People

Have you met Anya?

Hot on the heels of Mindanaonan textiles gaining global recognition at the recent Miss Universe 2016 fashion show in Davao, we look at Anya Lim’s social enterprise dedicated to bringing Philippine weaves on the world map.

“In our travels, we saw that weaving had become a dying tradition only known among the elders. There was a gap in its cultural transmission and cultural continuity,” Anya Lim shares about what prompted her and her mother Annie to start ANTHILL five years ago.

Traveling around the world had exposed them to other countries’ deep appreciation of their cultural fabrics, and the Philippines’ own undervalued variations. “Cultural degradation was a social issue that deeply disturbed us. There was a lack of availability of wearable weaves in the market, which led to it not being worn or used as often—it would only be used as home accents, or labeled as costume-y rather than being our traditional wear.”

An acronym for Alternative Nest and Trading/Training Hub for Indigenous/Ingenious Little Livelihood seekers, ANTHILL was created to give its weaving partners a sense of ownership, something that Anya and her mom felt was integral into making the company sustainable. “We were inspired by the model of BeeHive, a cooperative in the US that works with different local artisans in the community,” Anya says. It was only in August 2013 that ANTHILL embraced its core business of promoting and preserving indigenous weaves by creating products that used their locally loomed fabrics and giving it a modern and fashionable twist.

Anya Lim

“I wanted to launch a campaign that elicits a communal spirit and promotes Filipino pride,” Anya explains. “The insight behind our campaign slogan ‘Wear Your Tribe With Pride’ is really drawn from the desire to plant seeds of cultural continuity among the younger generation. We want to make wearing weaves cool and sexy. We wanted a campaign that will support our brand essence—where culture meets style. At the same time, we wanted more Filipinos to get to know their weaves and feel connected to our culture.”

Minaudières with ANTHILL’s signature fabric

Ligaya dress in kalachuchi leaves print, a product of a collaboration with Hocus Manila using limited cuts of printed fabrics

The brand’s latest collections feature shift dresses, matching sets of crop tops and high-waisted skirts, as well as accessories such as clutches, bowties and neckties, and scarves. “We transitioned to everyday apparel because we want to reach out to more weave wearers,” Anya shares about their decision to veer away from the cocktail and party dresses that ANTHILL had previously been producing. “We are blessed with two young and talented Cebuano designers—Stephen Ferolino for apparel and Cherame Lopez for the non-apparel lines. For the cycles of summer, holiday and capsule collections, we try to use a different fabric application to showcase innovative ways on how to use our weaves. We fall in love with them every time, because it stretches our thread of creativity.”

“We also work with a lot of Design Collaborators to showcase the many possibilities of hand-loomed fabric application,” Anya adds, naming the brands that they’ve partnered with for various collections—Suelas, Ylla Shoes, Risque Designs for shoes; Rags2Riches, Vesti for bags; Sidlan, Mothering Earthlings, LifeAfterBreakfast for lifestyle products; Heads of State Millinery Singapore for hats; and a lot more. “Design isn’t our core strength, but I’d like to think collaboration is.”

The real collaboration, of course, is in ANTHILL’s weaving communities—their three direct partner communities being Mang Abel Ti Abra, the Daraghuyan Bukidnon Tribe and The Handcrafters of Mary Enterprise in Cebu. “We’ve focused on deepening our engagement in the three communities first. We want to be able to ensure sustainable positive impact in the community we work with before expanding to other communities,” Anya elaborates. This relationship involves doing assessments and dialogues with the community on ANTHILL’s business and philosophy. “We then work on cultural appreciation through product design and innovation. We introduce new colors to them that they can apply in their traditional patterns. We then build their business capacity by transferring basic management and accounting skills, before facilitating the Master and Apprentice Skills Program, and a Financial Literacy and Saving Program.”

The geographical locations of the communities do produce some challenges. “We cannot be more present in the community as much as we want,” Anya explains. “The far distances also cause supply chain challenges in deliveries, and sometimes cause delays in achieving production timelines.”

Despite that, ANTHILL’s positive impact in the communities it has approached and the collective view of traditional weaves is undeniable. Personalities like host Tim Yap, newscaster Lia Cruz, singer Rachael Yamagata, and Save the Philippine Seas’ chief mermaid Anna Oposa have worn Anthill to show solidarity with this tribe. “We gain a lot of weave wearers from those working in the government, as well as mothers, and change and culture advocates. Most, if not all, of our weave wearers are active players in effecting change in society,” Anya says proudly. “It’s really inspiring that these are what make our tribe.”

photography Toni Marie Despojo
makeup Lyssa Amor
hair Nicko dela Peña

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Events

The First NUSTAR BALL

Janine Taylor, June Alegrado, Jackie Lotzof, Frances Siao, Ina Ronquillo and Christine Pelaez

The NUSTAR Ballroom, a magnificent venue at the NUSTAR Resort and Casino in Cebu, sets the stage for last night’s first-ever NUSTAR Ball.

Black was the color of night at the Zee table.

Glamorous guests from Manila and Cebu converged at the NUSTAR Ballroom, an exquisite venue within the NUSTAR Resort and Casino in Cebu. The evening unfolded with a seated 5-course dinner. The opulent feast started with Beetroot Salmon Gravlax, adorned with caper berries, caviar, set with delicate edible flowers; and a main course of Compressed Pork Belly with Crackling Skin and Baby Scallops. Another highlight was the auction of coveted items like Dior and YSL handbags, a limited-edition Bulgari watch, and an exclusive 2-night stay in Nustar’s opulent 3-bedroom villa—complete with a private pool and a dedicated butler. The charity evening benefited the Cameleon Association, an NGO based in Iloilo City created in 1997 that developed a global approach to act on the causes and effects of sexual violence against children.

Nora Sol, Beth Go, Frances Siao and Marylou Ong

Ina Ronquillo, Maryanne Aboitiz and Jackie Lotzof

Designers Jun Escario and Philip Rodriguez

Philip Rodriguez with NUSTAR Malls two power ladies: May Adolfo and Joanna Salazar

Lana Osmeña with Mariquita Yeung

PJ Castillo and Kaye Abad with Cary Santiago

Drew Sarmiento with LV Manager Adrian Decuigan

Cary Santiago with Eva Gullas

Manila socialites Julie Boschi and Ching Cruz with June Alegrado

It was a night of elegance, luxury, and unforgettable memories as ladies in long gowns and gentlemen in black ties danced the night away.

Design

Filipino graphic designer makes history, joins Switzerland’s Museum of Avant-garde among genre’s greats

PJ Ong of Inodoro, an internationally renowned graphic designer, is the first Filipino whose work will be part of the permanent collection of Switzerland’s Museum of Avant-garde

CEBU CITY — In a groundbreaking achievement, Cebu-based graphic designer and art director PJ Ong of Inodoro Design Studio, is set to become the first Filipino artist permanently exhibited at Museum of Avant-garde (MA-g) in Mendrisio, Switzerland.

Cebu-based graphic designer and art director of Inodoro Design Studio, PJ Ong

Ong’s recognition at MA-g places him among over 250 avant-garde artists, including iconic figures like Pablo Picasso and Marcel Duchamp, signifying a profound milestone in museum history.

“Avant-garde,” is a term that refers to pushing the boundaries of artistic expression.

“I am extremely honored and humbled. It is a remarkable milestone in my creative journey, and I am grateful for the opportunity to be part of such a prominent platform. The acknowledgment, especially considering Switzerland’s exacting standards in art and design, is truly fulfilling,” said Ong.

Part of a stellar contemporary collection

Under the museum’s Contemporary Collection, Ong will join global contemporary agencies such as M/M Paris (collaborator of Icelandic singer-songwriter and composer, Björk), WORK Pte Ltd (brainchild of the “Godfather of Singapore Graphic Design,” Theseus Chan), Bedow (Stockholm), BVD Stockholm AB (Stockholm), Socio Design (London) and Milkxhake (Hong Kong), among others.

Ong’s music packaging design for the Filipino harsh noise duo, White Widow, will be featured in the museum. The band’s album “The God Uterus Dissolves” — released under Melt Records — features an unconventional cassette tape packaging incorporating a hand-crafted wire mesh, elevating it into a unique and bespoke collector’s item.

The museum’s selection process for its Contemporary Collection involved three categories: Graphic Design, Photography, and Illustration. Swiss-Canadian Fritz Gottschalk, a prominent figure in contemporary graphic design, led the Graphic Design category.

“This is profoundly validating for me as a graphic designer. Being part of a museum’s permanent contemporary collection is a lasting testament to my capabilities as an artist,” said Ong.

‘Poetry you can touch’

The graphic designer from Cebu City further defined the album as a “deliberate departure from the ordinary,” stating that it was a testament to the artist’s and band’s dedication to pushing boundaries and offering the audience a unique and immersive experience.

“Careful consideration was given to every detail, including choosing a premium supplier for the cassette tape. Opting for a screen-printed cassette, where design elements were applied directly to the surface, gave it a contemporary and visually striking result, helping us reinforce the design narrative,” said Ong.

“From the cohesive placement of elements to using symbols instead of track titles on the spine and customizing fonts, every aspect was carefully thought out. Rather than opting for the conventional wire mesh treatment on print, I took a bold step by incorporating a hand-crafted wire mesh, adding a unique and sensory dimension to the album — almost like poetry you can touch.”

Profound honor

Established in 2003, Inodoro Design Studio under Ong’s leadership has garnered global acclaim for its bold design philosophy, spanning music, fashion, architecture, culture and technology. In becoming the first Filipino whose work will be on display at the MA-g, Ong stated that it is “particularly humbling.”

“Traditionally, these privileges are given to individuals who have amassed decades of experience, attained mastery in their craft, or even as a posthumous acknowledgment. To be among those selected is a profound and unexpected honor,” he said.

“Museums typically focus on visual artists, and for a graphic designer, especially within the realm of commercial work, recognition can be more elusive. I appreciate the challenges of this less conventional route and I am committed to proving the significance of graphic design in the broader artistic landscape.”

Art enthusiasts can anticipate viewing Ong’s work with “The God Uterus Dissolves” at MA-g, scheduled to open to the general public in 2025.

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About The Museum of Avant-garde (MA-g)

The Museum of Avant-garde compiles an original body of work from private collections, providing a unique perspective on the cultural and artistic significance of avant-garde movements. These movements, synonymous with transformative ideologies and daring experimentations, played a pivotal role in challenging political and societal conventions. For more information, visit www.ma-g.org.

About Inodoro

Inodoro is the creative moniker of graphic designer and art director PJ Ong, a prominent figure in the Philippine design scene. Established in 2003, Inodoro Design Studio, based in Cebu, Philippines, has garnered international recognition for its bold and distinctive design, with a focus on thought-driven imagery and iconic visual language. The studio specializes in identities, custom typography, graphic design and art direction. For more information, visit www.inodoro-design.com.

People

Ladies Who Support Ladies

Women’s Circle is an organization composed of Cebuano ladies who are successful entrepreneurs and top executives. They recently held a fellowship event at the Sheraton Mactan Resort, with special guests from the Women’s Business Council Philippines. Chairperson, Rosemarie Rafael and Council Secretary Cynthia Mamon both flew in from Manila to discuss alliances between the Cebu and Manila groups.

Loot bag from Jo Malone, Sheraton, R&M Chocomanga, gift card from Maayo Clinic, sarong from Ferimar.

The half day event was organized by Perl Jacalan, Gina Atienza and Eva Gullas. Sheraton Resort through its GM Dottie Wugler Cronin supported the event as it is aligned with the hotel’s women initiatives. The successful event was made more fun with generous give-aways, notably Jo Malone perfumes, Sheraton bags, R&M Chocomanga and sarongs from Ferimar.