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Nelly Egle Gives Us a Glimpse of Her Chic Closet

With an innate ability to find what works together, the well-traveled artist brings culture and personality into her wardrobe for a style statement she describes as chic and sexy.

If the eyes are the windows to someone’s soul, then walking into their closet must be the introduction to their personal style statements. It certainly true for Nelly Egle—as she gives us a tour of her closet, it’s clear that it’s the epitome of the different facets of her personality. Her current seaside lifestyle (and husband Rene’s position as the general manager of Shangri-La’s Mactan Resort and Spa) is represented by flowing dresses in wispy fabrics and vivid tropical prints. Asian-inspired details, like the beautifully crafted armoire in one corner or the carved detailing of the long table for her accessories, are subtle odes to her Chinese heritage. And throughout the room (and the rest of the home, in fact) are carefully selected paintings that show her affinity for art.

“That’s not the piece I really wanted here, though,” she tells us, pointing to a framed painting of a woman seated daintily with her legs crossed in front of her. “I painted it,” she tells me, and thanks us graciously when we compliment the piece. “It’s nice, but I don’t think it’s the best match for the room.”

With the eye and sensibilities of an artist, Nelly just has an innate flair for putting things together. Her closet, a converted guest bedroom redecorated with clothing racks and shelves, are full of stylish tableaus that show this off.

In the middle of the room is a long table for her accessories. “I think I bought this more to display in the home than for me to use,” she laughs, admiring the Neil Felipp Oceania minaudiere in the middle. On both ends are an array of her accessories—necklaces and rings arranged on a colorful silk scarf on one, and earrings housed in clear acrylic cases in the other. Below it are a row of her shoes, all somehow a work of art in themselves for their sculptural forms.

As for her clothes, the range goes from bold prints to muted colors, from sleek silhouettes to unapologetic ruffles. One such ruffled piece is a J. Crew skirt that she was excited to put on. “This is my new favorite piece. They’re not really a super luxurious brand, but the details are so good,” she points out the ruffles on the skirt. “It’s nice for the beach, or for an event. What do you call it? Chic and sexy.”

Of course, a lot of the clothes have also been amassed from her and her husband’s travels and residencies around the world. One such piece is the a body-hugging wrap dress with a Pucci-esque print that she had gotten made for her while in Italy. “I used it a lot when we were in the Maldives,” she says, referring to Rene’s tenure at Shangri-La’s Villingili Resort & Spa. “It’s great for the beach, so it’s perfect for Mactan too.”

For Nelly, though, her favorite piece in the closet is one that’s more than 20 years old. “This is my oldest piece in the closet. It shows my nationality,” she says, pulling out a deep blue qipao or cheongsam from the rack. “It’s handmade, and all the Chinese girls have to have one. But now, it doesn’t fit anymore,” she laughs.

Fashion

The Qipao As Interpreted by Innovative Filipino Designers: PHILIP RODRIGUEZ

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Cebu’s esteemed designer, Philip Rodriguez, pays homage to imperial attire with this stunning yellow silk brocade qipao. While adhering to the traditional cheongsam silhouette, Rodriguez infuses a touch of sensuality by incorporating see-through silk tulle panels along the waistline. Known for his timeless designs and culturally respectful creations, Rodriguez’s attention to detail is unparalleled. His embellishments are intricate and exquisite, showcasing impeccable taste and luxurious design without veering into ostentation. Take, for instance, his cheongsam for the Year of the Dragon. While it may seem daring compared to traditional sensibilities, Rodriguez maintains elegance by delicately veiling the wearer’s skin with sheer tulle on the cutout side panels. The front slit of the dress is cautiously calculated to strike the perfect balance between modesty and allure “I design for women who possess sophistication beyond their years, “ Philip emphasizes. “My clothes are crafted to evoke a sense of beauty and allure, leaving her feeling exquisite and confident.” As a seasoned designer, Rodriguez consistently achieves harmony in his designs. His qipao for 2024 seamlessly blends elements of royalty and sensuality, luxury and practicality, reflecting his mastery of the craft and his ability to create pieces that are truly elegant and well-balance.

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The Qipao As Interpreted by Innovative Filipino Designers: JC BUENDIA

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

JC Buendia, celebrated for his ability to tell a million style stories through minimalist details, is a master of clean, chic lines in fashion. Eschewing frivolity and nonsensical embellishments, every element of his designs contributes to their overall elegance.

Inspired by cinematic portrayals of Chinoiserie, Buendia’s first fascination with the Qipao began with Gloria Romero’s iconic portrayal of a Chinese princess disguised as a ‘sampan’ girl in the 1957 film “Hong Kong Holiday.”

“This admiration for orientalalia only deepened as I watched films like “The Last Emperor” and “In The Mood For Love,” JC recalls.

Buendia’s latest creation is a testament to this cinematic influence. His interpretation of the Qipao for the Year of the Wood Dragon features a cropped top crafted from silk Dupioni, embellished with diamond brooches on the reverse closure for a touch of glamour. Paired with a tea-length bouffant skirt made from frothy layers of delicate tulle, the ensemble exudes sophistication and timeless elegance.

With meticulous attention to detail and a keen eye for design, JC Buendia’s Qipao captures the essence of cinematic glamour while offering a contemporary twist on a classic silhouette. It’s a tribute to the enduring allure of Chinoiserie and the timeless beauty of the Cheongsam.

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The Qipao As Interpreted by Innovative Filipino Designers: PROTACIO EMPACES

The Qipao, an iconic symbol of Chinese fashion, takes center stage as we celebrate the Lunar New Year of the Wood Dragon. This singular closely-fitted garment crafted from the most opulent silks originated in 1920’s Shanghai. ZEE fashion editor Oj Hofer, has sought the creative insights of some of the Philippines’ most innovative designers for their interpretation of the elegant Qipao, also known as Cheongsam.

Protacio Empaces is renowned for his talent in reinventing historical silhouettes into stylish statements perfect for modern women’s lifestyles. His reinterpretations present wearable, contemporary, and highly coveted fashion pieces. The distinct embroidery he incorporates adds an extra touch of charm to his creations. Take, for instance, his cheongsam adorned with delicately hand-embroidered macro daisies and trapunto leaves. “I imagined a vibrant qipao inspired by tropical aesthetics, tailored for chic city living in ASEAN mega-cities. I’m using cotton pique for its structure and infusing it with lively colours to retain a stylish, sensual silhouette,” explains Protacio. His knee-length qipao captures the timeless sophistication seen in Maggie Cheong’s iconic look in the classic film “In the Mood for Love.” Crafted for the Year of the Dragon, this design seamlessly complements the film’s aesthetic, presenting a potential addition to the character’s wardrobe. Seasoned designer Protacio’s creations speak to women aged 30 to 80. His intial Qipao offering for 2024 combines modern elegance with classic charm that resonates with these women’s sophisticated tastes and vibrant lifestyles.

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