Here, I ask some artists from the recent Meltdown 3.0 event about their perspective on how noise and sounds are an artform and how they create their own sounds.
John Caing & Sam Pipebomb, photo by Pj Ong
What made you decide to create this kind of music?
Lush Death: “My discovery of Japanese harsh noise immerse me to something until now I couldn’t explain well. My fascination with artist like Masonna, Hanatarash, Incapacitants, C.C.C.C. and Hijokaidan excites me and later on I decided to do Noise.”
Lush Death is noise killer artist from Binangonan, Rizal. He takes inspiration from almost everything around him. From his feelings, new experiences, films, arts, people and music. He started doing noise since 2008 with his first noise project called thera barra.
PGR, photo by Lush Death
Another Artist, PGR also known as Paolo, an Italian guy who grew up musically in Norway and graduated at Milan’s jazz music academy in bass guitar said, “I think it has not been a decision so far. More urgence. I needed something I didn’t know. I found it in those chaotic sounds.”
His inspiration in making Noise Music was triggered when he had to get a way to escape and find a comfortable shelter from the madness and the uselessness of what humans generate, since 2012 he continued creating this kind of music.
John Caing, photo by Lush Death
Two artists that hail from Cebu, John Caing & Sampipebomb, are known pioneers of Noise Rock—their band Bombo Pluto Ova. When asked why they decided to create this kind of music John said, “Same as everybody else, ganahan mag enjoy sa life while they can, this kind of music it is nothing new, for me this kind of music is rock n roll, just wanna have fun and enjoy. to keep the blood thin.” He was inspired by his family and continues to play in the band since 1997.
“I think the reason was I just keep on exploring new music and experimenting sounds. keeping my open mind to the possibilities.” Future Teenager is a solo experimental project by Karl Lucente which explore and creates music from ambient to noise. Being a fan of Radiohead, Sonic Youth and Bon Iver, he develop his inspiration from the different level of frequencies such musics are producing but still you can totally grasp it. He started doing this since 2015 when his friends made a show called Abrupt Shift.
Chris Murillo, credits to Lush Death
How would you describe your music and how is it different from other genres?
“Rock n roll, sound art, I dunno. Call it anything you want, ganahan ra dyud ko mo tukar and have fun while mo tukar. I think pareha raman siguro sa uban naa passion tapos even wala naka time motukar pangitaan gihapon nmu paagi kay kibaw ka inig at the end of the day fullfiling siya para nmu, padayon gihapon ka kay malingaw man dyud ka.” -John Caing
“Noise worship” “It’s everything they try to avoid on a radio type of music.
“Feedback, static, glitches, unwanted frequencies and a lot of mistakes.” -Lush Death
“Medicine for life boredom. Honest. it’s just different, as luckily anything else is.” -PGR
“As of now, I’m not sure, Future Teenager is still rarely new. Just a different take on appreciating music.” -Karl Lucente
Lush Death
How does this kind of genre become art? Or how is this genre an art form?
“Well yes, it is art and there is a lot of discussions about this. But it doesn’t matter to me, if people recognized this or not as an art form or music. As long as I feel something in doing it and people who watched me perform live or listen to my record get some kind of a trip or experienced something, well that is more important to me. I tried not to over analyzed everything, art/music whatever they call it.” -Lush Death
“Music is Art!” -Karl Lucente
“Self expression, it takes time and patience para ma sharpen ug mugawas natural sa imuha ang gusto nmu buhaton, i think mao sad na ang art, padayun lang dyud permi until kung wala na gana mo tukar di mo undang na.” -John Caing
“I am not aiming to art and i don’t consider myself an artist. thus i cannot answer to this. Someone would say it’s art, but for me it’s just pleasing sound. something i like to listen to.” -PGR
PGR, Photo by Lush Death
What is your goal or vision when you create music?
“For me,doing noise is like a therapy. It helps me to cope with my anxiety and ruthless routine.” -Lush Death
“Inig tukar nako mag imagine raman ko, tapos ako e transort sa guitara after that imuha na i-let go ang outcome.” -John Caing
“As of now, I’m not sure about it but what in my mind while playing was i just wanted to share what’s on my mind” -Karl Lucente
“I like the fact that anyone can get to his/her own conclusion. the listening it’s open to any response. my goal is to have no goal.” -PGR
What is your creative process when making your music and what are the gadgets you use to create sound?
“For recording and live set, its almost the same set of gears. For recordings, I always have a title in mind first, before I record a track. Almost all of my recordings are raw and unedited. Usually its from various things I experience from day to day basis. I love the appeal of one take recordings. For live performance, its on the spot. I just make sure before the show that my gear is working perfectly. I use a contact microphone and feed it to a series of effects pedal. It’s pretty much simple, I try to fit everything. I need into a portable suitcase.” -Lush Death
Lush Death also uses a contact microphone while playing in his gig in Cebu. It amplifies vibrations and impact and send the signal to any inputs. Which is amazing when your an audience watching the set, trying to listen to the sound produced by every hand gestures.
“The process is totally improvised. on the other hand i know my set up quite well, so i know how to get this or that sound. The set up is very simple. Contact microphones or microphones run into distortion and equaliser pedal. I like to use radio as sound source too.” -PGR
PGR, photo by Lush Death
PGR’s set the energetic one, he moved a lot and even stood up in the table while performing which resembels the energy of the sounds he produces. He also used an old mic from an hifi. Which he puts in his mouth to produces breathing sounds, screams and other sounds to change the feedback frequencies.
“Both, there are times on the spot and sometimes i prepare before a gig. I loop, oscillate and reverb! I just combine it. Something holistic yet destructive kind of sound.” -Karl Lucente
Future Teenager, photo by Pj Ong
“Improvised tanan. Since bombo pluto ova nag start improvisation dyud na. During sa Melt gig wala dyud ko gadget kay ganahan ko raw siya. mas raw siya mas doul sa akong kasing kasing, mas nindot e manipulate ang noise together with rhythm and chords. sa ako lang simplicity sa set up, simple ug concept mas lingaw kaayu ug dali makabuhat sa imuhang imagination tapos imuha e transform sa music gamit imuha guitara, then let go. mao rana.” -John Caing
Throughout the years, Cebu has been a place of continuous experimentation and innovation. The music scene opens up new and exciting music while the crowd and the community always support each other.
“The crowd in Cebu seemed to be curious for something which maybe doesn’t happen so often in town. I am glad many people showed up. I am confident the other performers and me managed to plant some seeds in the adventors’ ears.” -PGR
“It always feels good playing in front of other people. It doesn’t matter where and to whom i am performing, as long as they are willing to be blessed with static,then we have a deal.” -Lush Death
Trying to grasp all kind sounds I heard that night I felt like my ears were overwhealmened but I am simply amazed on how creative we can be with different kinds of medium to produce art. All the artist produced very distictive music that I personally enjoy. When you listen carefully you can distiguish each sound produce by every movement, every click and every material that is being moved. That’s what made it fun actually listening to it. Just ignore what you’ve learn about how music has to be. Enjoy and feel it. Music is an artfrom, It needs to be felt, that’s how it’s supposed to be.
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We got the chance to talk to him about his new single, Addict, and what he’s been up to since his last single.
How have you been doing since your last release?
JID: Been really great and excited to share more music to everyone!
You recently released a new song, named “Addict”. Can you break down the song’s lyrics for us?
JID: Basically the song is all about this misjudged person expressing his thoughts and how the negativity helped him not to be that person most people think he’ll be.
How did you come up with this song?
JID: It was midnight and these lines just popped in my head out of nowhere: “Why do you have to judge me? Is it because the music too loud? Is it the way i dress?” and build it from there until the beat/instrumental, finished the whole song before day light. I knew there’s a lot out there going through this so I really had to push it. I wrote this song for everyone being misjudged, and being an addict happens to be the most common misjudgment I always get so that’s why I came up with the whole concept / title but this song is really for them.
Any shows you’ll be having soon?
JID: I’d love to let ya’ll know and its been months since ive last played. Preparing for this thing and want to surprise ya’ll instead!!
What’s one thing you want to accomplish as soon as possible in your career?
JID: A lot! Just having fun with the whole process really and let the music lead its way!
Any advice for aspiring Cebuano artists?
JID: Don’t degrade our musicality and artistic decisions for views and likes! Keep grinding and one day we will all get to where we want to be!
Safe to say, we’re ADDICTed to the beat — pun intended. Check out the video below to listen to JID Durano’s latest single Addict.
]]>“It’s about this guy who’s trying hard to love a girl who does not love him anymore,” Vincent explains, saying it was inspired by personal experience. It’s a beautiful depiction of saving a relationship that’s clearly on it’s last leg, and highlights Vincent’s talent as a songwriter. The words are simple, but the sentiment is real. It’s made us all the more excited about the 12-track album that’s currently in production with 22 Tango Records.
SONGWRITING SKILL
22 Tango’s CEO Cattski Espina is producing the album, and picked I Know You Do as the debut single because of it’s coming-of-age feel. “It’s not every day you come across a guy like Eco,” explains Cattski. “His writing style is not exactly Bob Dylan or Leonard Cohen level, since he’s still in his early 20’s, but for some reason he resonates a lot of that classic folk characteristic.”
This Folk Americana sensibility is something that Cattski wanted to retain in the song, and in the rest of the album. “We stayed loyal to the song and Vincent Eco’s unique sound,” she continues. “We just played around with some embellishments–some strings and effects. Nothing crazy.” For this, she worked with bassist Clarence Mongado, and sound engineers Jad Bantug and Anjelo Calinawan.
THE LAUNCH
Vincent Eco’s I Know You Do will be launched in an intimate music session at A SPACE Cebu on March 17. This will be part of _Acoustic, the venue’s regular music events series. Other artists performing are Mary Anchit, Lourdes Maglinte and Honeydrop. Door fee is P150, with the first 25 guests getting a free bottle of The Cebruery craft beer.
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