-based appeal, has the power to elevate its denizens to incredible heights, cloaking them with a degree of self-importance and even inaccessibility.

Some thrive with this awareness; some bask in it shamelessly. But there are a few who, somehow, manage to remain untouched and unaffected by the attention and you can count Iya Villania as one of them.

The bright-eyed, Australia-born, pure Filipina (as she likes to stress since she always gets mistaken as a “half-breed” beauty) will be the first to issue a disclaimer about her “popularity.”

(Dress in dotted chiffon and crochet bodice with yellow underlining by ARCY GAYATIN; snake skin clutch with coral and turquoise detail by MIA ARCENAS; shoes by SHANDAR; fashion accessories by SM DEPARTMENT STORE; Abalone minaudiere by REME JEWELRY)

But to say the 25-year-old Iya (Raelene Elaine Ebaler Villania in real life) is “not popular”—her words, not mine—is an understatement. Popularity is not just measured by the crowds that gather at your every public appearance nor by the number of endorsement deals you strike and seal; it is gauged by how in-demand you and your talents are in the ever evolving and highly volatile industry that is show business.

The youngest of three girls, Iya—whose parents hail from Pampanga and Bicol—was discovered in Sydney after doing a front act for visiting Filipino artists in 2004. To break into mainstream Philippine entertainment, however, was beyond her imagination. Iya says with a laugh: “This is what my mother has always wanted for me. I think I’m living her dream.”

Seven years after, Iya can very well stake a claim as one of the busiest “Kapamilya” ladies from ABS-CBN to date, as she successfully juggles her time among her five current projects. She is a veejay on the MYX music channel and does hosting duties on Studio 23’s lifestyle/fashion show Us Girls, ABS-CBN’s daily morning program Umagang Kay Ganda, and Sunday variety show ASAP Rocks, plus the newly launched, first-ever “reality serye” on Philippine TV entitled I Dare You. She also scored acting projects and released a studio album in 2008.

Asked to tick off other career highlights, she recalls, “When I got my first job (a texting game show on IBC 13); when I first got into theater, doing Footloose and The Wedding Singer; when I discovered my love for dancing (via the reality dance show U Can Dance)…”

(Black leather sheath dress with macro floral appliqué by ARCY GAYATIN, fashion accessories by SM DEPARTMENT STORE, cracked abalone clutch by REME JEWELRY)

Nevertheless, it isn’t hard to notice that her charm certainly lies in her being a host. And her charm as a host lies in her ability not to take herself seriously. Even the “controversies” thrown at her, she dismisses them all with effortless humor. Not that her career is brimming with controversies; in fact, she’s one of the few who has reached her stature with nary an issue.

She’s oft described as wholesome without even trying. “I don’t know why,” she says, “because I wear short-shorts, etc., but perhaps it’s the attitude.”

Well, with her curves and toned figure, she could easily stir the pot by say, posing for men’s magazines.

“Actually, I already did for Uno,” she admits. “But I won’t pose for the other men’s mags because of their content. They have pictures which you know what their purposes are for, and I don’t want to be part of that.”

Even her love life (her boyfriend of seven years is Drew Arellano, a host for the competing network GMA)— usually the tabloid fodder for many a celebrity—is running smoothly and issue-free.

(Black body-con dress and degrained tweed coat embellished with lace by ARCY GAYATIN, fashion accessories by SM DEPARTMENT STORE)

Iya concedes that issues and controversies come with the territory. Take for example, in one showbiz-oriented talk show, she was queried if she was feeling any “insecurity” over being “left behind” by her contemporaries like dramatic actresses Bea Alonzo and Anne Curtis, and she jokingly addressed the question on TV.

But away from the cameras, and at the Manila Peninsula where this interview is unfolding, she puts on a serious tone and shares, “I’m very, very happy with my career. It’s funny that I was asked that but I really have no reason to feel insecure because I’m lucky to have work that keeps me busy. Popularity comes with my work and I’m glad that there are people who appreciate me. I’ve always known that I’m not going to be an Anne Curtis, Bea Alonzo, or Angel Locsin and I don’t want that because I’m not an actress. I love hosting, dancing, and singing. So, there’s no reason for me to ever feel that way.”

She adds that hosting does give her a sense of stability, which is true since acting in soaps have longer breaks in between. “Some of my shows have lasted for three years. I hope my other shows now will also last long.”

There’s also another remarkable thing that Iya has accomplished while pursuing her showbiz career, and that’s finishing her Psychology degree at De La Salle University almost graduating with honors; truly a girl with brains and beauty.

(Black and white printed jersey gown degrained on the bodice by ARCY GAYATIN, shoes by SHANDAR, fashion accessories by SM DEPARTMENT STORE)

“A lot of people doubted if I could do it,” she says, “and I wanted to prove them wrong. But I really believe in education—that with knowledge, you can deal with the world and get by. It can empower your decisions in life and in your career.”

One thing is certain: she has had no regrets entering the business and she is happily in it for the long haul.

“The pressure here can get very crazy, but it’s not something that you cannot cope with. It’s the industry where your craft is and if it bothers you much, you find something else and let go of the thing you love. But for me, I’m really grateful and really enjoying where I’m at.”

by Nathalie Tomada sittings editor Katsy Borromeo creative direction Mikey Sanchez fashion assistant Karla Ynzon hair and make-up Roman Gravador and Ken Pagaspas photographer Jan Gonzales locale Salon de Ning at The Peninsula Manila 

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7 Things You Need To Know Before Watching Balangiga: Howling Wilderness

Following its premiere in October 2017, controversies still creep on “Balangiga: Howling Wilderness”.

This one-of-a-kind film with surreal takes on one of the Philippines’ dark times surely deserves our time. The story is seen through the eyes of a boy that uniquely shows humanity’s cry for help.

Before its screening at your nearest cinema weeks from now, here are seven things you need to know about this morbid film about a portion of our history.

It revolves around the Balangiga Massacre in 1901.

During the American occupation in the Philippines, Company C of the 9th Infantry Regiment arrived on the south coast of Samar Island, Balangiga in 1901. Their arrival was to cut the contacts of Filipino guerrillas to the people.

According to sources, the Americans confiscated all the weapons of the residents in Balangiga, men were detained and were treated badly. They burned down a church and its bells were taken which are still not returned to date.

Under General Jacob H. Smith’s orders, his officers burned towns and killed all who aged ten and above. For historians and people who lived there, the massacre came after the events of Smith’s orders. Americans practiced scorched earth policy and took food and killed people.

The film revolves around the journey of 8-year-old boy Kulas and his grandfather as they fled the town after Smith’s order to kill everyone over ten years old as revenge for the “rebellion” of the people in Balangiga.

Some scenes were limited especially violence on animals.

The Philippine Animal Welfare Society (PAWS) mentioned that actual scenes of the film were limited.

The sickening scenes of animal slaughter, corpses and deaths will shock or excite us more.

Its tone will keep you interested

Even with gruesome scenes, the dreamy-feels tone with a mood that will continuously haunt you will surely keep you seating on your chair.

The film has minimal dialogues it will also show beautiful shots in the countryside.

It won awards in QCinema International Film Festival 2017

The film won Best Picture during the 2017 QCinema International Film Festival.

Following its back-to-back awards, it also bagged trophies in the 66th Filipino Academy of Movie Arts and Sciences (FAMAS) and Urian.

It will be a part of Pista ng Pelikulang Pilipino 2018

Because of its numerous awards in different film festivals, “Balangiga” will be part of the Pista ng Pelikulang Pilipino 2018 as a guest entry under Special Features Section.

Under this section are best picture awardees in different independent festivals from 2017 to be shown as exhibition films.

The director of the film is also a musician

“Balangiga” was one of the masterpieces of director Khavn dela Cruz. Surprisingly, dela Cruz’s composition “Katurog Na” sang by folk-rock artist Lolita Carbon won Best Original Song in 66th FAMAS.

It was intended to be a historical film for children

According to dela Cruz, the film is an unfinished project.

In his interview with ABS-CBN, he mentioned that he focused on adding and re-shooting the film to make it more accessible to a wider audience, especially for children.

History films show us more. “Balangiga” explained and portrayed more on the horrors of the armed conflict between the American forces and Filipino people.

More importantly, it showed that there is no good outcome from colonialism.

The film will be shown starting on August 15, 2018 in selected cinemas nationwide including Robinsons Galleria.

See you there!

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Scenes From the Manila Art Fair 2026

photography by Doro Barandino

“Art is unpredictable and goes in different directions. I have no idea. I would rather live the present moment.” —Bencab, National artist of the Philippines.

Q&A with interior decorator and jewellery designer Doro Barandino

Which of the participating art galleries had the most unified and exciting theme?
Leon Gallery had the most amazingly put-together collection. Though the gallery engaged various artists, the overall visual effect felt like one unified theme. Leon Gallery used a sack-like cloth (most likely raw linen) as the background for the booth, and it brought the collection together. It had an old-world feel in a chaotic setting.

Who were the artists that were the most visually engaging?
The works of Carlo Tanseco were definitely my favorite. The artist used an eye chart (Snellen chart) as the background for the image of Dr. Jose Rizal giving us the middle finger—such an “in your face” message. The concept of our national hero as a modern-day provocateur was a wake-up call to everyone. Very subversive and underground material. I was also attracted to the works of Japanese artist Tadashi Kogure; they’re very architectural.

Was the choice of venue and its layout helpful in engaging the whole art vibe?
What I noticed was that the masters like Juan Luna, Fernando Amorsolo, and Fernando Zóbel still attracted the most viewers at the art fair. People are naturally drawn to their masterful strokes and historical significance, or perhaps these artworks are not readily accessible for public viewing. Or maybe those booths that carried the masters’ works were strategically positioned right after the registrar.

The choice of venue at Center One was a good move—it created a total art vibe. Manila Art Fair remains the premier art fair in the country today, showcasing the finest modern and contemporary art while offering curated projects and immersive installations.

 

 

 

 

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Butch Carungay’s 50th in Neverland

By Emmanuel Hamoy

Cebu’s glitterati came out in full force for Butch Carungay’s 50th birthday bash at EdenClub. It was a fun-filled night overflowing with Pol Roger, trivia games whilst traipsing the light fantastic.

Butch Carungay and Janice Lin.

Gerry Laperal and Lotte Delima-Edwards

Romero Vergara and Oj Hofer

Mary Anne Aboitiz, Christine Pelaez, Tamsin Booth, Frances Siao and June Alegrado

Maris Holopainen and Carlo Cordaro

Janine Taylor and Mary Anne Aboitiz

 

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